him from divine elements.--Ver. 78. We have here strong grounds for contending that the ancient philosophers, 28 and after them the poets, in their account of the creation of the world followed a tradition that had been copied from the Books of Moses. The formation of man, in Ovid, as well as in the Book of Genesis, is the last work of the Creator, and was, for the same purpose, that man might have dominion over the other animated works of the creation.] EXPLANATION. According to Ovid, as in the book of Genesis, man is the last work of the Creator. The information derived from Holy Writ is here presented to us, in a disfigured form. Prometheus, who tempers the earth, and Minerva, who animates his workmanship, is God, who formed man, and 'breathed into his nostrils the breath of life.' Some writers have labored to prove that this Prometheus, of the heathen Mythology, was a Scriptural character. Bochart believes him to have been the same with Magog, mentioned in the book of Genesis. Prometheus was the son of Iapetus, and Magog was the son of Japhet, who, according to that learned writer, was identical with Iapetus. He says, that as Magog went to settle in Scythia, so did Prometheus; as Magog either invented, or improved, the art of founding metals, and forging iron, so, according to the heathen poets, did Prometheus. Diodorus Siculus asserts that Prometheus was the first to teach mankind how to produce fire from the flint and steel. The fable of Prometheus being devoured by an eagle, according to some, is founded on the name of Magog, which signifies 'a man devoured by 29 sorrow.' Le Clerc, in his notes on Hesiod, says, that Epimetheus, the brother of Prometheus, was the same with the Gog of Scripture, the brother of Magog. Some writers, again, have exerted their ingenuity to prove that Prometheus is identical with the patriarch Noah. FABLE III. [I.89-112] The formation of man is followed by a succession of the four ages of the world. The first is the Golden Age, during which Innocence and Justice alone govern the world. The Golden Age was first founded, which, without any avenger, of its own accord, without laws, practised both faith and rectitude. Punishment, and the fear {of it}, did not exist, and threatening decrees were not read upon the brazen {tables},[28] fixed up {to view}, nor {yet} did the suppliant multitude dread the countenance of its judge; but {all} were in safety without any avenger. The pine-tree, cut from its {native} mountains, had not yet descended to the flowing waves, that it might visit a foreign region; and mortals were acquainted with no shores beyond their own. Not as yet did deep ditches surround the towns; no trumpets of straightened, or clarions of crooked brass,[29] no helmets, no swords {then} existed. Without occasion for soldiers, the minds {of men}, free from care, enjoyed an easy tranquillity. The Earth itself, too, in freedom, untouched by the harrow, and wounded by no ploughshares, of its own accord produced everything; and men, contented with the food created under no compulsion, gathered the fruit of the arbute-tree, and the strawberries of the mountain, and cornels, 30 and blackberries adhering to the prickly bramble-bushes, and acorns which had fallen from the wide-spreading tree of Jove. {Then} it was an eternal spring; and the gentle Zephyrs, with their soothing breezes, cherished the flowers produced without any seed. Soon, too, the Earth unploughed yielded crops of grain, and the land, without being renewed, was whitened with the heavy ears of corn. Then, rivers of milk, then, rivers of nectar were flowing, and the yellow honey was distilled from the green holm oak. [Footnote 28:
Read upon the brazen tables.--Ver. 91. It was the custom among the Romans to engrave their laws on tables of brass, and fix them in the Capitol, or some other conspicuous place, that they might be open to the view of all.] [Footnote 29:
Clarions of crooked brass.--Ver. 98. 'Cornu' seems to have been a general name for the horn or trumpet; whereas the "tuba" was a straight trumpet, while the 'lituus' was bent into a spiral shape. Lydus says that the 'lituus' was the sacerdotal trumpet, and that it was employed by Romulus when he proclaimed the title of his newly-founded city. Acro says that it was peculiar to the cavalry, while the 'tuba' belonged to the infantry. The notes of the 'lituus' are usually described as harsh and shrill.] EXPLANATION. The heathen poets had learned, most probably from tradition, that our first parents lived for some time in peaceful innocence; that, without 31 tillage, the garden of Eden furnished them with fruit and food in abundance; and that the animals were submissive to their commands: that after the fall the ground became unfruitful, and yielded nothing without labor; and that nature no longer spontaneously acknowledged man for its master. The more happy days of our first parents they seem to have styled the Golden Age, each writer being desirous to make his own country the scene of those times of innocence. The Latin writers, for instance, have placed in Italy, and under the reign of Saturn and Janus, events, which, as they really happened, the Scriptures relate in the histories of Adam and of Noah. FABLE IV. [I.113-150] In the Silver Age, men begin not to be so just, nor, consequently, so happy, as in the Golden Age. In the Brazen Age, which succeeds, they become yet less virtuous; but their wickedness does not rise to its highest pitch until the Iron Age, when it makes its appearance in all its deformity. Afterwards (Saturn being driven into the shady realms of Tartarus), the world was under the sway of Jupiter; {then} the Silver Age succeeded, inferior to {that of} gold, but more precious than {that of} yellow brass. Jupiter shortened the duration of the former spring, and divided the year into four periods by means of winters, and summers, and unsteady autumns, and short springs. Then, for the first time, did the parched air glow with sultry heat, and the ice, bound up by the winds, was pendant. Then, for the first time, did men enter houses; {those} houses were caverns, and thick shrubs, and twigs fastened together with 32 bark. Then, for the first time, were the seeds of Ceres buried in long furrows, and the oxen groaned, pressed by the yoke {of the ploughshare}. The Age of Brass succeeded, as the third {in order}, after these; fiercer in disposition, and more prone to horrible warfare, but yet free from impiety. The last {Age} was of hard iron. Immediately every species of crime burst forth, in this age of degenerated tendencies;[30] modesty, truth, and honor took flight; in their place succeeded fraud, deceit, treachery, violence, and the cursed hankering for acquisition. The sailor now spread his sails to the winds, and with these, as yet, he was but little acquainted; and {the trees}, which had long stood on the lofty mountains, now, {as} ships bounded[31] through the unknown waves. The ground, too, hitherto common as the light of the sun and the breezes, the cautious measurer marked out with his lengthened boundary. And not only was the rich soil required to furnish corn and due sustenance, but men even descended into the entrails of the Earth; and riches were dug up, the incentives to vice, which the Earth had hidden, and had removed to the Stygian shades.[32] Then destructive iron came forth, and gold, more destructive than iron; then War came forth, that fights through the means of both,[33] and that brandishes in his bloodstained hands the clattering arms. Men live by rapine; the guest is not safe from his entertainer, nor the father-in-law from the son-in-law; good feeling, too, between brothers is a rarity. The husband is eager for the death of the wife, she {for that} of her husband. Horrible stepmothers {then} mingle the ghastly wolfsbane; the son prematurely makes inquiry[34] into the years of his father. Piety lies vanquished, and the virgin Astraea[35] is the last of the heavenly {Deities} to abandon the Earth, {now} drenched in slaughter. 33 [Footnote 30:
Age of degenerated tendencies.--Ver. 128. 'Vena' signifies among other things, a vein or track of metal as it lies in the mine. Literally, 'venae pejoris' signifies 'of inferior metal.'] [Footnote 31:
Now as ships bounded.--Ver. 134. 'Insultavere carinae.' This line is translated by Clarke, 'The keel-pieces bounced over unknown waves.'] [Footnote 32:
To the Stygian shades.--Ver. 139. That is, in deep caverns, and towards the centre of the earth; for Styx was feigned to be a river of the Infernal Regions, situate in the depths of the earth.] [Footnote 33:
Through the means of both.--Ver. 142. Gold forms, perhaps, more properly the sinews of war than iron. The history of Philip of Macedon gives a proof of this, as he conquered Greece more by bribes than the sword, and used to say, that he deemed no fortress impregnable, where there was a gate large enough to admit a camel laden with gold.] [Footnote 34:
Prematurely makes inquiry.--Ver. 148. Namely, by inquiring of the magicians and astrologers, that by their skill in casting nativities, they might inform them the time when their parents were likely to die, and to leave them their property.] [Footnote 35:
Astraea.--Ver. 150. She was the daughter of Astraeus and Aurora, or of Jupiter and Themis, and was the Goddess of 34 Justice. On leaving the earth, she was supposed to have taken her place among the stars as the Constellation of the Virgin.] EXPLANATION. The Poet here informs us, that during the Golden Age, a perpetual spring reigned on the earth, and that the division of the year into seasons was not known until the Silver Age. This allusion to Eden is very generally to be found in the works of the heathen poets. The Silver Age is succeeded by the Brazen, and that is followed by the Iron Age, which still continues.
