The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated). Вашингтон Ирвинг. Читать онлайн. Newlib. NEWLIB.NET

Автор: Вашингтон Ирвинг
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observe his movements. If he obtained access to the tower, or in any way a favourable reception, Antonio felt as if it would be a relief to his mind, and would enable him to fix his wavering resolution.

      The unknown, as he came near the tower, was more cautious and stealthy in his approaches. He was joined under a clump of trees by another person, and they had much whispering together. A light was burning in the chamber of Inez; the curtain was down, but the casement was left open, as the night was warm. After some time, the light was extinguished. A considerable interval elapsed. The cavalier and his companion remained under covert of the trees, as if keeping watch. At length they approached the tower, with silent and cautious steps. The cavalier received a dark-lantern from his companion, and threw off his cloak. The other then softly brought something from the clump of trees, which Antonio perceived to be a light ladder: he placed it against the wall, and the serenader gently ascended. A sickening sensation came over Antonio. Here was indeed a confirmation of every fear. He was about to leave the place, never to return, when he heard a stifled shriek from Inez’s chamber.

      In an instant, the fellow that stood at the foot of the ladder lay prostrate on the ground. Antonio wrested a stiletto from his nerveless hand, and hurried up the ladder. He sprang in at the window, and found Inez struggling in the grasp of his fancied rival; the latter, disturbed from his prey, caught up his lantern, turned its light full upon Antonio, and, drawing his sword, made a furious assault; luckily the student saw the light gleam along the blade, and parried the thrust with the stiletto. A fierce, but unequal combat ensued. Antonio fought exposed to the full glare of the light, while his antagonist was in shadow: his stiletto, too, was but a poor defence against a rapier. He saw that nothing would save him but closing with his adversary, and getting within his weapon: he rushed furiously upon him, and gave him a severe blow with the stiletto; but received a wound in return from the shortened sword. At the same moment, a blow was inflicted from behind, by the confederate, who had ascended the ladder; it felled him to the floor, and his antagonists made their escape.

      By this time, the cries of Inez had brought her father and the domestic into the room. Antonio was found weltering in his blood, and senseless. He was conveyed to the chamber of the alchymist, who now repaid in kind the attentions which the student had once bestowed upon him. Among his varied knowledge he possessed some skill in surgery, which at this moment was of more value than even his chymical lore. He stanched and dressed the wounds of his disciple, which on examination proved less desperate than he had at first apprehended. For a few days, however, his case was anxious, and attended with danger. The old man watched over him with the affection of a parent. He felt a double debt of gratitude towards him, on account of his daughter and himself; he loved him too as a faithful and zealous disciple; and he dreaded lest the world, should be deprived of the promising talents of so aspiring an alchymist.

      An excellent constitution soon medicined his wounds; and there was a balsam in the looks and words of Inez, that had a healing effect on the still severer wounds which he carried in his heart. She displayed the strongest interest in his safety; she called him her deliverer, her preserver. It seemed as if her grateful disposition sought, in the warmth of its acknowledgments, to repay him for past coldness. But what most contributed to Antonio’s recovery, was her explanation concerning his supposed rival. It was some time since he had first beheld her at church, and he had ever since persecuted her with his attentions. He had beset her in her walks, until she had been obliged to confine herself to the house, except when accompanied by her father. He had besieged her with letters, serenades, and every art by which he could urge a vehement, but clandestine and dishonourable suit. The scene in the garden was as much of a surprise to her as to Antonio. Her persecutor had been attracted by her voice, and had found his way over a ruined part of the wall. He had come upon her unawares; was detaining her by force, and pleading his insulting passion, when the appearance of the student interrupted him, and enabled her to make her escape. She had forborne to mention to her father the persecution which she suffered; she wished to spare him unavailing anxiety and distress, and had determined to confine herself more rigorously to the house; though it appeared that even here she had not been safe from his daring enterprise.

      Antonio inquired whether she knew the name of this impetuous admirer? She replied that he had made his advances under a fictitious name; but that she had heard him once called by the name of Don Ambrosio de Loxa.

      Antonio knew him, by report, for one of the most determined and dangerous libertines in all Granada. Artful, accomplished, and, if he chose to be so, insinuating; but daring and headlong in the pursuit of his pleasures; violent and implacable in his resentments. He rejoiced to find that Inez had been proof against his seductions, and had been inspired with aversion by his splendid profligacy; but he trembled to think of the dangers she had run, and he felt solicitude about the dangers that must yet environ her.

      At present, however, it was probable the enemy had a temporary quietus. The traces of blood had been found for some distance from the ladder, until they were lost among thickets; and as nothing had been heard or seen of him since, it was concluded that he had been seriously wounded.

      As the student recovered from his wounds, he was enabled to join Inez and her father in their domestic intercourse. The chamber in which they usually met had probably been a saloon of state in former times. The floor was of marble; the walls partially covered with remains of tapestry; the chairs, richly carved and gilt, were crazed with age, and covered with tarnished and tattered brocade. Against the wall hung a long rusty rapier, the only relic that the old man retained of the chivalry of his ancestors. There might have been something to provoke a smile, in the contrast between the mansion and its inhabitants; between present poverty and the graces of departed grandeur; but the fancy of the student had thrown so much romance about the edifice and its inmates, that every thing was clothed with charms. The philosopher, with his broken-down pride, and his strange pursuits, seemed to comport with the melancholy ruin he inhabited; and there was a native elegance of spirit about the daughter, that showed she would have graced the mansion in its happier days.

      What delicious moments were these to the student! Inez was no longer coy and reserved. She was naturally artless and confiding; though the kind of persecution she had experienced from one admirer had rendered her, for a time, suspicious and circumspect toward the other. She now felt an entire confidence in the sincerity and worth of Antonio, mingled with an overflowing gratitude. When her eyes met his, they beamed with sympathy and kindness; and Antonio, no longer haunted by the idea of a favoured rival, once more aspired to success.

      At these domestic meetings, however, he had little opportunity of paying his court, except by looks. The alchymist, supposing him, like himself, absorbed in the study of alchymy, endeavoured to cheer the tediousness of his recovery by long conversations on the art. He even brought several of his half-burnt volumes, which the student had once rescued from the flames, and rewarded him for their preservation, by reading copious passages. He would entertain him with the great and good acts of Flamel, which he effected through means of the philosopher’s stone, relieving widows and orphans, founding hospitals, building churches, and what not; or with the interrogatories of King Kalid, and the answers of Morienus, the Roman hermit of Jerusalem; or the profound questions which Elardus, a necromancer of the province of Catalonia, put to the devil, touching the secrets of alchymy, and the devil’s replies.

      All these were couched, in occult language, almost unintelligible to the unpractised ear of the disciple. Indeed, the old man delighted in the mystic phrases and symbolical jargon in which the writers that have treated of alchymy have wrapped their communications; rendering them incomprehensible except to the initiated. With what rapture would he elevate his voice at a triumphant passage, announcing the grand discovery! “Thou shalt see,” would he exclaim, in the words of Henry Kuhnrade, “the stone of the philosophers (our king) go forth of the bedchamber of his glassy sepulchre into the theatre of this world; that is to say, regenerated and made perfect, a shining carbuncle, a most temperate splendour, whose most subtle and depurated parts are inseparable, united into one with a concordial mixture, exceeding equal, transparent as chrystal, shining red like a ruby, permanently colouring or ringing, fixt in all temptations or tryals; yea, in the examination of the burning sulphur itself, and the devouring waters, and in the most vehement persecution of the fire, always incombustible and permanent as a salamander!”

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