The studies which Branwell pursued in his youth were noticed by his literary friends, in after-years, to bear a considerable fruit of classical knowledge. He possessed then a familiar and extensive acquaintance with the Greek and Latin authors. He knew well the history and condition of Europe, and of this country, in past and present times; and his conversational powers on these, and the current literature of the day, were of the highest order. Mr. Brontë had obtained musical tuition for his son and daughters, and Branwell was enthusiastically fond of sacred music, and could play the organ. He was acquainted with the works of the great composers of recent and former times; and, although he could not perform their elaborate compositions well, he was always so excited when they were played for him by his friends that he would walk about the room with measured footsteps, his eyes raised to the ceiling, accompanying the music with his voice in an impassioned manner, and beating time with his hand on the chairs as he passed to and fro. He was an enthusiastic admirer of the oratorio of 'Samson,' which Handel deemed equal to the 'Messiah,' and of the Mass-music of Haydn, Mozart, and others. Religion had, indeed, been deeply implanted in Branwell's breast; but, whenever he heard sacred music like this, his devotional impressions were deepened, and even in times of temptation, indulgence, and folly the influence of early piety was never effaced. Among his minor accomplishments, he had acquired the practice of writing short-hand with facility, and also of writing with both hands at the same time with perfect ease, so that he possessed the extraordinary power of writing two letters at once. His hand-writing was of an upright character. Branwell, too, had a wonderful power of observation, and a most retentive memory. It is on record that, before he visited London, he so mastered its labyrinths, by a diligent study of maps and books, that he spoke with a perfect knowledge of it, and astonished inhabitants of the metropolis by his intimate acquaintance with by-ways and places of which they even had never heard. In person he was rather below the middle height, but of refined and gentleman-like appearance, and of graceful manners. His complexion was fair and his features handsome; his mouth and chin were well-shaped; his nose was prominent and of the Roman type; his eyes sparkled and danced with delight, and his fine forehead made up a face of oval form which gave an irresistible charm to its possessor, and attracted the admiration of those who knew him. Added to this, his address was simple and unadorned, yet polished; but, being familiar with the English language in its highest form of expression, and with the Yorkshire and Hibernian patois also, he could easily make use of the quaintest and broadest terms when occasion called for them. It was, indeed, amazing how suddenly he could pass from the discussion of a grave and lofty subject, or from a deep disquisition, or some exalted poetical theme, to one of his light-hearted and amusing Irish or Yorkshire sallies. He could be sad and joyful almost at the same time, like the sunshine and gloom of April weather; exhibiting, by anticipation, the future lights and shadows of his own sad, short, and chequered existence. In a word, he seemed at times even to be jocular and merry with gravity itself.
It is known also that Branwell, at that period of his young life—when manhood with its hopes and joys, its enterprises and aspirations, its affections and its responsibilities, stretched before him—was also busily laying, to the best of his ability, the foundations, as he trusted, of a brilliant literary or artistic future.
CHAPTER VIII.
ART-AIMS OF THE BRONTËS.
Love of Art in the Youthful Brontës—Their elaborate Drawings— J. B. Leyland, Sculptor—Spartacus—Mr. George Hogarth's Opinion —Art Exhibition at Leeds—Mr. William Robinson, their Drawing-Master—Branwell aims at Portrait-Painting—J. B. Leyland in London—Branwell and the Royal Academy—He visits London.
The biographers of the Brontë sisters have pointed out especially the artistic instinct of Charlotte and Emily; and the originality and fidelity of their written descriptions, and the beauty of the composition and 'colour' of their word-paintings, have formed an inexhaustible theme for the various writers on the excellencies of Brontë genius. The appreciation of art possessed by the members of this family, whether in drawing, painting, or sculpture, was manifested early; but, though highly gifted in felicity and aptness of verbal expression in describing natural scenery, and in the delineation of personal character, they were not endowed, in like degree, with the faculty of placing their ideas—weird and wild, or beautiful and joyous as they might be—in that tangible and fixed shape in which artists have perpetuated the emanations of their genius. The devotion of Charlotte and Branwell to art was, nevertheless, so intense, and their belief was so profound, at one time, that the art-faculty consisted of little more than mechanical dexterity, and could be obtained by long study and practice in manipulation, that the sister toiled incessantly in copying, almost line for line, the grand old engravings of Woollett, Brown, Fittler, and others till her eyesight was dimmed and blurred by the sedulous application; and Branwell, with the same belief, eagerly followed her example. Great talent and perseverance they undoubtedly had; and, although we are not possessed of any original drawings by Charlotte of striking character, we know that Branwell drew in pen-and-ink with much facility, humour, and originality. His productions, in this manner, will be more particularly noticed in the course of this work. Charlotte's drawings were said to be pre-Raphaelite in detail, but they had no approach to the spirit of that school; and Branwell's pictures, however meritorious they might be as likenesses of the individuals they represented, lacked, in every instance, that artistic touch which the hand of genius always gives, and cannot help giving. While at school at Roe Head, Charlotte had been noticed by her fellow-pupils to draw better and more quickly than they had before seen anyone do, and we have been told by one of them that 'she picked up every scrap of information concerning painting, sculpture, poetry, music, &c., as if it were gold.' The list she drew up a year or two earlier of the great artists whose works she wished to see, shows us that her interest in art, even in her thirteenth year, led her to read of them and their productions.
On her return home in 1832, Charlotte wrote on the 21st July respecting her course of life at the parsonage: 'In the morning, from nine o'clock till half-past twelve, I instruct my sisters, and draw; then we walk till dinner-time. After dinner I sew till tea-time, and after tea I either write, read, or do a little fancy-work, or draw as I please.' Charlotte also told Mrs. Gaskell 'that, at this period of her life, drawing, and walking with her sisters, formed the two great pleasures and relaxations of her day.'
Mr. Brontë,