receive the herbs and straw which was daily removed from the floors of his palace. It was only very much later that this troublesome system was replaced by mats and carpets. The bedrooms were generally at the top of the towers, and had little else by way of furniture, besides a very large bed, with or without curtains, a 97 box in which clothes were kept, and which also served as a seat, and a _priedieu_ chair, which sometimes contained prayer and other books of devotion. These lofty rooms, whose thick walls kept out the heat in summer, and the cold in winter, were only lighted by a small window or loophole, closed with a square of oiled paper or of thin horn. A great change took place in the abodes of the nobility in the fourteenth and fifteenth centuries (Fig. 51). We find, for instance, in Sauval's "History and Researches of the Antiquities of the City of Paris," that the abodes of the kings of the first dynasty had been transformed into Palaces of Justice by Philip le Bel; the same author also gives us a vivid description of the ChAC/teau du Louvre, and the HA tel St. Paul, which the kings inhabited when their court was in the capital. But even without examining into all the royal abodes, it will suffice to give an account of the HA tel de BohAame, which, after having been the home of the Sires de Nesles, of Queen Blanche of Castille, and other great persons, was given by Charles VI., in 1388, to his brother, the famous Duke Louis of Orleans. [Illustration: Fig. 51.--The Knight and his Lady.--Costumes of the Court of Burgundy in the Fourteenth Century; Furnished Chamber.--Miniature in "Othea," Poem by Christine de Pisan (Brussels Library).] "I shall not attempt," says Sauval, "to speak of the cellars and wine-cellars, the bakehouses, the fruiteries, the salt-stores, the fur-rooms, the porters' lodges, the stores, the guard-rooms, the wood-yard, or the glass-stores; nor of the servants; nor of the place where
hypocras was made; neither shall I describe the tapestry-room, the linen-room, nor the laundry; nor, indeed, any of the various conveniences which were then to be found in the yards of that palace as well as in the 98 other abodes of the princes and nobles. "I shall simply remark, that amongst the many suites of rooms which composed it, two occupied the two first stories of the main building; the first was raised some few steps above the ground-floor of the court, and was occupied by Valentine de Milan; and her husband, Louis of Orleans, generally occupied the second. Each of these suites of rooms consisted of a great hall, a chamber of state, a large chamber, a wardrobe, some closets, and a chapel. The windows of the halls were thirteen and a half feet[A] high by four and a half wide. The state chambers were eight 'toises,' that is, about fifty feet and a half long. The duke and duchess's chambers were six 'toises' by three, that is, about thirty-six feet by eighteen; the others were seven toises and a half square, all lighted by long and narrow windows of wirework with trellis-work of iron; the wainscots and the ceilings were made of Irish wood, the same as at the Louvre." [Footnote A: French feet.] In this palace there was a room used by the duke, hung with cloth of gold, bordered with vermilion velvet embroidered with roses; the duchess had a room hung with vermilion satin embroidered with crossbows, which were on her coat of arms; that of the Duke of Burgundy was hung with cloth of gold embroidered with windmills. There were, besides, eight carpets of glossy texture, with gold flowers; one representing "The Seven Virtues and the Seven Vices;" another the history of Charlemagne; another that of St. Louis. There were also cushions of cloth of gold, twenty-four pieces of vermilion leather of Aragon, and four carpets of Aragon leather, "to be placed on the floor of rooms in summer." The favourite arm-chair of the 99 princess is thus described in an inventory:--"A chamber chair with four supports, painted in fine vermilion, the seat and arms of which are covered with vermilion morocco, or cordovan, worked and stamped with designs representing the sun, birds, and other devices, bordered with fringes of silk and studded with nails." Among the ornamental furniture were--"A large vase of massive silver, for holding sugar-plums or sweetmeats, shaped like a square table, supported by four satyrs, also of silver; a fine wooden casket, covered with vermilion cordovan, nailed, and bordered with a narrow gilt band, shutting with a key." [Illustration: Fig. 52.--Bronze Chandeliers of the Fourteenth Century (Collection of M. Ach. Jubinal).] In the daily life of Louis of Orleans and his wife, everything corresponded with the luxury of their house. Thus, for the amusement of their children, two little books of pictures were made, illuminated with gold, azure, and vermilion, and covered with vermilion leather of Cordova, which cost sixty _sols parisis,
i.e. four hundred francs. But it was in the custom of New Year's gifts that the duke and duchess displayed truly royal magnificence, as we find described in the accounts of their expenses. For instance, in 1388 they paid four hundred francs of gold for sheets of silk to give to those who received the New Year's gifts from the King and Queen. In 1402, one hundred pounds (tournois) were given to Jehan Taienne, goldsmith, for six silver cups presented to Jacques de Poschin, the Duke's squire. To the Sire de la TrA(c)mouille Valentine gives "a cup and basin of gold;" to Queen Isabella, "a golden image of St. John, surrounded with nine rubies, one sapphire, and twenty-one pearls;" to 100 Mademoiselle de Luxembourg, "another small golden sacred image, surrounded with pearls;" and lastly, in an account of 1394, headed, "Portion of gold and silver jewels bought by Madame la Duchesse d'Orleans as a New Year's gift," we find "a clasp of gold, studded with one large ruby and six large pearls, given to the King; three paternosters for the King's daughters, and two large diamonds for the Dukes of Burgundy and Berry." [Illustration: Fig. 53.--Styli used in writing in the Fourteenth Century.] Such were the habits in private life of the royal princes under Charles VI.; and it can easily be shown that the example of royalty was followed not only by the court, but also in the remotest provinces. The great tenants or vassals of the crown each possessed several splendid mansions in their fiefs; the Dukes of Burgundy, at Souvigny, at Moulins, and at Bourbon l'Archambault; the Counts of Champagne, at Troyes; the Dukes of Burgundy, at Dijon; and all the smaller nobles made a point of imitating their superiors. From the fifteenth to the sixteenth centuries, the provinces which now compose France were studded with castles, which were as remarkable for their interior, architecture as for the richness of their furniture; and it may be asserted that the luxury which was displayed in the dwellings of the nobility was the evidence, if not the resuit, of a great social revolution in the manners and customs of private life. At the end of the fourteenth century there lived a much-respected noble of Anjou, named Geoffroy de Latour-Landry, who had three daughters. In his old age, he resolved that, considering the dangers which might surround them in consequence of their inexperience and beauty, he would compose for their use a code of admonitions which might guide them in the various 101 circumstances of life. [Illustration: A Young Mother's Retinue Representing the Parisian costumes at the end of the fourteenth century. Fac-simile of a miniature from the latin _Terence_ of King Charles VI. From a manuscript in the Bibl. de l'Arsenal.] This book of domestic maxims is most curious and instructive, from the details which it contains respecting the manners and customs, mode of conduct, and fashions of the nobility of the period (Fig. 54). The author mostly illustrates each of his precepts by examples from the life of contemporary personages. [Illustration: Fig. 54.--Dress of Noble Ladies and Children in the Fourteenth Century.--Miniature in the "Merveilles du Monde" (Manuscript, National Library of Paris).] The first advice the knight gives his daughters is, to begin the day with prayer; and, in order to give greater weight to his counsel, he relates the following anecdote: "A noble had two daughters; the one was pious, always saying her prayers with devotion, and regularly attending the services of the church; she married an honest man, and was most happy. The other, on the contrary, was satisfied with hearing low mass, and hurrying once or twice through the Lord's Prayer, after which she went off to indulge herself with sweetmeats. She complained of headaches, and required careful diet. She married a most excellent knight; but, one evening, taking advantage of her husband being asleep, she shut herself up in one of the rooms of the palace, and in company with the people of the 102 household began eating and drinking in the most riotous and excessive manner. The knight awoke; and, surprised not to find his wife by his side, got up, and, armed with a stick, betook himself to the scene of festivity. He struck one of the domestics with such force that he broke his stick in pieces, and one of the fragments flew into the lady's eye and put it out. This caused her husband to take a dislike to her, and he soon placed his affections elsewhere." "My pretty daughters," the moralising parent proceeds, "be courteous and meek, for nothing is more beautiful, nothing so secures the favour of God and the love of others. Be then courteous to great and small; speak gently with them.... I have seen a great lady take off her cap and bow to a simple ironmonger. One of her followers seemed astonished. 'I prefer,' she said, 'to have been too courteous towards that man, than to have been guilty of the least incivility to a knight.'"
