“At your balls, buddy, at your everlovin’ balls.”
The spiders reach the joining at the trunk and settle there, twitching. Harding tries to grin, but his face and lips are so white the grin is lost. He stares at McMurphy. McMurphy takes the cigarette out of his mouth and repeats what he said.
“Right at your balls. No, that nurse ain’t some kinda monster chicken, buddy, what she is is a ball-cutter. I’ve seen a thousand of ‘em, old and young, men and women. Seen ‘em all over the country and in the homes – people who try to make you weak so they can get you to toe the line, to follow their rules, to live like they want you to. And the best way to do this, to get you to knuckle under, is to weaken you by gettin’ you where it hurts the worst. You ever been kneed in the nuts in a brawl, buddy? Stops you cold, don’t it? There’s nothing worse. It makes you sick, it saps every bit of strength you got. If you’re up against a guy who wants to win by making you weaker instead of making himself stronger, then watch for his knee, he’s gonna go for your vitals. And that’s what that old buzzard is doing, going for your vitals.”
Harding’s face is still colorless, but he’s got control of his hands again; they flip loosely before him, trying to toss off what McMurphy has been saying:
“Our dear Miss Ratched? Our sweet, smiling, tender angel of mercy, Mother Ratched, a ball-cutter? Why, friend, that’s most unlikely.”
“Buddy, don’t give me that tender little mother crap. She may be a mother, but she’s big as a damn barn and tough as knife metal. She fooled me with that kindly little old mother bit for maybe three minutes when I came in this morning, but no longer. I don’t think she’s really fooled any of you guys for any six months or a year, neither. Hooowee, I’ve seen some bitches in my time, but she takes the cake.”
“A bitch? But a moment ago she was a ball-cutter, then a buzzard – or was it a chicken? Your metaphors are bumping into each other, my friend.”
“The hell with that; she’s a bitch and a buzzard and a ball-cutter, and don’t kid me, you know what I’m talking about.”
Harding’s face and hands are moving faster than ever now, a speeded film of gestures, grins, grimaces, sneers. The more he tries to stop it, the faster it goes. When he lets his hands and face move like they want to and doesn’t try to hold them back, they flow and gesture in a way that’s real pretty to watch, but when he worries about them and tries to hold back he becomes a wild, jerky puppet doing a high-strung dance. Everything is moving faster and faster, and his voice is speeding up to match.
“Why, see here, my friend Mr. McMurphy, my psychopathic sidekick, our Miss Ratched is a veritable angel of mercy and why just everyone knows it. She’s unselfish as the wind, toiling thanklessly for the good of all, day after day, five long days a week. That takes heart, my friend, heart. In fact, I have been informed by sources – I am not at liberty to disclose my sources, but I might say that Martini is in contact with the same people a good part of the time – that she even further serves mankind on her weekends off by doing generous volunteer work about town. Preparing a rich array of charity – canned goods, cheese for the binding effect, soap – and presenting it to some poor young couple having a difficult time financially.” His hands flash in the air, molding the picture he is describing. “Ah, look: there she is, our nurse. Her gentle knock on the door. The ribboned basket. The young couple overjoyed to the point of speechlessness. The husband openmouthed, the wife weeping openly. She appraises their dwelling. Promises to send them money for – scouring powder, yes. She places the basket in the center of the floor. And when our angel leaves – throwing kisses, smiling ethereally – she is so intoxicated with the sweet milk of human kindness that her deed has generated within her large bosom, that she is beside herself with generosity. Beside herself, do you hear? Pausing at the door, she draws the timid young bride to one side and offers her twenty dollars of her own: ‘Go, you poor unfortunate underfed child, go, and buy yourself a decent dress. I realize your husband can’t afford it, but here, take this, and go.’ And the couple is forever indebted to her benevolence.”
He’s been talking faster and faster, the cords stretching out in his neck. When he stops talking, the ward is completely silent. I don’t hear anything but a faint reeling rhythm, what I figure is a tape recorder somewhere getting all of this.
Harding looks around, sees everybody’s watching him, and he does his best to laugh. A sound comes out of his mouth like a nail being crowbarred out of a plank of green pine; Eee-eee-eee. He can’t stop it. He wrings his hands like a fly and clinches his eyes at the awful sound of that squeaking. But he can’t stop it. It gets higher and higher until finally, with a suck of breath, he lets his face fall into his waiting hands.
“Oh the bitch, the bitch, the bitch,” he whispers through his teeth.
McMurphy lights another cigarette and offers it to him; Harding takes it without a word. McMurphy is still watching Harding’s face in front of him there, with a kind of puzzled wonder, looking at it like it’s the first human face he ever laid eyes on. He watches while Harding’s twitching and jerking slows down and the face comes up from the hands.
“You are right,” Harding says, “about all of it.” He looks up at the other patients who are watching him. “No one’s ever dared come out and say it before, but there’s not a man among us that doesn’t think it, that doesn’t feel just as you do about her and the whole business – feel it somewhere down deep in his scared little soul.”
McMurphy frowns and asks, “What about that little fart of a doctor? He might be a little slow in the head, but not so much as not to be able to see how she’s taken over and what she’s doing.”
Harding takes a long pull off the cigarette and lets the smoke drift out with his talk. “Doctor Spivey… is exactly like the rest of us, McMurphy, completely conscious of his inadequacy. He’s a frightened, desperate, ineffectual little rabbit, totally incapable of running this ward without our Miss Ratched’s help, and he knows it. And, worse, she knows he knows it and reminds him every chance she gets. Every time she finds he’s made a little slip in the bookwork or in, say, the charting you can just imagine her in there grinding his nose in it.”
“That’s right,” Cheswick says, coming up beside Mc-Murphy, “grinds our noses in our mistakes.”
“Why don’t he fire her?”
“In this hospital,” Harding says, “the doctor doesn’t hold the power of hiring and firing. That power goes to the supervisor, and the supervisor is a woman, a dear old friend of Miss Ratched’s; they were Army nurses together in the thirties. We are victims of a matriarchy here, my friend, and the doctor is just as helpless against it as we are. He knows that all Ratched has to do is pick up that phone you see sitting at her elbow and call the supervisor and mention, oh, say, that the doctor seems to be making a great number of requisitions for Demerol – ”
“Hold it, Harding, I’m not up on all this shop talk.”
“Demerol, my friend, is a synthetic opiate, twice as addictive as heroin. Quite common for doctors to be addicted to it.”
“That little fart? Is he a dope addict?”
“I’m certain I don’t know.”
“Then where does she get off with accusing him of – ”
“Oh, you’re not paying attention, my friend. She doesn’t accuse. She merely needs to insinuate, insinuate anything, don’t you see? Didn’t you notice today? She’ll call a man to the door of the Nurses’ Station and stand there and ask him about a Kleenex found under his bed. No more, just ask. And he’ll feel like he’s lying to her, whatever answer he gives. If he says he was cleaning a pen with it, she’ll say, ‘I see, a pen,’ or if he says he has a cold in his nose, she’ll say, ‘I see, a cold,’ and she’ll nod her neat little gray coiffure and smile her neat little smile and turn and go back into the Nurses’ Station, leave him standing there wondering just what did he use that Kleenex for.”
He