The Collected Works of Charles Lamb and Mary Lamb. Charles Lamb. Читать онлайн. Newlib. NEWLIB.NET

Автор: Charles Lamb
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of the melancholy valour of the Spaniard, upon whom they charged; that deliberate courage which contemplation and sedentary habits breathe?

      This characteristic pensiveness in them being so notorious, I wonder none of those writers, who have expressly treated of melancholy, should have mentioned it. Burton, whose book is an excellent abstract of all the authors in that kind who preceded him, and who treats of every species of this malady, from the hypochondriacal or windy to the heroical or love melancholy, has strangely omitted it. Shakspeare himself has overlooked it. "I have neither the scholar's melancholy (saith Jaques) which is emulation; nor the courtier's, which is proud; nor the soldier's, which is politick; nor the lover's, which is all these:"—and then, when you might expect him to have brought in, "nor the tailor's, which is so and so"—he comes to an end of his enumeration, and falls to a defining of his own melancholy.

      Milton likewise has omitted it, where he had so fair an opportunity of bringing it in, in his Penseroso.

      But the partial omissions of historians proving nothing against the existence of any well-attested fact, I shall proceed and endeavour to ascertain the causes why this pensive turn should be so predominant in people of this profession above all others.

      And first, may it not be, that the custom of wearing apparel being derived to us from the fall, and one of the most mortifying products of that unhappy event, a certain seriousness (to say no more of it) may in the order of things have been intended to be impressed upon the minds of that race of men to whom in all ages the care of contriving the human apparel has been entrusted—to keep up the memory of the first institution of clothes, and serve as a standing remonstrance against those vanities, which the absurd conversion of a memorial of our shame into an ornament of our persons was destined to produce? Correspondent in some sort to this, it may be remarked, that the tailor sitting over a cave or hollow place, in the cabbalistic language of his order, is said to have certain melancholy regions always open under his feet.—But waving further enquiry into final causes, where the best of us can only wander in the dark, let us try to discover the efficient causes of this melancholy.

      I think, then, that they may be reduced to two, omitting some subordinate ones, viz.,

      The sedentary habits of the tailor.—

       Something peculiar in his diet.—

      First, his sedentary habits.—In Dr. Norris's famous narrative of the frenzy of Mr. John Dennis, the patient, being questioned as to the occasion of the swelling in his legs, replies that it came "by criticism;" to which the learned doctor seeming to demur, as to a distemper which he had never read of, Dennis (who appears not to have been mad upon all subjects) rejoins with some warmth, that it was no distemper, but a noble art! that he had sat fourteen hours a day at it: and that the other was a pretty doctor not to know that there was a communication between the brain and the legs.

      Secondly, his diet.—To which purpose I find a most remarkable passage in Burton, in his chapter entitled "Bad diet a cause of melancholy." "Amongst herbs to be eaten (he says) I find gourds, cucumbers, melons, disallowed; but especially CABBAGE. It causeth troublesome dreams, and sends up black vapours to the brain. Galen, loc. affect. lib. 3, cap. 6, of all herbs condemns CABBAGE. And Isaack, lib. 2, cap. 1, animæ gravitatem facit, it brings heaviness to the soul." I could not omit so flattering a testimony from an author, who, having no theory of his own to serve, has so unconsciously contributed to the confirmation of mine. It is well known that this last-named vegetable has, from the earliest periods which we can discover, constituted almost the sole food of this extraordinary race of people.

      Burton, Junior.

      ON NEEDLE-WORK

       Table of Contents

      (By MARY LAMB)

      (1815)

      To the Editor of The British Lady's Magazine

      MR. EDITOR—In early life I passed eleven years in the exercise of my needle for a livelihood. Will you allow me to address your readers, among whom might perhaps be found some of the kind patronesses of my former humble labours, on a subject widely connected with female life—the state of needlework in this country.

      To lighten the heavy burthen which many ladies impose upon themselves is one object which I have in view: but, I confess, my strongest motive is to excite attention towards the industrious sisterhood to which I once belonged.

      From books I have been informed of the fact, upon which "The British Lady's Magazine" chiefly founds its pretensions, namely, that women have of late been rapidly advancing in intellectual improvement. Much may have been gained in this way, indirectly, for that class of females for whom I wish to plead. Needlework and intellectual improvement are naturally in a state of warfare. But I am afraid the root of the evil has not as yet been struck at. Workwomen of every description were never in so much distress for want of employment.

      Among the present circle of my acquaintance I am proud to rank many that may truly be called respectable; nor do the female part of them, in their mental attainments, at all disprove the prevailing opinion of that intellectual progression which you have taken as the basis of your work; yet I affirm that I know not a single family where there is not some essential drawback to its comfort which may be traced to needle-work done at home, as the phrase is for all needle-work performed in a family by some of its own members, and for which no remuneration in money is received or expected.

      In money alone, did I say? I would appeal to all the fair votaries of voluntary housewifery, whether, in the matter of conscience, any one of them ever thought she had done as much needle-work as she ought to have done. Even fancy work, the fairest of the tribe!—how delightful the arrangement of her materials! the fixing upon her happiest pattern, how pleasing an anxiety! how cheerful the commencement of the labour she enjoins! But that lady must be a true lover of the art, and so