The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories. Honore de Balzac

the Count at Amboise, so that neither the most effectual bribery, that of gold, nor the most diligent inquiries brought the furrier any light as to his son's fate. He wandered about the little town in a melancholy way, watching the tremendous preparations that the Cardinal was making for the shocking spectacle at which the Prince de Condé was to be present.

      Public curiosity was being stimulated, by every means in use at the time, from Paris to Nantes. The execution had been announced from the pulpit by every preacher, in a breath with the King's victory over the heretics.

      Three elegant stands, the centre one apparently to be the finest of the three, were being erected against the curtain-wall of the château, at the foot of which the execution was to take place. All round the open space raised wooden seats were being put up, after the fashion of an amphitheatre, to accommodate the enormous crowd attracted by the notoriety of this auto-da-fè. About ten thousand persons were camping out in the fields on the day before this hideous spectacle. The roofs were crowded with spectators, and windows were let for as much as ten livres, an enormous sum at that time.

      The unhappy father had, as may be supposed, secured one of the best places for commanding a view of the Square where so many men of family were to perish, on a huge scaffold erected in the middle, and covered with black cloth. On the morning of the fatal day, the headsman's block, on which the victim laid his head, kneeling in front of it, was placed on the scaffold, and an armchair, hung with black, for the Recorder of the Court, whose duty it was to call the condemned by name and read their sentence. The enclosure was guarded from early morning by the Scotch soldiers and the men-at-arms of the King's household, to keep the crowd out till the hour of the executions.