She returned with the triumphant announcement: ‘Fred; I’ve bought a house!’
My father almost fell over backwards. He still expected to live in America.
‘But why did you do that?’ he asked.
‘Because I liked it,’ explained my mother.
She has seen, it appeared, about 35 houses, but only one did she fancy, and that house was for sale only–its owners did not want to let. So my mother, who had been left £2000 by my aunt’s husband, had appealed to my aunt, who was her trustee, and they had forthwith bought the house.
‘But we’ll only be there for a year,’ groaned my father, ‘at most.’
My mother, whom we always claimed was clairvoyant, replied that they could always sell it again. Perhaps she saw dimly her family living in that house for many years ahead.
‘I loved the house as soon as I got into it,’ she insisted. ‘It’s got a wonderfully peaceful atmosphere.’
The house was owned by some people called Brown who were Quakers, and when my mother, hesitatingly, condoled with Mrs Brown on having to leave the house they had lived in so many years, the old lady said gently:
‘I am happy to think of thee and thy children living here, my dear.’
It was, my mother said, like a blessing.
Truly I believe there was a blessing upon the house. It was an ordinary enough villa, not in the fashionable part of Torquay–the Warberrys or the Lincombes–but at the other end of the town the older part of Tor Mohun. At that time the road in which it was situated led almost at once into rich Devon country, with lanes and fields. The name of the house was Ashfield and it has been my home, off and on, nearly all my life.
For my father did not, after all, make his home in America. He liked Torquay so much that he decided not to leave it. He settled down to his club and his whist and his friends. My mother hated living near the sea, disliked all social gatherings and was unable to play any game of cards.
But she lived happily in Ashfield, and gave large dinner parties, attended social functions, and on quiet evenings at home would ask my father with hungry impatience for local drama and what had happened at the club today.
‘Nothing,’ my father would reply happily.
‘But surely, Fred, someone must have said something interesting?’
My father obligingly racks his brains, but nothing comes. He says that M—is still too mean to buy a morning paper and comes down to the club, reads the news there, and then insists on retailing it to the other members. ‘I say, you fellows, have you seen that on the North West Frontier…’ etc. Everyone is deeply annoyed, since M—is one of the richest members.
My mother, who has heard all this before, is not satisfied. My father relapses into quiet contentment. He leans back in his chair, stretches out his legs to the fire and gently scratches his head (a forbidden pastime).
‘What are you thinking about, Fred?’ demands my mother.
‘Nothing,’ my father replies with perfect truth.
‘You can’t be thinking about nothing?
Again and again that statement baffles my mother. To her it is unthinkable.
Through her own brain thoughts dart with the swiftness of swallows in flight. Far from thinking of nothing, she is usually thinking of three things at once.
As I was to realise many years later, my mother’s ideas were always slightly at variance with reality. She saw the universe as more brightly coloured than it was, people as better or worse than they were. Perhaps because in the years of her childhood she had been quiet, restrained, with her emotions kept well below the surface, she tended to see the world in terms of drama that came near, sometimes, to melodrama. Her creative imagination was so strong that it could never see things as drab or ordinary. She had, too, curious flashes of intuition–of knowing suddenly what other people were thinking. When my brother was a young man in the Army and had got into monetary difficulties which he did not mean to divulge to his parents, she startled him one evening by looking across at him as he sat frowning and worrying. ‘Why, Monty,’ she said, ‘you’ve been to moneylenders. Have you been raising money on your grandfather’s will? You shouldn’t do that. It’s better to go to your father and tell him about it.’
Her faculty for doing that sort of thing was always surprising her family. My sister said once: ‘Anything I don’t want mother to know, I don’t even think of, if she’s in the room.’
II
Difficult to know what one’s first memory is. I remember distinctly my third birthday. The sense of my own importance surges up in me. We are having tea in the garden–in the part of the garden where, later, a hammock swings between two trees.
There is a tea-table and it is covered with cakes, with my birthday cake, all sugar icing and with candles in the middle of it. Three candles. And then the exciting occurrence–a tiny red spider, so small that I can hardly see it, runs across the white cloth. And my mother says: ‘It’s a lucky spider, Agatha, a lucky spider for your birthday…’ And then the memory fades, except for a fragmentary reminiscence of an interminable argument sustained by my brother as to how many eclairs he shall be allowed to eat.
The lovely, safe, yet exciting world of childhood. Perhaps the most absorbing thing in mine is the garden. The garden was to mean more and more to me, year after year. I was to know every tree in it, and attach a special meaning to each tree. From a very early time, it was divided in my mind into three distinct parts.
There was the kitchen garden, bounded by a high wall which abutted on the road. This was uninteresting to me except as a provider of raspberries and green apples, both of which I ate in large quantities. It was the kitchen garden but nothing else. It offered no possibilities of enchantment.
Then came the garden proper–a stretch of lawn running downhill, and studded with certain interesting entities. The ilex, the cedar, the Wellingtonia (excitingly tall). Two fir-trees, associated for some reason not now clear with my brother and sister. Monty’s tree you could climb (that is to say hoist yourself gingerly up three branches). Madge’s tree, when you had burrowed cautiously into it, had a seat, an invitingly curved bough, where you could sit and look out unseen on the outside world. Then there was what I called the turpentine tree which exuded a sticky strong-smelling gum which I collected carefully in leaves and which was ‘very precious balm’. Finally, the crowning glory, the beech tree–the biggest tree in the garden, with a pleasant shedding of beechnuts which I ate with relish. There was a copper beech, too, but this, for some reason, never counted in my tree world.
Thirdly, there was the wood. In my imagination it looked and indeed still looms as large as the New Forest. Mainly composed of ash trees, it had a path winding through it. The wood had everything that is connected with woods. Mystery, terror, secret delight, inaccessibility and distance…
The path through the wood led out on to the tennis or croquet lawn at the top of a high bank in front of the dining-room window. When you emerged there, enchantment ended. You were in the everyday world once more, and ladies, their skirts looped up and held in one hand, were playing croquet, or, with straw boater-hats on their heads, were playing tennis.
When I had exhausted the delights of ‘playing in the garden’ I returned to the Nursery wherein was Nursie, a fixed point, never changing. Perhaps because she was an old woman and rheumatic, my games were played around and beside, but not wholly with, Nursie. They were all make-believe.
From as early as I can remember, I had various companions of my own choosing. The first lot, whom I cannot remember except as a name, were ‘The Kittens’. I don’t know now who ‘The Kittens’ were, and whether I was myself a Kitten, but I do remember their names:
Clover, Blackie and three others. Their mother’s name was Mrs Benson.
Nursie