[14] Iliad, xiii. 5, 6, and Leaf's note.
[15] Ibid. ix. 381. Mr. Leaf attributes the lines to "some person with a dull chronological mind," who remembered that Thebes in Greece had been left in ruins by the war of the Epigonoi. "He forgot, however, that Egypt is elsewhere unknown to the Iliad." If a place is unknown because no one has occasion to mention it, unknown is Thebes to the Iliad. But to say that a poet familiar with Crete never heard of Egypt; that Egypt was rediscovered between the dates of composition of Iliad and Odyssey, is arbitrary. We might as well say that Shakespeare, who never mentions tobacco, never heard of the weed, or that no Biblical author ever saw a cat (out of the Apocrypha).
[16] B. S. A. viii. 174.
[17] See Hogarth, Ionia and the East, pp. 83–86.
[18] Ibid. pp. 112–115.
CHAPTER III
HOMERIC POLITY. THE OVER LORD
As Homer conceives the period of his heroes, they live in a perfectly well known stage of society, illustrated in later northern Europe by the French Chansons de Geste; by the most ancient Irish stories in prose mixed with verse; and even to some extent by the Arthurian romances. Every prince has his castle and town or towns, his lands, pasturage, tilth, and orchards; he is, in the Irish phrase, a righ. He is surrounded by the γέροντες—in Irish the flaith, the gentry or squires, who held "rich lands remote from towns," and possessed war-chariots.[1] The princes and gentry with war-chariots alone take notable individual parts in the fighting, whether they fight mounted or dismounted. It is the gentry who offer a rich demesne, vineland and tilth, to Meleager, imploring him to take part in their war.[2] It appears to me that the gentry themselves held land in severalty, perhaps contrary to the old letter of the law, and in possession rather than in property.
The question of Homeric land tenure, as of all early land tenure before written records, is very obscure. There existed "common fields" certainly; but were they common property, each freeman having no more than his strip; separated, we know, from that of others by a longitudinal "balk" or boundary? We hear of men wrangling across the balk, "with measures in their hands, in a common field, striving for their right within scanty space."[3] Such quarrels were common in the Scotland of the eighteenth century, under the "run-rig" system of common fields; but then the men were tenants. They may have been free-holders in Homer's time, each with his assured "lot" (κλὴρος)[4] The Irish tribal free man had a right to one of these lots, which were redistributed by rotation, but many lots came gradually into the hands of each of the flaith, squires, (γέροντες), who were rich in cattle, and let out the cattle to poor lease-holders, for returns of rent in kind. A mail in Homer might have no lot,[5] and yet employ hinds, and be a cultivator. He must have been a tenant farmer.
In the Iliad, apart from the demesnes allotted to great men by the γέροντες, we only hear of personal property, gold, iron, cattle, and so on. In the Odyssey (xiv. 211) we read of men in Crete who each possessed several lots; and in so old a civilisation nothing is more probable. One is inclined to suppose that the majority of freemen held each his lot, while some had lost their lots; that many who had been land-holders came to hold as tenants merely, under rent in kind paid for stock to the γέροντες, who were rich in ploughing cattle; and that some γέροντες, and all princes held demesnes and a large share of the unfenced pasturage, worked by slaves and hinds. This is quite a practicable condition of affairs; there were all grades of wealth, some men were, as Odysseus feigned to be, wandering tramps. By the time of Hesiod lots of land were purchaseable,[6] but we do not hear in Homer that lots could be bought and sold.
It does not seem that these variations of conditions, in a society where the rich and the very poor certainly coexisted, are proofs that ideas and practices of various later ages have been brought into the Epics by the insertion of lays of various dates. In savage and barbaric societies on a very low level, even in Australia, we find the most various social rules coexisting, and tribes with maternal and with paternal reckoning of descent live side by side. In Melanesia the conditions of native land-tenure vary greatly, some are "primitive" others not so.[7] When we reflect on facts so certain, it seems strange that the hints of varieties in the condition of land-tenure in Homer are regarded as a proof that the poems are a patchwork of the usages of four changing centuries.
We do not, of course, know anything about land-tenure in the early Ionian settlements in Asia, where, if anywhere, novelties would be interpolated. Probably, as was usual and natural in the foundation of a colony, each freeman was assigned his lot. But as the cities became full of seafaring traders and sailors, some men thus occupied would part with the lots which they could not cultivate, and these would be bought by capitalists. Now Homer never mentions the purchase of lots. Athenian tradition held that their colonists were led by the Codrids, descendants of kings not Athenians, descendants of the sons of Neleus of Pylos, Nestor's family. This legend was probably invented for the purpose of introducing Attica into the Achaean cycle of history, in which Attica, as far as Achaean traditions inform us, had no part. Indeed we cannot know whether or not princes like these of Homer long ruled the Ionian cities. Colonists are usually impatient of monarchy.
Returning to the Homeric Over Lord, the princes do not hold land from the Crown, so to speak. The Over Lord is primus inter pares by right divine, not by election. In late forms of the Trojan tale, Agamemnon is only an elected general; this idea may be derived from the Ionic poem, the Cypria. In Homer, Agamemnon is commander-in-chief by birth; but the princes, in formal council, or on the field, deliver their advice, which may or may not be accepted. Agamemnon usually gives way to it. The Over Lord's rights are not strictly defined, except by traditionary custom. Like Charlemagne in the later Chansons de Geste, like Fion MacCumhail in his cycle, even like Arthur, the Achaean Over Lord is not the favourite of the poets and romancers. They much prefer, in Homer's case, the princes; in the mediaeval romances they prefer Diarmaid, Cuchullain, Oscar, Lancelot, and the rest, to the Over Lord. Except in the case of Arthur, who himself tends to become a fainéant, the Over Lords are always capricious, arbitrary, unjust, always encroaching, and are apt to be rebuked or even reviled, by their more energetic subordinates. Agamemnon is in a position between that of the Charlemagne of the Chanson de Roland, and the dotard of the later chansons. His divine right is always recognised; his bursts of insolent temper are easily checked; his nervousness as a commander-in-chief brings on him rebukes to which he instantly yields, and is partly redeemed by his personal prowess and skill with the spear. When the Over Lord's insolence and injustice are beyond bearing, the injured prince may blamelessly "renounce his allegiance," return home or remain without taking part in battle or council. Nobody blames Achilles for his mutiny, least of all does Athene, till he, in turn, exceeds his rights by refusing atonement and apology.[8] It seems that Achilles