The Maroon. Mayne Reid. Читать онлайн. Newlib. NEWLIB.NET

Автор: Mayne Reid
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 4057664563873
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portrait here given—or, perhaps, it should be styled profile—is that of Jacob Jessuron, the slave-merchant; an Israelite of Germanic breed, but one in whom—it would not have been truth to say—there was “no guile.”

      The two oarsmen were simply his slaves.

      The little craft had put out from the shore—from a secluded spot at a distance from the town, but still within view of it. It was evidently making for the newly-anchored barque; and evidently rowed at its best speed. Indeed, the steersman appeared to be urging his blacks to the exertion of their utmost strength. From time to time he was seen to twist his body half round and look towards the town—as though he expected or dreaded to see a rival boat coming from that quarter, and was desirous to reach the barque ahead of her.

      If such was his design it proved successful. Although his little skiff was a considerable time in traversing the distance from shore to ship—a distance of at least a mile—he arrived at the point of his destination without any other boat making its appearance.

      “Sheep ahoy!” shouted he, as the skiff was pulled up under the larboard quarter of the barque.

      “Ay, ay!” responded a voice from above. “Ish that Captain Showler I hearsh?”

      “Hilloo! who’s there?” interrogated some one on the quarter-deck; and the moment after, the sallow face of Captain Aminadab Jowler presented itself at the gangway.

      “Ah! Mister Jessuron, that you, eh? Determined to have fust peep at my blackeys? Well! fust kim, fust served; that’s my rule. Glad to see you, old fellow. How’d deo?”

      “Fusht-rate!—fusht-rate! I hopsh you’re the same yourshelf, Captain Showler. How ish you for cargo?”

      “Fine, old boy! got a prime lot this time. All sizes, colours, and sexes, too; ha! ha! You can pick and choose to suit yourself, I reckin. Come! climb aboard, and squint your eye over ’em!”

      The slave-merchant, thus invited, caught hold of the rope-ladder let down for his accommodation; and scrambling up the ship’s side with the agility of an old ape, stepped upon the deck of the slaver.

      After some moments spent in handshaking and other forms of gratulation; proving that the trader and merchant were old friends—and as thick as two thieves could possibly be—the latter fixed the goggles more firmly on the ridge of his nose, and commenced his inspection of the “cargo.”

       Table of Contents

      The Foolah Prince.

      On the quarter-deck of the slaver, and near the “companion,” stood a man of unique appearance—differing not only from the whites who composed the crew, but also from the blacks and browns who constituted the cargo.

      His costume, attitude, and some, other trivial circumstances, proclaimed him as belonging neither to one nor the other.

      He had just stepped up from the cabin, and was lingering upon the quarter-deck.

      Having the entrée of the first, and the privilege of remaining upon the second, he could not be one of the “bales” of this human merchandise; and yet both costume and complexion forbade the supposition that he was of the slaver’s crew. Both denoted an African origin—though his features were not of a marked African type. Rather were they Asiatic, or, more correctly, Arabian; but, in some respects, differing also from Arab features. In truth, they were almost European; but the complexion again negatived the idea that the individual in question belonged to any of the nationalities of Europe. His hue was that of a light Florentine bronze, with a tinge of chestnut.

      He appeared to be about eighteen or nineteen years of age; with a person well proportioned, and possessing the following characteristics:—A fine arched eyebrow, spanning an eye full and rotund; a nose slightly aquiline; thin, well-modelled lips; white teeth—whiter from contrast with the dark shading on the upper lip—and over all an ample chevelure of jet-black hair, slightly curling, but not at all woolly.

      In nothing did he differ more, from the dark-skinned helots of the hold, than in his costume. While none of these had any clothing upon their bodies, or next to none, he, on the contrary, was splendidly apparelled—his face, throat, arms, and limbs, from the knee to the ankle, being the only parts not covered by a garment.

      A sort of sleeveless tunic of yellow satin, with a skirt that just reached below his knees, was bound around his waist by a scarf of crimson China crape, the ends of which, hanging still lower, were adorned with a fringe-work of gold. Over the left shoulder rested loosely another scarf of blue burnous cloth, concealing the arm over which it hung; while half hidden beneath its draping could be perceived a scimitar in its richly-chased scabbard, with a hilt of carved ivory. A turban on the head, and sandals of Kordofan leather upon the feet, completed his costume.

      Notwithstanding the Asiatic character of the dress, and the resemblance of the wearer to those East Indians known as Lascars, he was a true African—though not of that type which we usually associate with the word, and which suggests a certain negroism of features. He was one of a people entirely distinct from the negro—the great nation of the Foolahs (Fellattas)—that race of shepherd warriors whose country extends from the confines of Darfur to the shores of the Atlantic—the lords of Sockatoo and Timbuctoo—those fanatic followers of the false prophet who conspired the death of Laing, and murdered Mungo Park upon the Quorra. Of such race was the individual who stood on the quarter-deck of the slaver.

      He was not alone. Three or four others were around him, who also differed from the wretched creatures in the hold. But their dresses of more common material, as well as other circumstances, told that they were his inferiors in rank—in short, his attendants.

      The humble mien with which they regarded him, and the watchful attention to his every look and gesture, proclaimed the habitual obedience to which they were accustomed; while the turbans which they wore, and their mode of salutation—the salaam—told of an obeisance Oriental and slavish.

      To the richness of the young man’s attire was added a certain haughtiness of mien that proclaimed him a person of rank—perhaps the chieftain of some African tribe.

      And such, in reality, he was—a Foolah prince, from the banks of the Senegal.

      There, neither his presence nor appearance would have attracted more than passing observation; but here, on the western side of the Atlantic, on board a slave-ship, both required explanation.

      It was evident that he was not in the same category with his unfortunate countrymen “between decks”—doomed to perpetual captivity. There were no signs that he had been treated as a captive, but the contrary.

      How, then, was his presence on board the slave-barque to be accounted for? Was he a passenger? In what relationship did he stand to the people who surrounded him?

      Such, though differently worded, were the interrogatories put by the slave-merchant, as, returning from the fore-deck, after completing his inspection of the cargo, his eyes for the first time fell upon the young Fellatta.

      “Blesh my shtars, Captain Showler!” cried he, holding up both hands, and looking with astonishment at the turbaned individuals on the quarter-deck. “Blesh my shtars!” he repeated; “what ish all thish? S’help my Gott! theesh fellows are not shlaves, are they?”

      “No, Mister Jessuron, no. They ain’t slaves, not all on ’em ain’t. That ’ere fine fellow, in silk and satin, air a owner o’ slaves hisself. He air a prince.”

      “What dosh you say, Captin Showler? a prinshe?”

      “Ye ain’t ’stonished at that, air ye? ’Tain’t the fust time I’ve had an African prince for a passenger. This yeer’s his Royal Highness the Prince Cingües, son o’ the Grand Sultan