CHAPTER VI.
THE LITERARY TASTES OF THE CHILDREN.
The youthful Compositions of the Brontës—Their Character—Branwell's Share in them—'The Secret,' a Fragment—The Reading of the Brontë Children—Branwell's Character at this Period.
Mr. Brontë, perhaps, made use of a slight hyperbole when he said that, as soon as they could read and write, Charlotte and her brother and sisters used to invent and act little plays of their own; but it is certain that, at an early period of their lives, they took pleasure and pride in seeing their thoughts put down in the manifest form of written words. Charlotte, indeed, gives a list of the juvenile works she had composed. They filled twenty-two volumes, and consisted of Tales, Adventures, Lives, Meditations, Stories, Poems, Songs, &c. Without repeating all the titles which Mrs. Gaskell and others have published, it may be said that the productions manifested extraordinary ability and industry. Branwell, Emily, and Anne partook of the same spirit, and displayed similar energy according to the leisure they could command.
Before Charlotte went to Roe Head, in January, 1831, Branwell worked with his sisters in producing their monthly magazine, with its youthful stories.[12] Mrs. Gaskell has quoted Charlotte's introduction to the 'Tales of the Islanders,' one of these 'Little Magazines,' dated June, 1829, from which it appears that a remark of Branwell's led to the composition of the play of that name, and that he chose the Isle of Man as his territory, and named John Bull, Astley Cooper, and Leigh Hunt as the chief men in it. Charlotte gives the dates of most of their productions. She says: 'Our plays were established, "Young Men," June, 1826; "Our Fellows," July, 1827; "Islanders," December, 1827. These are our three great plays that are not kept secret. Emily's and my best plays were established the 1st of December, 1827; the others March, 1828. Best plays mean secret plays; they are very nice ones. All our plays are very strange ones. Their nature I need not write on paper, for I think I shall always remember them. The "Young Men's" play took its rise from some wooden soldiers Branwell had; "Our Fellows" from "Æsop's Fables;" and the "Islanders" from several events which happened.'[13]
It would be difficult to arrive at a correct understanding of the literary value of these productions of the youthful Brontës, but it would be interesting to know what kind of assistance Branwell was able to give in the work, as well as what was the general merit of these early compositions. Mrs. Gaskell makes some mention of Branwell's literary abilities in his youth. It is certain, from all we know, that his mind was as much occupied in these matters as his sisters', and that his ambition corresponded with theirs. It has, indeed, been placed on record by Mrs. Gaskell that he was associated with his sisters in the compilation of their youthful writings. This author says, also, that their youthful occupations were 'mostly of a sedentary and intellectual nature.'[14]
Among the youthful stories of which Charlotte, as has been already mentioned, wrote a catalogue or list, there was one, of which Mrs. Gaskell has published a fragment in fac-simile, written in a small, elaborate, and cramped hand—so small, indeed, as to be of little use to the general reader. In the 'Life of Charlotte Brontë,' this was inserted as a specimen of the hand-writing. It shows truly the literary ability, dramatic skill, and force of imagination of the children at the period of their lives of which I speak, and affords an interesting specimen of the character of these early works. A few extracts from it may be given here:—
THE SECRET.
CHAPTER I.
A dead silence had reigned in the Home Office of Verdopolis for three hours in the morning of a fine summer's day, interrupted only by such sounds as the scraping of a pen-knife, the dropping of a ruler, or an occasional cough; or whispered now and then some brief mandate, uttered by the noble first secretary, in his commanding tones. At length that sublime personage, after completing some score or so of despatches, addressing a small slightly-built young gentleman who occupied the chief situation among the clerks, said:
'Mr. Rymer, will you be good enough to tell me what o'clock it is?'
'Certainly, my lord!' was the prompt reply as, springing from his seat, the ready underling, instead of consulting his watch like other people, hastened to the window in order to mark the sun's situation; having made his observation, he answered: ''Tis twelve precisely, my lord.'
'Very well,' said the marquis. 'You may all give up then, and see that all your desks are locked, so that not a scrap of paper is left to litter the office. Mr. Rymer, I shall expect you to take care that my directions are fulfilled.' So saying, he assumed his hat and gloves, and with a stately tread was approaching the vestibule, when a slight bustle and whispering among the clerks arrested his steps.
'What is the matter?' asked he, turning round. 'I hope these are not sounds of contention I hear!'
'I—and—' said a broad, carrotty-locked young man of a most pugnacious aspect, 'but—but—your lordship has forgotten that—that——'
'That what?' asked the marquis, rather impatiently.
'Oh!—merely that this afternoon is a half-holiday—and—and——'
'I understand,' replied his superior, smiling, 'you need not tax your modesty with further explanation, Flanagan; the truth is, I suppose, you want your usual largess, and I'm obliged to you for reminding me—will that do?' he continued, as, opening his pocket-book, he took out a twenty-pound bank bill and laid it on the nearest desk.
'My lord, you are too generous,' Flanagan answered; but the chief secretary laughingly laid his gloved hand on his lips, and, with a condescending nod to the other clerks, sprang down the steps of the portico and strode hastily away, in order to escape the noisy expressions of gratitude which now hailed his liberality.
On the opposite side of the busy and wide street to that on which the splendid Home Office stands, rises the no less splendid Colonial Office; and, just as Arthur, Marquis of Douro, left the former structure, Edward Stanley Sydney departed from the latter: they met in the centre of the street.
'Well, Ned,' said my brother, as they shook hands, 'how are you to-day? I should think this bright sun and sky ought to enliven you if anything can.'
'Why, my dear Douro,' replied Mr. Sydney, with a faint smile, 'such lovely, genial weather may, and I have no doubt does, elevate the spirits of the free and healthy; but for me, whose mind and body are a continual prey to all the heaviest cares of public and private life, it signifies little whether sun cheer or rain damp the atmosphere.'
'Edward,' replied Arthur, his features at the same time assuming that disagreeable expression which my landlord denominates by the term 'scorney;' 'now don't begin to bore me, Ned, with trash of that description, I'm tired of it quite: pray have you recollected that to-day is a half-holiday in all departments of the Treasury?'
'Yes; and the circumstance has cost me some money; these silly old customs ought to be abolished in my opinion—they are ruinous.'
'Why, what have you given the poor fellows?'
'Two sovereigns;' an emphatic hem formed Arthur's reply to the communication.
They had now entered Nokel Street, and were proceeding in silence past the line of magnificent shops which it contains, when the sound of wheels was heard behind them, and a smooth-rolling chariot dashed up and stopped just where they stood. One of the window-glasses now fell, a white