Black Ajax. George Fraser MacDonald. Читать онлайн. Newlib. NEWLIB.NET

Автор: George Fraser MacDonald
Издательство: HarperCollins
Серия:
Жанр произведения: Историческая литература
Год издания: 0
isbn: 9780007325641
Скачать книгу
gave me over to two black maids in dimitty dresses an’ caps, such as I’d never seen, an’ they took me upstairs to a room with a big bath on a tiled floor, an’ washed me all over with scented suds. I felt like a princess then, an’ thought I must be dreamin’, in that wondrous house with its great hall an’ sweepin’ staircase an’ lovely paintin’s an’ carpets an’ marble columns such as I’d never ’magined. Why, I’d never seen a bathroom before, let alone thought to use one. Amplefo’th had seemed a palace, but it was a shack to this place, with all its luxur’ous appointments an’ gilt furniture. It made me feel small an’ frightened, ’til I remembered Tom was free, an’ de la Guise would let him make me free, too.

      After the maids had dried me I asked for my clothes, an’ they snickered into their aprons an’ said there was a fire in the room where I was to be taken.

      “You ain’t goin’ need no clo’es tonight awhile, li’l honey gal,” says one. “Nor no night-rail, neether.”

      “But don’ fret yo’self,” says t’other maid. “You’ll get plenny silk dresses by’n’by, an’ ribbons an’ fal-lals, sho’ ’nuff !”

      When I saw the bed-chamber I was left speechless, it was so grand an’ tasteful, in the loveliest soft colours, peach an’ pink an’ ivory, with a mighty four-post bed hung in silks, and mirrors ev’ywhere, so that I was put out to see myself bare wherever I looked, an’ pulled the sheet from the bed ’round me. The mulatto woman came in, an’ slapped me for makin’ free with the sheet, an’ bid the maids put it back. Now I was real scared, an’ like to cry when she pulled me by the arm to a little window in the wall.

      “Stand there,” says she, an’ slapped me again. “Keep yo’ eyes open an’ yo’ mouth shet, or ’twill be the wuss for you, ye heah?”

      I shook like a willow, for fear an’ ’mazement as I looked through the window into another room that was set much lower in the house so that I was lookin’ down into it, an’ the folks in it were ’way beneath me. There was de la Guise layin’ at his ease in a silk dressin’-gown on a chaise longue, smokin’ his cigar, but what robbed me o’ breath was the two white ladies on a couch nearby. One was yellow-haired an’ t’other red, an’ they were painted an’ patched to admiration. I had never seen anythin’ in the world so grand an’ beautiful an’ stylish. I thought they mus’ be real princesses, or queens even, an’ couldn’t think why they didn’t wear hardly any clothes at all. I’d never seen white ladies near naked before, an’ was wonder-struck to see ’em so pretty an’ soft ’neath their clothes.

      The room itself was sumptuous, with walls lined with gold satin, an’ furniture looked soft enough to sink into. There were paintin’s on the walls of more lovely white ladies, an’ near the fireplace smaller pictures of white men half-naked, standin’ in poses with their hands raised as I’d seen Tom stand when the sailor-man had been ’structin’ him. There was the sweetest smell of perfume, and I remember thinkin’ (God help me!) that Heaven must look somethin’ like that room, an’ angels like those painted ladies.

      Then a door opened down there, an’ my heart leaped, for it was Tom, with that Ganymede. They had washed him clean of blood, an’ though there was a plaster on his cheek an’ on his brow that was swollen, an’ his right hand was bandaged, it was a joy to see him walk steady an’ like his old self. He was taken all aback to see the ladies there, an’ I could have blushed to see them sit up smilin’ on the couch, showin’ off their bosoms before a coloured man, so bold. Tom stood confused an’ put down his head, but I could see him givin’ them a shot of his eye sidelong. De la Guise rose, very languid, an’ looked at him, an’ poor Tom stood mum, but couldn’t keep from watchin’ the white ladies.

      “Well, Tom Molineaux,” says de la Guise, “so you are a free man now. And right nobly you have earned your freedom. Who taught you this, eh?”

      An’ he let drive his left hand an’ hit Tom smack on the mouth, an’ laughed. Tom made a mumble, an’ de la Guise said he had been well ’structed, but had much to learn.

      “How will you live now that you are free?” asks he. “Will you be a prize-fighter?”

      “Yes, mass’,” mutters Tom. I could hardly hear him.

      “But here you may fight only black men like yourself,” says de la Guise. “Crude animals like the one you killed tonight.” ’Twas the first I’d heard of the Black Ghost bein’ killed, an’ I gave a little cry. The mulatto woman twisted my hair an’ hissed at me like a cat to quiet me. “If you aspire to be a true boxer, you must fight white men, and you can do that only in England, which is the home of the Noble Art.” I doubt Tom had heard of England, for he was dumb.

      Then de la Guise showed him the little pictures on the wall, sayin’ that these were the great English champions. He called off their names, but I don’t recall them, except one that stayed in my mind because it didn’t sound English, but now bein’ f’miliar with Spanish names, I b’lieve it was one such.

      “Why, that man is half your size and weight,” cries de la Guise. “But he could cut you to pieces in moments!” Tom looked at the picture an’ growled somethin’ I couldn’t hear, an’ de la Guise laughed an’ claps his shoulder.

      “Wait until you face such a man, you’ll learn different. But do you know, Tom, whenever that man fights he makes one thousand dollars? Sometimes two thousand, five thousand, even. Why, in England they think more of him than of their King! You know what a king is, Tom?”

      “Like in stories mammy tells,” grunts Tom.

      “Exactly so! Tom, you could fight like that man. You are strong and brave and supple. But you could learn only in England. Would you care to go to England, Tom?”

      I could tell, from the jeerin’ way he said it, an’ the smile on those plump lips, that he was makin’ game of him.

      “If mass’ say,” mumbles Tom, an’ de la Guise laughed, mockin’.

      “No, no, Tom, if you say! Why, you are free, and your own master. Would you like to live high, and do as you pleased, ride in a carriage, wear fine clothes, like this robe of mine – feel, Tom, how smooth it is.” Tom touched the robe like it was red hot, an’ de la Guise spoke soft. “You could have white ladies, Tom, like these.” He fluttered a hand, an’ the two ladies got up an’ walked over ever so lazy-like. One stood before Tom, smilin’ an’ poutin’, an’ t’other came beside him an’ put a hand on his shoulder, an’ they fairly did languish at him. I could not believe my eyes, white ladies with a coloured man.

      “Do you like them, Tom?” says de la Guise. “I believe they like you very much. Eh, my dears?”

      The ladies began to pet Tom an’ caress him, an’ the yellow-haired one was strokin’ his arm, exclaimin’ how strong he was, an’ the other kissed his mouth an’ clung to him. I was sick to my stomach to see white ladies so demean themselves, but de la Guise laughed and said he must not fear them, for they admired him and yearned to give him pleasure. Tom began to shake an’ stare like a wild thing, an’ then they left plaguin’ him an’ de la Guise asked him again if he liked white ladies. Tom stood dumb, gaspin’ and all a-tremble, an’ de la Guise struck him in the face to make him answer.

      “Reckon so, mass’,” says Tom, shakin’ fit to die.

      “Better than your little Mollybird?” asks de la Guise, an’ my heart went cold as he glanced up at my window. Then he nodded to the ladies, an’ they came close to Tom again, pesterin’ an’ cooin’ like doves.

      “Surely not?” says de la Guise. “She is waiting for you, Tom, in this house. Come with me now, and you may take her away, free, the two of you. I promised her you should have the money for her purchase.” Oh, that soft, lispin’ voice might have belonged to the fiend that tempted Jesus. “Or, if you please, you may stay here awhile with the white ladies. Choose, Tom. Which shall it be? One or the other. Sweet little Mollybird, or these loving white ladies?”