In the second half of the fourteenth century, when the tournament provided the chief occasion for the shield, the jousting-shield, called in Germany the Tartsche or Tartscher, came into use, and from this class of shield the most varied shapes were gradually developed. These Tartschen were decidedly smaller than the earlier Gothic shields, being only about one-fifth of a man's height. They were concave, and had on the side of the knight's right hand a circular indentation. This was the spear-rest, in which to place the tilting-spear. The later art of heraldic decoration symmetrically repeated the spear-rest on the sinister side of the shield, and, by so doing, transformed a useful fact into a matter of mere artistic design. Doubtless it was argued that if indentations were correct at one point in the outline they were correct at another, and when once the actual fact was departed from the imagination of designers knew no limits. But if the spear-rest as such is introduced into the outline of a shield it should be on the dexter side.
Fig. 30.
Fig. 31.
Fig. 32.
Reverting to the various shapes of shield, however, the degeneration is explained by a remark of Mr. G. W. Eve in the able book which he has recently published under the title of "Decorative Heraldry," in which, alluding to heraldic art in general, he says (p. 235):—
"With the Restoration heraldry naturally became again conspicuous, with the worst form of the Renaissance character in full sway, the last vestiges of the Gothic having disappeared. Indeed, the contempt with which the superseded style was regarded amounted to fanaticism, and explains, in a measure, how so much of good could be relinquished in favour of so weak a successor."
Later came the era of gilded embellishments, of flowing palms, of borders decorated with grinning heads, festoons of ribbon, and fruit and flowers in abundance. The accompanying examples are reproduced from a book, Knight and Rumley's "Heraldry." The book is not particularly well known to the public, inasmuch as its circulation was entirely confined to heraldic artists, coach-painters, engravers, and die-sinkers. Amongst these handicraftsmen its reputation was and is great. With the school of design it adopted, little or no sympathy now exists, but a short time ago (how short many of those who are now vigorous advocates of the Gothic and mediæval styles would be startled to realise were they to recognise actual facts) no other style was known or considered by the public. As examples of that style the plates of Knight and Rumley were admittedly far in advance of any other book, and as specimens of copperplate engraving they are superb. Figs. 30, 31, and 32 show typical examples of escutcheons from Knight and Rumley; and as the volume was in the hands of most of the heraldic handicraftsmen, it will be found that this type of design was constantly to be met with. The external decoration of the shield was carried to great lengths, and Fig. 31 found many admirers and users amongst the gallant "sea-dogs" of the kingdom. In fact, so far was the idea carried that a trophy of military weapons was actually granted by patent as part of the supporters of the Earl of Bantry. Fig. 30, from the same source, is the military equivalent. These plates are interesting as being some of the examples from which most of the heraldic handicraft of a recent period was adapted. The official shield eventually stereotyped itself into a shape akin to that shown in Fig. 32, though nowadays considerable latitude is permitted. For paintings which are not upon patents the design of the shield rests with the individual taste of the different officers of arms, and recently some of the work for which they have been responsible has reached a high standard judged even by the strictest canons of art. In Scotland, until very recently, the actual workmanship of the emblazonments which were issued from Lyon Office was so wretchedly poor that one is hardly justified in taking them into consideration as a type. With the advent into office of the present Lyon King of Arms (Sir James Balfour Paul), a complete change has been made, and both the workmanship and design of the paintings upon the patents of grant and matriculation, and also in the Lyon Register, have been examples of everything that could be desired.
CHAPTER VII
THE FIELD OF A SHIELD AND THE HERALDIC TINCTURES
The shield itself and its importance in armory is due to its being the vehicle whereon are elaborated the pictured emblems and designs which constitute coat-armour. It should be borne in mind that theoretically all shields are of equal value, saving that a shield of more ancient date is more estimable than one of recent origin, and the shield of the head of the house takes precedence of the same arms when differenced for a younger member of the family. A shield crowded with quarterings is interesting inasmuch as each quartering in the ordinary event means the representation through a female of some other family or branch thereof. But the real value of such a shield should be judged rather by the age of the single quartering which represents the strict male descent male upon male, and a simple coat of arms without quarterings may be a great deal more ancient and illustrious than a shield crowded with coat upon coat. A fictitious and far too great estimation is placed upon the right to display a long string of quarterings. In reality quarterings are no more than accidents, because they are only inherited when the wife happens to be an heiress in blood. It is quite conceivable that there may be families, in fact there are such families, who are able to begin their pedigrees at the time of the Conquest, and who have married a long succession of noble women, all of the highest birth, but yet none of whom have happened to be heiresses. Consequently the arms, though dating from the earliest period at which arms are known, would remain in their simple form without the addition of a solitary quartering. On the other hand, I have a case in mind of a marriage which took place some years ago. The husband is the son of an alien whose original position, if report speaks truly, was that of a pauper immigrant. His wealth and other attributes have placed him in a good social position; but he has no arms, and, as far as the world is aware, no ancestry whatever. Let us now consider his wife's family. Starting soon after the Conquest, its descendants obtained high position and married heiress after heiress, and before the commencement of this century had amassed a shield of quarterings which can readily be proved to be little short of a hundred in number. Probably the number is really much greater. A large family followed in one generation, and one of the younger sons is the ancestor of the aforesaid wife. But the father of this lady never had any sons, and though there are many males of the name to carry on the family in the senior line and also in several younger branches, the wife, by the absence of brothers, happens to be a coheir; and as such she transmits to her issue the right to all the quarterings she has inherited. If the husband ever obtains a grant of arms, the date of them will be subsequent to the present time; but supposing such a grant to be obtained, the children will inevitably inherit the scores of quarterings which belong to their mother. Now it would be ridiculous to suppose that such a shield is better or such a descent more enviable than the shield of a family such as I first described. Quarterings are all very well in their way, but their glorification has been carried too far.
A shield which displays an augmentation is of necessity more honourable than one without. At the same time no scale of precedence has ever been laid down below the rank of esquires; and if such precedence does really exist at all, it can only be according to the date of the grant. Here in England the possession of arms carries with it no style or title, and nothing in his designation can differentiate the position of Mr. Scrope of Danby, the male descendant of one of the oldest families in this country, whose arms were upheld