The Maroon. Mayne Reid. Читать онлайн. Newlib. NEWLIB.NET

Автор: Mayne Reid
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4057664563873
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Nymph’s cabin-passengers.

      Among these nondescripts was one of peculiarities sufficiently distinctive to attract attention. A single glance at this personage satisfied you that you looked upon a London Cockney, at the same time a West-End exquisite of the very purest water. He was a young man who had just passed the twenty-first anniversary of his birth; although the indulgence of youthful dissipation had already brushed the freshness from his features, giving them the stamp of greater age. In complexion he was fair—pre-eminently so—with hair of a light yellowish hue, that presented the appearance of having been artificially curled, and slightly darkened by the application of some perfumed oil. The whiskers and moustache were nearly of the same colour; both evidently cultivated with an elaborate assiduity, that proclaimed excessive conceit in them on the part of their owner.

      The eyebrows were also of the lightest shade; but the hue of the eyes was not so easily told: since one of them was kept habitually closed; while a glancing lens, in a frame of tortoise-shell, hindered a fair view of the other. Through the glass, however, it appeared of a greenish grey, and decidedly “piggish.”

      The features of this individual were regular enough, though without any striking character; and of a cast rather effeminate than vulgar. Their prevailing expression was that of a certain superciliousness, at times extending to an affectation of sardonism.

      The dress of the young man was in correspondence with the foppery exhibited in the perfumed locks and eye-glass. It consisted of a surtout of broadcloth, of a very light drab, with a cape that scarce covered the shoulders; a white beaver hat; vest and pants of spotless huff kerseymere; kid gloves on his hands; and boots, blight as lacquer could make them, on his feet. These items of apparel, made in a style of fashion and worn with an air of savoir faire, loudly proclaimed the London fop of the time.

      The affected drawl in which the gentleman spoke, whenever he condescended to hold communion with his fellow-passengers, confirmed this character.

      Notwithstanding a certain ill-disguised contempt with which he was regarded by some of his fellow-voyagers, not a few treated him with marked deference; and the obeisance paid him by the steward and cabin boys of the Sea Nymph gave evidence of his capability to bestow a liberal largess. And such capability did he possess: for Mr. Montagu Smythje, the individual in question, was a youth of good family and fortune—the latter consisting of a magnificent sugar estate in Jamaica, left him by a deceased relative, to visit which was the object of his voyage.

      The estate he had never seen, as this was his first trip across the Atlantic; but he had no reason to doubt the existence of the property. The handsome income which it had afforded him, during several years of his minority, and which had enabled him to live in magnificent style in the most fashionable circles of London society, was a substantial proof that Montagu Castle—such was the name of the estate—was something more than a castle in the air. During his minority, the estate had been managed by a trustee resident in the island: one Mr. Vaughan, himself a sugar-planter, whose plantation adjoined that of Montagu Castle.

      Mr. Smythje had not come over the water with any intention of settling upon his Jamaica estate. “Such an ideaw,” to use his own phraseology, “nevwaw entawed ma bwain. To exchange London and its pwesyaws for a wesidence among those haw-ed niggaws—deaw, no—I could nevwaw think of such a voluntawy banishment; that would be a baw—a decided baw!” “A meaw twip to see something of the twopics, of which I’ve heard such extwaor’nary stowies—have a look at my sugaw plantation and the dem’d niggaws—besides, I have a stwong desire to take a squint at these Queeole queetyaws, who are said to be so doocèd pwetty. Haw! haw!”

      After such fashion did Mr. Montagu Smythje explain the purpose of his voyage to such of his fellow-passengers as chanced to take an interest in it.

      There were but few travellers in the steerage of the Sea Nymph. They who are compelled to adopt that irksome mode of voyaging across the Atlantic have but little errand to the West Indies, or elsewhere to tropical lands—where labour is monopolised by the thews and sinews of the slave. Only three or four of this class had found accommodation on board the Sea Nymph; and yet among these humble voyagers was one destined to play a conspicuous part in our story.

      The individual in question was a young man, in appearance of the same age as Mr. Montagu Smythje, though differing from the latter in almost everything else. In stature he was what is termed “middle height,” with limbs well set and rounded, denoting activity and strength. His complexion, though not what is termed brunette, was dark for a native of Britain, though such was he.

      His features were nobly defined; and his whole countenance sufficiently striking to attract the attention of even an indifferent observer. Dark-brown eyes, and hair of like colour, curling jauntily over his cheeks, were characteristic points of gracefulness; and, take him all in all, he was what might justly be pronounced a handsome young fellow.

      The garments he wore were his best—put on for the first time during the voyage, and for the grand occasion of landing. A dark blue tunic frock, faced with black braid, skirting down over a pair of close-fitting tights, and Hessian boots, gave him rather a distingué air, notwithstanding a little threadbarishness apparent along the seams.

      The occupation in which the young man was engaged betrayed a certain degree of refinement. Standing near the windlass, in the blank leaf of a book, which appeared to be his journal, he was sketching the harbour into which the ship was about to enter; and the drawing exhibited no inconsiderable degree of artistic skill.

      For all that, the sketcher was not a professional artist. Professionally, indeed, and to his misfortune, he was nothing. A poor scholar—without trick or trade by which he might earn a livelihood—he had come out to the West Indies, as young men go to other colonies, with that sort of indefinite hope, that Fortune, in some way or other, might prove kinder abroad than she had been at home.

      Whatever hopes of success the young colonist may have entertained, they were evidently neither sanguine nor continuous. Though naturally of a cheerful spirit, as his countenance indicated, a close observer might have detected a shadow stealing over it at intervals.

      As the ship drew near to the shore, he closed the book, and stood scanning the gorgeous picture of tropical scenery, now, for the first time, disclosed to his eyes.

      Despite the pleasant emotions which so fair a scene was calculated to call forth, his countenance betrayed anxiety—perhaps a doubt as to whether a welcome awaited him in that lovely land upon which he was looking.

      Only a few moments had he been thus occupied, when a strange voice falling upon his ear caused him to turn towards the speaker—in whom he recognised the distinguished cabin-passenger, Mr. Montagu Smythje.

      As this gentleman had voyaged all the way from Liverpool to Jamaica without once venturing to set his foot across the line which separates the sacred precincts of the quarter from the more plebeian for’ard deck, his presence by the windlass might have been matter of surprise.

      A circumstance, however, explained it. It was the last hour of the voyage. The Sea Nymph was just heading into the harbour; and the passengers of all degrees had rushed forward, in order to obtain a better view of the glorious landscape unfolding itself before their eyes. Notwithstanding his often-expressed antipathy to the “abom’nable smell of taw” it was but natural that Mr. Smythje should yield to the general curiosity, and go forward among the rest.

      Having gained an elevated stand-point upon the top of the windlass, he had adjusted the glass to his eye, and commenced ogling the landscape, now near enough for its details to be distinguished.

      Not for long, however, did Mr. Smythje remain silent. He was not one of a saturnine habit. The fair scene was inspiring him with a poetical fervour, which soon found expression in characteristic speech.

      “Doocèd pwetty, ’pon honaw!” he exclaimed; “would make a spwendid dwop-scene faw a theataw! Dawnt yaw think so, ma good fwend?”

      The person thus appealed to chanced to be the young steerage passenger; who, during the long voyage, had abstained from