A History of Chinese Literature. Herbert Allen Giles. Читать онлайн. Newlib. NEWLIB.NET

Автор: Herbert Allen Giles
Издательство: Bookwire
Серия:
Жанр произведения: Документальная литература
Год издания: 0
isbn: 4057664621597
Скачать книгу
Given any one of these,

       And the result can only be ruin.”

      From the date of the foundation of the Hsia dynasty the throne of the empire was transmitted from father to son, and there were no more abdications in favour of virtuous sages. The fourth division of the Book of History deals with the decadence of the Hsia rulers and their final displacement in B.C. 1766 by T’ang the Completer, founder of the Shang dynasty. By B.C. 1122, the Shang sovereigns had similarly lapsed from the kingly qualities of their founder to even a lower level of degradation and vice. Then arose one of the purest and most venerated heroes of Chinese history, popularly known by his canonisation as Wên Wang. He was hereditary ruler of a principality in the modern province of Shensi, and in B.C. 1144 he was denounced as dangerous to the throne. He was seized and thrown into prison, where he passed two years, occupying himself with the Book of Changes, to which we shall presently return. At length the Emperor, yielding to the entreaties of the people, backed up by the present of a beautiful concubine and some fine horses, set him at liberty and commissioned him to make war upon the frontier tribes. To his dying day he never ceased to remonstrate against the cruelty and corruption of the age, and his name is still regarded as one of the most glorious in the annals of the empire. It was reserved for his son, known as Wu Wang, to overthrow the Shang dynasty and mount the throne as first sovereign of the Chou dynasty, which was to last for eight centuries to come. The following is a speech by the latter before a great assembly of nobles who were siding against the House of Shang. It is preserved among others in the Book of History, and is assigned to the year B.C. 1133 (Legge’s translation):—

      “Heaven and Earth are the parents of all creatures; and of all creatures man is the most highly endowed. The sincere, intelligent, and perspicacious among men becomes the great sovereign, and the great sovereign is the parent of the people. But now, Shou, the king of Shang, does not reverence Heaven above, and inflicts calamities on the people below. He has been abandoned to drunkenness, and reckless in lust. He has dared to exercise cruel oppression. Along with criminals he has punished all their relatives. He has put men into office on the hereditary principle. He has made it his pursuit to have palaces, towers, pavilions, embankments, ponds, and all other extravagances, to the most painful injury of you, the myriad people. He has burned and roasted the loyal and good. He has ripped up pregnant women. Great Heaven was moved with indignation, and charged my deceased father, Wên, reverently to display its majesty; but he died before the work was completed.

      “On this account I, Fa, who am but a little child, have, by means of you, the hereditary rulers of my friendly States, contemplated the government of Shang; but Shou has no repentant heart. He abides squatting on his heels, not serving God or the spirits of heaven and earth, neglecting also the temple of his ancestors, and not sacrificing in it. The victims and the vessels of millet all become the prey of wicked robbers; and still he says, ‘The people are mine: the decree is mine,’ never trying to correct his contemptuous mind. Now Heaven, to protect the inferior people, made for them rulers, and made for them instructors, that they might be able to be aiding to God, and secure the tranquillity of the four quarters of the empire. In regard to who are criminals and who are not, how dare I give any allowance to my own wishes?

      “ ‘Where the strength is the same, measure the virtue of the parties; where the virtue is the same, measure their righteousness.’ Shou has hundreds of thousands and myriads of ministers, but they have hundreds of thousands and myriads of minds; I have three thousand ministers, but they have one mind. The iniquity of Shang is full. Heaven gives command to destroy it. If I did not comply with Heaven, my iniquity would be as great.

      “I, who am a little child, early and late am filled with apprehensions. I have received charge from my deceased father, Wên; I have offered special sacrifice to God; I have performed the due services to the great Earth; and I lead the multitude of you to execute the punishment appointed by Heaven. Heaven compassionates the people. What the people desire, Heaven will be found to give effect to. Do you aid me, the one man, to cleanse for ever all within the four seas. Now is the time!—it may not be lost.”

      

      Two of the documents which form the Book of History are directed against luxury and drunkenness, to both of which the people seemed likely to give way even within measurable distance of the death of Wên Wang. The latter had enacted that wine (that is to say, ardent spirits distilled from rice) should only be used on sacrificial occasions, and then under strict supervision; and it is laid down, almost as a general principle, that all national misfortunes, culminating in the downfall of a dynasty, may be safely ascribed to the abuse of wine.

      THE ODES

      The Shih Ching, or Book of Odes, is another work for the preservation of which we are indebted to Confucius. It consists of a collection of rhymed ballads in various metres, usually four words to the line, composed between the reign of the Great Yü and the beginning of the sixth century B.C. These, which now number 305, are popularly known as the “Three Hundred,” and are said by some to have been selected by Confucius from no less than 3000 pieces. They are arranged under four heads, as follows:—(a) Ballads commonly sung by the people in the various feudal States and forwarded periodically by the nobles to their suzerain, the Son of Heaven. The ballads were then submitted to the Imperial Musicians, who were able to judge from the nature of such compositions what would be the manners and customs prevailing in each State, and to advise the suzerain accordingly as to the good or evil administration of each of his vassal rulers. (b) Odes sung at ordinary entertainments given by the suzerain. (c) Odes sung on grand occasions when the feudal nobles were gathered together. (d) Panegyrics and sacrificial odes.

      

      Confucius himself attached the utmost importance to his labours in this direction. “Have you learned the Odes?” he inquired upon one occasion of his son; and on receiving an answer in the negative, immediately told the youth that until he did so he would be unfit for the society of intellectual men. Confucius may indeed be said to have anticipated the apophthegm attributed by Fletcher of Saltoun to a “very wise man,” namely, that he who should be allowed to make a nation’s “ballads need care little who made its laws.” And it was probably this appreciation by Confucius that gave rise to an extraordinary literary craze in reference to these Odes. Early commentators, incapable of seeing the simple natural beauties of the poems, which have furnished endless household words and a large stock of phraseology to the language of the present day, and at the same time unable to ignore the deliberate judgment of the Master, set to work to read into countryside ditties deep moral and political significations. Every single one of the immortal Three Hundred has thus been forced to yield some hidden meaning and point an appropriate moral. If a maiden warns her lover not to be too rash—

      “Don’t come in, sir, please!

       Don’t break my willow-trees!

       Not that that would very much grieve me;

       But alack-a-day! what would my parents say?

       And love you as I may,

       I cannot bear to think what that would be,”—

      commentators promptly discover that the piece refers to a feudal noble whose brother had been plotting against him, and to the excuses of the former for not visiting the latter with swift and exemplary punishment.

      

      Another independent young lady may say—

      “If you will love me dear, my lord,

       I’ll pick up my skirts and cross the ford,

       But if from your heart you turn me out …

       Well, you’re not the only man about,

       You silly, silly, silliest lout!”—

      still commentaries are not wanting to show that these straightforward words express the wish of the people of a certain small State that some great State would intervene and put an end to an existing feud in the ruling family. Native scholars are, of course, hide-bound in the traditions of commentators, but European students will do well to seek the meaning of the Odes within the compass of the Odes themselves.

      Possibly