Thus running on gaily, the worthy pedant strove to amuse the melancholy young nobleman, while he deftly performed his duties as valet; and they were very quickly completed, for the requirements of the stage necessitate great dexterity on the part of the actors to make the metamorphoses frequently needed with sufficient promptness and rapidity. Charmed with the result of his efforts he led de Sigognac up to one of the large mirrors, wherein, upon raising his eyes, he saw a figure which, at the first glance, he thought must be that of some person who had entered the room without his knowledge, and turned to ask who the intruder was—but there was no stranger there, and he discovered that it was his own reflection—so changed that he was mute with astonishment. A young, handsome, richly-dressed de Sigognae stood before him, and a radiant smile parted his lips and lighted up his face as he gazed at his own image, which perfected the really marvellous transformation. Blazius, standing near, contemplated his work with undisguised pride and satisfaction, changing his position several times so as to get different views, as a sculptor might who had just put the finishing touches to his statue altogether to his liking.
“When you have made your way at court, my lord, and regained the position held by your ancestors, as I hope and expect that you will do, I shall pray you to give me a refuge for my old age in your household, and make me intendant of your lordship’s wardrobe,” said he, with a profound bow to the baron.
“I will not forget your request, my good Blazius, even though I fear that I shall never be able to comply with it,” de Sigognae answered with a melancholy smile. “You, my kind friend, are the first human being that has ever asked a favour of me.”
“After our dinner, which we are to have very shortly, we are to consult with his lordship, the marquis, as to what play shall be given this evening, and learn from him where we are to rig our theatre. You will pass for the poet of the troupe; it is by no means an unheard-of thing for men of learning and position to join a band of players thus—either for the fun of the thing, and in hope of adventures, or for the love of a young and beautiful actress. I could tell you of several notable instances; and it is thought to be rather to a man’s credit than otherwise in fashionable circles. Isabelle is a very good pretext for you; she is young, beautiful, clever, modest, and virtuous. In fact many an actress who takes like her the role of the ingenuous young girl is in reality all that she personates, though a frivolous and frequently licentious public will not credit it for a moment.”
Herewith the pedant discreetly retired, having accomplished, to his great satisfaction, what he had really feared to propose to the young baron, for whom he had conceived a very warm affection.
Meanwhile the elegant Leander, indulging in delightful dreams of the possible fair chatelaine who was to fall a victim to his charms, was making his careful toilet—arraying himself in his most resplendent finery, scrupulously kept for grand occasions—convinced that great good fortune awaited him, and determined to carry the noble lady’s heart by storm.
As to the actresses, to whom the gallant marquis, with princely munificence, had sent several pieces of rich stuffs and silks, it is needless to say that they spared no pains to make themselves as charming as possible, and obeyed the summons to dinner radiant with smiles and in high good humour—excepting indeed the fair Serafina, who was inwardly consumed with envy and spite, but careful to conceal it from all beholders.
The marquis, who was of an ardent, impatient nature, made his appearance in the dining-room before they had quite finished the sumptuous repast which had been served to them; he would not allow them to rise, but seated himself at the table with them, and when the last course had been removed, asked the tyrant to be good enough to give him a list of the plays they were in the habit of acting, so that he might select one for the evening’s entertainment. But so many were enumerated that his lordship found it not easy to make a choice, and expressed his desire to have the tyrant’s ideas upon the subject.
“There is one piece we often play,” Herode said, “which never fails to please, and is so full of good-natured fun and nonsense that it keeps the audience in a roar of laughter from the beginning to the end.”
“Let us have that one, by all means,” the marquis exclaimed; “and pray what is the name of this delightful play?”
“The Rodomontades of Captain Matamore.”
“A capital title, upon my word! and has the soubrette a good part in it?” asked his lordship, with a languishing glance at her.
“The most racy, mischievous role imaginable,” said Herode warmly, “and she plays it to perfection—it is her chef d’oeuvre. She is always applauded to the echo in it.”
At this high praise from the manager, Zerbine—for such was the soubrette’s name—tried her best to get up a becoming blush, but in vain. Modesty she had none, and the tint she would fain have called into requisition at that moment was not contained in any of her numerous rouge-pots. So she cast down her eyes, thereby displaying to advantage the length and thickness of her jet-black lashes, and raised her hand with a deprecating gesture, which called attention to its pretty, taper fingers and rosy nails. The marquis watched he admiringly, and she certainly was very charming in her way. He did not vouchsafe even a glance to the other two young actresses—refraining from testifying any marked admiration for Isabelle because of the prior claim of the Baron de Sigognac—though he was secretly very much delighted with her sweet, refined style of beauty, and the quiet dignity and grace of her deportment. Serafina, who was naturally indignant that the marquis had not even asked if there was a part for her in the piece to be performed, accused him in her heart of being no gentleman, and of having very low, vulgar tastes, but she was the only one of the party that felt any dissatisfaction.
Before the marquis left them he said to Herode, “I have given orders to have the orangery cleared so that our theatre can be arranged there; they are carrying planks, trestles, benches, hangings, and all other needful articles in there now. Will you kindly superintend the workmen, who are new to this sort of business? They will obey your orders as they would my own.”
Accordingly the tyrant, Blazius and Scapin repaired to the orangery, which was at a little distance from the chateau and admirably calculated for the purpose it was now to serve, and where they found everything necessary to convert it into a temporary theatre.
Whilst this work is going forward we will make our amiable, indulgent readers acquainted with the fair mistress of the chateau—having heretofore forgotten to mention that the Marquis de Bruyeres was a married man; he thought of it so seldom himself that we may surely be pardoned for this omission. As can be readily imagined, from our last remark, love had not been the moving cause in this union. Adjoining estates, which, united in one, formed a noble domain, and equality of rank had been the chief considerations. After a very brief honeymoon, during which they had become painfully aware of a total want of congeniality, the marquis and marquise—like well-bred people, making no outcry about their matrimonial failure—had tacitly agreed to live amicably under the same roof, but entirely independent of each other—he to go his way and she hers, with perfect freedom. They always treated each other in public, and indeed whenever they chanced to meet, with the greatest courtesy, and might easily have been mistaken by a casual observer for an unusually happy and united pair. Mme. la Marquise occupied a sumptuous suite of apartments in the chateau, which her husband never thought of entering without first sending to ascertain whether it would be convenient for madame to receive him, like a formal visitor. But we will avail ourselves of the time-honoured privilege of authors, and make our way into the noble chatelaine’s bed-chamber, without any form or ceremony—feeling sure of not disturbing its fair occupant, since the writer of a romance wears upon his finger the wonder-working ring of Gyges, which renders him invisible.
It was a large, lofty room, hung with superb tapestry representing the adventures of Apollo, and exhibiting every luxury that wealth could procure. Here also a bright wood