The walls were of timber covered with slates. The spaces between the timbers had been filled up with bricks, in a way that may still be seen in some provincial towns, laid in a zigzag pattern known as Point de Hongrie. The window-sills and lintels, also of wood, were handsomely carved, as were the corner tabernacle above the Madonna, and the pillars in front of the shop. Every window, every beam dividing the stories, was graced with arabesques of fantastic figures and animals wreathed in scrolls of foliage. On the street side, as on the river side, the house was crowned with a high-pitched roof having a gable to the river and one to the street. This roof, like that of a Swiss chalet, projected far enough to cover a balcony on the second floor, with an ornamental balustrade; here the mistress might walk under shelter and command a view of the street, or of the pool shut in between two bridges and two rows of houses.
Houses by the river were at that time highly valued. The system of drainage and water supply was not yet invented; the only main drain was one round Paris, constructed by Aubriot, the first man of genius and determination who—in the time of Charles V.—thought of sanitation for Paris. Houses situated like this of the Sieur Lecamus found in the river a necessary water-supply, and a natural outlet for rain water and waste. The vast works of this kind under the direction of the Trade Provosts are only now disappearing. None but octogenarians can still remember having seen the pits which swallowed up the surface waters, in the Rue Montmartre, Rue du Temple, etc. These hideous yawning culverts were in their day of inestimable utility. Their place will probably be for ever marked by the sudden rising of the roadway over what was their open channel—another archæological detail which, in a couple of centuries, the historian will find inexplicable.
One day, in 1816, a little girl, who had been sent to an actress at the Ambigu with some diamonds for the part of a queen, was caught in a storm, and so irresistibly swept away by the waters to the opening of the drain in the Rue du Temple, that she would have been drowned in it but for the help of a passer-by, who was touched by her cries. But she had dropped the jewels, which were found in a man-hole. This accident made a great commotion, and gave weight to the demands for the closing of these gulfs for swallowing water and little girls. These curious structures, five feet high, had more or less movable gratings, which led to the flooding of cellars when the stream produced by heavy rain was checked by the grating being choked with rubbish, which the residents often forgot to remove.
The front of Master Lecamus' shop was a large window, but filled in with small panes of leaded glass, which made the place very dark. The furs for wealthy purchasers were carried to them for inspection. To those who came to buy in the shop, the goods were displayed outside between the pillars, which, during the day, were always more or less blocked by tables and salesmen sitting on stools, as they could still be seen doing under the arcade of the Halles some fifteen years since. From these outposts the clerks, apprentices, and sewing girls could chat, question, and answer each other, and hail the passer-by in a way which Walter Scott has depicted in the Fortunes of Nigel. The signboard, representing an ermine, was hung out as we still see those of village inns, swinging from a handsome arm of pierced and gilt ironwork. Over the ermine were these words:
LECAMUS
Furrier
To Her Majesty the Queen and the King our
Sovereign Lord
On one side, and on the other:
"To Her Majesty the Queen Mother
And to the Gentlemen of the Parlement."
The words "To Her Majesty the Queen" had been lately added; the gilt letters were new. This addition was a consequence of the recent changes produced by Henri II.'s sudden and violent death, which overthrew many fortunes at Court, and began that of the Guises.
The back shop looked over the river. In this room sat the worthy citizen and his wife, Mademoiselle Lecamus. The wife of a man who was not noble had not at any time any right to the title of Dame, or lady; but the wives of the citizens of Paris were allowed to call themselves Demoiselle (as we might say Mistress), as part of the privileges granted and confirmed to their husbands by many kings to whom they had rendered great services. Between this back room and the front shop was a spiral ladder or staircase of wood, a sort of corkscrew leading up to the next story, where the furs were stored, to the old couple's bedroom, and again to the attics, lighted by dormer windows, where their children slept, the maid-servant, the clerks, and the apprentices.
This herding of families, servants, and apprentices, and the small space allotted to each in the dwelling, where the apprentices all slept in one large room under the tiles, accounts for the enormous population at that time crowded together in Paris on a tenth of the ground now occupied by the city, and also for the many curious details of mediæval life, and the cunning love affairs, though these, pace the grave historian, are nowhere recorded but by the story writers, and without them would have been lost.
At this time a grand gentleman—such as the Admiral de Coligny, for instance—had three rooms for himself in Paris, and his people lived in a neighboring hostelry. There were not fifty mansions in all Paris, not fifty palaces, that is to say, belonging to the sovereign princes or great vassals, whose existence was far superior to that of the greatest German rulers, such as the Duke of Bavaria or the Elector of Saxony.
The kitchen in the Lecamus' house was on the river side below the back shop. It had a glass door opening on to an ironwork balcony, where the cook could stand to draw up water in a pail and to wash the household linen. Thus the back shop was at once the sitting-room, the dining-room, and the counting-house. It was in this important room—always fitted with richly-carved wood, and adorned by some chest or artistic article of furniture—that the merchant spent most of his life; there he had jolly suppers after his day's work; there were held secret debates on the political interests of the citizens and the Royal family. The formidable guilds of Paris could at that time arm a hundred thousand men. Their resolutions were stoutly upheld by their serving-men, their clerks, their apprentices, and their workmen. Their Provost was their commander-in-chief, and they had, in the Hôtel de Ville, a palace where they had a right to assemble.
In that famous "citizens' parlor" (parlouer aux bourgeois) very solemn decisions were taken. But for the continual sacrifices which had made war unendurable to the Guilds, wearied out with losses and famine, Henri IV., a rebel-made king, might never have entered Paris.
Every reader may now imagine for himself the characteristic appearance of this corner of Paris where the bridge and the Quay now open out, where the trees rise from the Quai aux Fleurs, and where nothing is left of the past but the lofty and famous clock-tower whence the signal was tolled for the Massacre of Saint-Bartholomew. Strange coincidence! One of the houses built round the foot of that tower—at that time surrounded by wooden shops—the house of the Lecamus, was to be the scene of one of the incidents that led to that night of horrors, which proved, unfortunately, propitious rather than fatal to Calvinism.
At the moment when this story begins, the audacity of the new religious teaching was setting Paris by the ears. A Scotchman, named Stuart, had just assassinated President Minard, that member of the Parlement to whom public opinion attributed a principal share in the execution of Anne du Bourg, a councillor burnt on the Place de Grève after the tailor of the late King, who had been tortured in the presence of Henri II. and Diane de Poitiers. Paris was so closely watched, that the archers on guard compelled every passer-by to pray to the Virgin, in order to detect heretics, who yielded unwillingly, or even refused to perform an act opposed to their convictions.
The two archers on guard at the corner of the Lecamus' house had just gone off duty; thus Christophe, the furrier's son, strongly suspected of deserting the Catholic faith, had been able to go out without fear of being compelled