In the evening there was a grand illumination, the empress held a drawing-room, and there was an extraordinary representation at the theatre, at which the whole imperial family was present. It was noticed that during the whole evening, the emperor sat behind the empress and did not once advance to the front of the box. There was therefore not a single hurrah, but every one seemed to affect ignorance of his majesty's presence. Next day the merchants gave a grand ball to the imperial family. It was a very brilliant assemblage: the exchange-rooms were all full of Highnesses and Excellencies, and the poor merchants cut but a sorry figure amongst all the embroidered uniforms, the wearers of which elbowed and pushed them aside contemptuously. With an excessive devotion to etiquette, they had adopted knee-breeches, cocked-hats, and a soi-disant uniform, with swords at their sides; but this costume was far less becoming than the black dress which they would certainly have done better in retaining. A boudoir all lined with vines had been constructed for the empress, and the fine clusters of grapes hung from the branches as if to invite her royal hand to pluck them.
The imperial family remained but five or six days in Odessa, and then proceeded in a steamer to the Crimea. Their presence in the town produced on the whole a very favourable impression.
It remains for us to say a few words respecting the society to be met with in Odessa. It consists of so many heterogeneous elements, that it possesses no distinctive character of its own; French, Germans, Russians, English, Greeks, and Italians, all bring to it their respective opinions, habits, language, interests, and prejudices. The Countess Voronzof's drawing-rooms are the general rendezvous of that aristocratic, commercial, and travelling world, which is to be found in similar admixture only in some of the towns of Italy. The same confusion prevails among the women; the noble and proud Narishkin may be seen there side by side with a broker's wife: pure blood, mixed blood, all shades, all tones, all possible physiognomies are there assembled together.
Count Voronzof is a veritable grand seigneur, and spends more than £6000 a year in pomps and entertainments. His name, his immense fortune, and his influence at court give him the predominance over most of the emperor's favourites. Brought up in England, where his father was ambassador for more than forty years, he seems more an Englishman than a Russian, and has retained nothing of his nationality except his devoted loyalty to the emperor, and the exquisite politeness that distinguishes the Russian nobles. His talents, his affability, and great facility of character, secure him numerous admirers amongst the Odessians and foreigners. Nicholas could not have made a better choice than in selecting him for governor of New Russia. His sumptuous tastes and vast wealth give great éclat to the rank he fills, and put him on a par with the most magnificent lords of Europe. His wife is the daughter of the celebrated Countess Braniska, whose gigantic fortune was long an object of astonishment to the Russians themselves. She died but recently at the age of ninety-five, leaving her immense fortune to her only son, with the exception only of a fourteenth part, which was all that devolved, according to the laws of Russia, on her two daughters. Her avarice was as notorious as her wealth, and stories are told of her, that far out-do all that is related of the most famous misers. I will mention but one of them, the authenticity of which was warranted to me by an eye-witness.
Mr. Dantz, one of our friends, having had occasion to call on the countess, on matters of business, left his britchka in a court-yard of her house, in which there was some cattle. A large bundle of hay, intended for his horses, was hung behind the carriage, according to the usual custom in Russia. Being shown into a room that looked out into the court-yard, he became engaged in a brisk discussion with the countess, who would not yield to any of his arguments, and soon losing patience rose, as if to put an end to the interview, and walked to a window. But no sooner had she looked down into the court-yard than she again took up all the points of the discussion, one after the other, seeming half-disposed to yield, and keeping Mr. Dantz in suspense for more than a half an hour. Exceedingly puzzled by this sudden change in the lady's temper, which he knew not how to account for, he narrowly watched all her movements, and observed that from time to time she cast a rapid glance into the court-yard; whereupon he went with affected carelessness to the window, and what did he see? Two or three horribly lean cows busily devouring the hay behind his carriage. The countess had prolonged the interview in order to gain time for her cows to feed at her visitor's expense; and, accordingly, as soon as the last blade of hay was eaten up, she resumed all her stateliness, cut short the discussion with a word, and gave Mr. Dantz his congé.
Odessa is a town of pleasure and luxury, where the ladies, it is said, ruin their husbands by their profusion and extravagant love of dress. In addition to the balls, concerts, and soirées of all sorts, performances for the benefit of the poor are given every year in the great theatre, by the court, as the Countess Voronzof's establishment is called. All the élite of Odessa, take part in these amusements, which bring in considerable sums. The countess at first set the example, by herself performing a part; but an order from the emperor forbade her thus exhibiting in public, and since that time she confines herself to the business of managing behind the curtain. The house is always well filled, and each performance brings in four or five thousand rubles. The skill displayed by these noble actors is not to be surpassed by any professional company; but this is not surprising, for every one knows in how high a degree the Russians possess the talent for imitation; whatever they see they mimic with ease, and without preparation. It is needless to add that the performances are in French, and that the pieces are taken from our stock. M. Scribe is almost the sole contributor. Nowhere, perhaps, is our witty vaudevillist so much prized as in Russia.
Odessa possesses the only Italian theatre in Russia. The company is generally well composed, and gives, during the whole year, performances, which are but scantily attended, notwithstanding the passionate admiration which the Odessians affect for Italian music. It is only in the bathing season, when the Poles fill the town, that the house presents a somewhat more animated appearance. All the rest of the year the boxes are almost deserted, and the Jews alone frequent the pit. In 1840, Mademoiselle Georges entered into a six months' engagement with the manager of the Odessa theatre, and arrived with a numerous company, including some really superior actors. Yet, notwithstanding her European celebrity and her ample repertoire, she would scarcely have covered her expenses, but for the strenuous exertions of her quondam admirer, General N., who welcomed her as though fifteen years had not interrupted their liaison, and placed his mansion, his equipages, his purse, and his credit, at her disposal, with all the chivalric gallantry of a Russian magnifico.
But all his efforts were unable to reverse the very unfavourable sentence which public opinion had, from the first, pronounced upon his protégé. Notwithstanding the superior talent with which she still plays certain parts, she was appreciated but by a very small number of persons; and she left Odessa with sentiments of deep disdain for a public that so much preferred the paltriest vaudeville to all her bursts of passion as to make almost open war upon her. A thing till then almost unheard-of in Russia took place at the last performance of the French company: a regular cabal was formed, attended with an explosion of very stormy passions. The whole town was divided into two factions, the one for Mademoiselle Georges, the other for M. Montdidier, one of her best actors. Our tragedy queen, it is said, was exceedingly jealous of this preference, and lost no opportunity of mortifying her rival. Accordingly, she purposely selected for the last performance, two pieces in which he