When the Vair is so arranged that in two horizontal rows taken together, either the points or the bases of two panes of the same tincture are in apposition, the fur is known as Counter Vair (Contre Vair) (see Fig. 39, l). Another variation, but an infrequent one, is termed Vair in Pale, known in German heraldry as Pfahlfeh (Vair appointé or Vair en pal; but if of other colours than the usual ones, Vairé en pal). In this all panes of the same colour are arranged in vertical, or palar, rows (Fig. 39, m). German heraldry apparently distinguishes between this and Stürzpfahlfeh, or reversed vair in pale. Vair in Bend (or in bend-sinister) is occasionally met with in foreign coats; thus Mignianelli in Italy bears: Vairé d'or et d'azur en bande; while Vairé en barre (that is, in bend-sinister) d'or et de sable is the coat of Pichon of Geneva.
"Vair en pointe" is a term applied by Nisbet to an arrangement by which the azure shield pointing downwards has beneath it an argent shield pointing downwards, and vice versâ, by which method the resulting effect is as shown in Fig. 39, n. The German term for this is Wogenfeh, or wave vair. Fig. 39, o, shows a purely German variety—Wechselfeh, or alternate vair; and Fig. 39, p, which is equivalent to the English vairé of four colours, is known in German armory as Buntfeh, i.e. gay-coloured or checked vair.
Ordinary vair in German heraldry is known as Eisenhüt-feh, or iron hat vair. On account of its similarity, when drawn, to the old iron hat of the fourteenth and fifteenth centuries (see Fig. 42), this skin has received the name of Eisenhutlein (little iron hat) from German heraldic students, a name which later gave rise to many incorrect interpretations. An old charter in the archives of the chapter-house of Lilienfield, in Lower Austria, under the seal (Fig. 43) of one Chimrad Pellifex, 1329, proves that at that time vair was so styled. The name of Pellifex (in German Wildwerker, a worker in skins, or furrier) is expressed in a punning or canting form on the dexter side of the shield. This Conrad the Furrier was Burgomaster of Vienna 1340–43.
A considerable number of British and foreign families bear Vair only; such are Ferrers and Gresley, above mentioned; Varano, Dukes de Camerino; Vaire and Vairière, in France; Veret, in Switzerland; Gouvis, Fresnay (Brittany); De Vera in Spain; Loheac (Brittany); Varenchon (Savoy); Soldanieri (Florence). Counter vair is borne by Loffredo of Naples; by Bouchage, Du Plessis Angers, and Brotin, of France. Hellemmes of Tournay uses: de Contre vair, à lac otice de gueules brochante sur le tout.
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Mr. Woodward, in his "Treatise on Heraldry," writes: "Two curious forms of Vair occasionally met with in Italian or French coats are known as Plumeté and Papelonné.
In Plumeté the field is apparently covered with feathers. Plumeté d'argent et d'azur is the coat of Ceba (note that these are the tinctures of Vair); Soldonieri of Udine, Plumeté au natural (but the Soldonieri of Florence bore: Vairé argent and sable with a bordure chequy or and azure); Tenremonde of Brabant: Plumeté or and sable. In the arms of the Scaltenighi of Padua, the Benzoni of Milan, the Giolfini, Catanei, and Nuvoloni of Verona, each feather of the plumeté is said to be charged with an ermine spot sable.
The bearing of Papelonné is more frequently found; in it the field is covered with what appear to be scales, the heraldic term papelonné being derived from a supposed resemblance of these scales to the wings of butterflies; for example the coat of Monti: Gules, papelonné argent. Donzel at Besançon bears: Papelonné d'or et de sable. It is worthy of note that Donzé of Lorraine used: Gules, three bars wavy or. The Franconis of Lausanne are said to bear: de Gueules papelonné d'argent, and on a chief of the last a rose of the first, but the coat is otherwise blazoned: Vaire gules and or, &c. The coat of Arquinvilliers, or Hargenvilliers, in Picardy, of d'Hermine papelonné de gueules (not being understood, this has been blazoned "semé of caltraps"). So also the coat of Chemillé appears in French books of blazon indifferently as: d'Or papelonné de gueules: and d'Or semé de chausse-trapes de gueules. Guétteville de Guénonville is said to bear: d'Argent semé de chausse-trapes de sable, but it is more probable that this is simply d'Argent papelonné de sable. The Barisoni of Padua bear: Or, a bend of scales, bendwise argent, on each scale an ermine spot sable, the bend bordered sable. The Alberici of Bologna bear: Papelonné of seven rows, four of argent, three of or; but the Alberghi of the same city: Papelonné of six rows, three of argent, as many of gules. The connection with vairé is much clearer in the latter than in the former. Cambi (called Figliambuchi), at Florence, carried: d'Argent, papelonné de gueules; Monti of Florence and Sicily, and Ronquerolles of France the reverse.
No one who is familiar with the licence given to themselves by armorial painters and sculptors in Italy, who were often quite ignorant of the meaning of the blazons they depicted, will doubt for a moment the statement that Papelonné was originally a corruption from or perhaps is simply ill-drawn Vair."
Potent, and its less common variant Counter Potent, are usually ranked in British heraldic works as separate furs. This has arisen from the writers being ignorant that in early times Vair was frequently depicted in the form now known as Potent (see Fig. 39, q). (By many heraldic writers the ordinary Potent is styled Potent-counter-potent. When drawn in the ordinary way, Potent alone suffices.) An example of Vair in the form now known as Potent is afforded by the seal of Jeanne de Flandre, wife of Enguerrand IV. (De Courcy); here the well-known arms of Courcy, Barry of six vair and gules, are depicted as if the bars of vair were composed of bars of potent (Vrée, Généalogie des Comtes de Flandre). In a Roll of Arms of the time of Edward I. the Vair resembles Potent (-counter-potent), which Dr. Perceval erroneously terms an "invention of later date." The name and the differentiation may be, but not the fact. In the First Nobility Roll of the year 1297, the arms of No. 8, Robert de Bruis, Baron of Brecknock, are: Barry of six, Vaire ermine and gules, and azure. Here the vair is potent; so is it also in No. 19, where the coat of Ingelram de Ghisnes, or Gynes, is: Gules, a chief vair. The same coat is thus drawn in the Second Nobility Roll, 1299, No. 57. Potent, like its original Vair, is always of argent and azure, unless other tinctures are specified in the blazon. The name Potent is the old English word for a crutch or walking-staff. Chaucer, in his description of "Elde" (i.e. old age) writes:
"So olde she was, that she ne went
A fote, but it were by potent."
And though a potent is a heraldic charge, and a cross potent a well-known variety of that ordinary, "potent" is usually intended to indicate the fur of blue and white as in Fig. 39, q. It is not of frequent usage, but it undoubtedly has an accepted place in British armory, as also has "counter-potent," which, following the same rules as counter-vair, results in a field as Fig. 39, r. The German terms for Potent and counter-potent are respectively Sturzkrückenfeh and gegensturzkrückenfeh German heraldry has evolved yet another variant of Potent, viz. Verschobenes Gegensturzkrückenfeh (i.e. displaced potent-counter-potent), as in Fig. 39, s. There is still yet another German heraldic fur which is quite unknown in British armory. This is called Kursch, otherwise "Vair bellies," and is usually shown to be hairy and represented brown. Possibly this is the same as the Plumeté to which Mr. Woodward refers.
Some heraldic writers also speak of varry as meaning the pieces of which the vair is composed; they also use the terms vairy cuppy and vairy tassy for potent-counter-potent, perhaps from the drawings in some instances resembling cups; that is a possible