It will here be fitting to controvert a popular error which some persons have perpetuated, following Sauval in the mistake. It has been said that Henri II. carried his oblivion of decency so far as to place his mistress' initials even on the buildings which Catherine had advised him to undertake or to carry on at such lavish expense. But the cipher, which is to be seen at the Louvre, amply refutes those who have so little comprehension as to lend credit to such nonsense, a gratuitous slur on the honor of our kings and queens. The H for Henri and the two C's, face to face, for Catherine seem indeed to make two D's for Diane; and this coincidence was no doubt pleasing to the King. But it is not the less certain that the royal cipher was officially constructed of the initials of the King and the Queen. And this is so true, that the same cipher is still to be seen on the corn-market in Paris which Catherine herself had built. It may also be found in the crypt of Saint-Denis on Catherine's tomb, which she caused to be constructed during her lifetime by the side of that of Henri II., and on which she is represented from life by the sculptor to whom she sat.
On a solemn occasion, when he was setting out on an expedition to Germany, Henri II. proclaimed Catherine Regent during his absence, as also in the event of his death—on March 25, 1552. Catherine's bitterest enemy, the author of the Discours merveilleux sur les déportements de Catherine II., admits that she acquitted herself of these functions to the general approbation, and that the King was satisfied with her administration. Henri II. had men and money at the right moment. And after the disastrous day of Saint-Quentin, Catherine obtained from the Parisians considerable sums, which she forwarded to Compiègne, whither the King had come.
In politics Catherine made immense efforts to acquire some little influence. She was clever enough to gain over to her interests the Connétable de Montmorency, who was all-powerful under Henri II. The King's terrible reply to Montmorency's insistency is well known. This answer was the result of the good advice given by Catherine in the rare moments when she was alone with the King, and could explain to him the policy of the Florentines, which was to set the magnates of a kingdom by the ears and build up the sovereign authority on the ruins—Louis XI.'s system, subsequently carried out by Richelieu. Henri II., who saw only through the eyes of Diane and the Connétable, was quite a feudal King, and on friendly terms with the great Houses of the realm.
After an ineffectual effort in her favor made by the Connétable, probably in the year 1556, Catherine paid great court to the Guises, and schemed to detach them from Diane's party so as to set them in opposition to Montmorency. But, unfortunately, Diane and the Connétable were as virulent against the Protestants as the Guises were. Hence their antagonism lacked the virus which religious feeling would have given it. Besides, Diane boldly defied the Queen's plans by coquetting with the Guises and giving her daughter to the Duc d'Aumale. She went so far that she has been accused by some writers of granting more than smiles to the gallant Cardinal de Lorraine.[E]
The signs of grief and the ostentatious regret displayed by Catherine on the King's death cannot be regarded as genuine. The fact that Henri II. had been so passionately and faithfully attached to Diane de Poitiers made it incumbent on Catherine that she should play the part of a neglected wife who idolized her husband; but, like every clever woman, she carried on her dissimulation, and never ceased to speak with tender regret of Henri II. Diane herself, it is well known, wore mourning all her life for her husband, Monsieur de Brézé. Her colors were black and white, and the King was wearing them at the tournament when he was fatally wounded. Catherine, in imitation no doubt of her rival, wore mourning for the King to the end of her life.
On the King's death, the Duchesse de Valentinois was shamelessly deserted and dishonored by the Connétable de Montmorency, a man in every respect beneath his reputation. Diane sent to offer her estate and Château of Chenonceaux to the Queen. Catherine then replied in the presence of witnesses, "I can never forget that she was all the joy of my dear Henri; I should be ashamed to accept, I will give her an estate in exchange. I would propose that of Chaumont-on-the-Loire." The deed of exchange was, in fact, signed at Blois in 1559. Diane, whose sons-in-law were the Duc d'Aumale and the Duc de Bouillon, kept her whole fortune and died peacefully in 1566 at the age of sixty-six. She was thus nineteen years older than Henri II. These dates, copied from the epitaph on her tomb by an historian who studied the question at the end of the last century, clear up many historical difficulties; for many writers have said she was forty when her father was sentenced in 1523, while others have said she was but sixteen. She was, in fact, four-and-twenty.
After reading everything both for and against her conduct with Francis I., at a time when the House of Poitiers was in the greatest danger, we can neither confirm nor deny anything. It is a passage of history that still remains obscure. We can see by what happens in our own day how history is falsified, as it were, in the making.
Catherine, who founded great hopes on her rival's age, several times made an attempt to overthrow her. On one occasion she was very near the accomplishment of her hopes. In 1554, Madame Diane, being ill, begged the King to go to Saint-Germain pending her recovery. This sovereign coquette would not be seen in the midst of the paraphernalia of doctors, nor bereft of the adjuncts of dress. To receive the King on his return, Catherine arranged a splendid ballet, in which five or six young ladies were to address him in verse. She selected for the purpose Miss Fleming, related to her uncle, the Duke of Albany, and one of the loveliest girls imaginable, fair and golden-haired; then a young connection of her own, Clarissa Strozzi, with magnificent black hair and rarely fine hands; Miss Lewiston, maid of honor to Mary Stuart; Mary Stuart herself; Madame Elizabeth de France, the unhappy Queen of Spain; and Madame Claude. Elizabeth was nine years old, Claude eight, and Mary Stuart twelve. Obviously, the Queen aimed at showing off Clarissa Strozzi and Miss Fleming without other rivals in the King's eyes. The King succumbed: he fell in love with Miss Fleming, and she bore him a son, Henri de Valois, Comte d'Angoulême, Grand Prior of France.
But Diane's influence and position remained unshaken. Like Madame de Pompadour later with Louis XV., the Duchesse de Valentinois was forgiving. But to what sort of love are we to ascribe this scheme on Catherine's part? Love of power or love of her husband? Women must decide.
A great deal is said in these days as to the license of the press; but it is difficult to imagine to what a pitch it was carried when printing was a new thing. Aretino, the Voltaire of his time, as is well known, made monarchs tremble, and foremost of them all Charles V. But few people know perhaps how far the audacity of pamphleteers could go. This Château of Chenonceaux had been given to Diane, nay, she was entreated to accept it, to induce her to overlook one of the most horrible publications ever hurled at a woman, one which shows how violent was the animosity between her and Madame d'Etampes. In 1537, when she was eight-and-thirty, a poet of Champagne, named Jean Voûté, published a collection of Latin verses, and among them three epigrams aimed at her. We must conclude that the poet was under high patronage from the fact that his volume is introduced by an eulogium written by Simon Macrin, the King's First Gentleman of the Bedchamber. Here is the only passage quotable to-day from these epigrams, which bear the title: In Pictaviam, anum aulicam. (Against la Poitiers,