Argent, a chevron between three crows sable, in each beak an ermine spot (Lloyd, Bishop of St. Asaph, 1680; Lichfield, 1692; and Worcester, 1700–17).
Argent, a fess gules between three ermine spots sable (Kilvington).
Argent, two bars sable, spotted ermine, in chief a lion passant gules (Hill, co. Wexford).
The earliest form in which ermine was depicted shows a nearer approach to the reality of the black tail, inasmuch as the spots above the tail to which we are now accustomed are a modern variant.
When a bend is ermine, the spots (like all other charges placed upon a bend) must be bendwise; but on a chevron, saltire, &c., they are drawn upright.
The other variety of fur is "vair." This originated from the fur of a kind of squirrel (the ver or vair, differently spelt; Latin varus), which was much used for the lining of cloaks. The animal was bluey-grey upon the back and white underneath, and the whole skin was used. It will be readily seen that by sewing a number of these skins together a result is obtained of a series of cup-shaped figures, alternating bluey-grey and white, and this is well shown in Fig. 28, which shows the effigy upon the tomb of Geoffrey Plantagenet, Count of Anjou, where the lining of vair to his cloak is plainly to be seen.
Fig. 37.—Arms of William de Ferrers, Earl of Derby (d. 1247): "Scutum variatum auro & gul." (From MS. Cott. Nero, D. 1.)
The word seems to have been used independently of heraldry for fur, and the following curious error, which is pointed out in Parker's "Glossary of the Terms used in Heraldry," may be noted in passing. The familiar fairy tale of Cinderella was brought to us from the French, and the slippers made of this costly fur, written, probably, verre for vairé, were erroneously translated "glass" slippers. This was, of course, an impossible material, but the error has always been repeated in the nursery tale-books.
Fig. 38.—Arms of Robert de Ferrers, Earl of Derby (1254–1265). (From stained glass in Dorchester Church.)
In the oldest records vair is represented by means of straight horizontal lines alternating with horizontal wavy or nebuly lines (see Fig. 37), but the cup-shaped divisions therefrom resulting having passed through various intermediate forms (see Fig. 38), have now been stereotyped into a fixed geometrical pattern, formed of rows of ear-shaped shields of alternate colours and alternately reversed, so depicted that each reversed shield fits into the space left by those on either side which are not reversed (see Fig. 39, k). The accompanying illustration will show plainly what is intended. In some of the older designs it was similar to that shown in the arms of the Earl Ferrers, Earl of Derby, 1254–65, the sketch (Fig. 38) being taken from almost contemporary stained glass in Dorchester Church, Oxon.; whilst sometimes the division lines are drawn, after the same manner, as nebuly. There does not seem to have been any fixed proportion for the number of rows of vair, as Fig. 40 shows the arms of the same Earl as represented upon his seal. The palpable pun upon the name which a shield vairé supplied no doubt affords the origin of the arms of Ferrers. Some families of the name at a later date adopted the horseshoes, which are to be found upon many Farrer and Ferrers shields, the popular assumption being that they are a reference to the "farrier" from whom some would derive the surname. Woodward, however, states that a horseshoe being the badge of the Marshalls, horseshoes were assumed as armes parlantes by their descendants the Ferrers, who appear to have borne: Sable, six horseshoes argent. As a matter of fact the only one of that family who bore the horseshoes seems to have been William de Ferrers, Earl of Derby (d. 1254), as will be seen from the arms as on his seal (Fig. 41). His wife was Sybilla, daughter of William Marshall, Earl of Pembroke. His son reverted to the plain shield of vairé, or, and gules. The arms of the Ferrers family at a later date are found to be: Gules, seven mascles conjoined or, in which form they are still borne by Ferrers of Baddesley Clinton; but whether the mascles are corruptions of the horseshoes, or whether (as seems infinitely more probable) they are merely a corrupted form of the vairé, or, and gules, it is difficult to say. Personally I rather doubt whether any Ferrers ever used the arms: Argent, six horseshoes sable.
Fig. 39.
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PLATE II.
The early manner of depicting vair is still occasionally met with in foreign heraldry, where it is blazoned as Vair ondé or Vair ancien. The family of Margens in Spain bears: Vair ondé, on a bend gules three griffins or; and Tarragone of Spain: Vair ondé, or and gules. German heraldry seems to distinguish between wolkenfeh (cloud vair) and wogenfeh (wave vair; see Fig. 39, n). The former is equivalent to vair ancient, the latter to vair en point.
The verbal blazon of vair nearly always commences with the metal, but in the arrangement of the panes there is a difference between French and English usage. In the former the white panes are generally (and one thinks more correctly) represented as forming the first, or upper, line; in British heraldry the reverse is more usually the case. It is usual to depict the white panes of ordinary vair with white rather than silver, though the use of the latter cannot be said to be incorrect, there being precedents in favour of that form. When an ordinary is of vair or vairy, the rows of vair may be depicted either horizontally or following the direction of the ordinary. There are accepted precedents for both methods.
Vair is always blue and white, but the same subdivision of the field is frequently found in other colours; and when this is the case, it is termed vairy of such and such colours. When it is vairy, it is usually of a colour and metal, as in the case of Ferrers, Earls of Derby, above referred to; though a fur is sometimes found to take the place of one or other, as in the arms of Gresley, which are: "Vairé gules and ermine." I know of no instance where vairé is found of either two metals or of two colours, nor at the same time do I know of any rule against such a combination. Probably it will be time enough to discuss the contingency when an instance comes to light. Gerard Leigh mentions vair of three or more tinctures, but instances are very rare. Parker, in his "Glossary," refers to the coat of Roger Holthouse, which he blazons: "Vairy argent, azure, gules, and or, en point."
The Vair of commerce was formerly of three sizes, and the distinction is continued in foreign armory. The middle or ordinary size is known as Vair; a smaller size as Menu-vair (whence our word "miniver"); the largest as Beffroi or Gros vair, a term which is used in armory when there are less than four rows. The word Beffroi is evidently derived from the bell-like shape of the vair, the word Beffroi being anciently used in the sense of the alarm-bell of a town. In French armory, Beffroi should consist of three horizontal rows; Vair, of four; Menu-vair, of six. This rule is not strictly observed, but in French blazon if the rows are more than four it is usual to specify the number; thus Varroux bears: de Vair de cinq traits. Menu-vair is still the blazon of some families; Banville de Trutemne bears: de Menu-vair de six tires; the Barons van Houthem bore: de