George Cruikshank's Omnibus. George Cruikshank. Читать онлайн. Newlib. NEWLIB.NET

Автор: George Cruikshank
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Жанр произведения: Языкознание
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isbn: 4057664575470
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an opposite hue to the real one, may be borne; but I stand, not upon my head, but on my forehead! To a man who has once passed the Rubicon in having dared to publish his portrait, the exhibition of his mere profile can do no more injury than a petty larceny would after the perpetration of a highway robbery. But why be tempted to show, by an outline, that my forehead is innocent of a shape (the "prominently receding" one) that never yet was visible in nature or in art? Let it pass, till it can be explained.

      "He delights in a handsome pair of whiskers." Nero had one flower flung upon his tomb. "He has somewhat of a dandified appearance." Flowers soon fade, and are cut down; and this is the "unkindest cut of all." I who, humbly co-operating with the press, have helped to give permanence to the name of dandy—I who have all my life been breaking butterflies upon wheels in warring against dandyism and dandies—am at last discovered to be "somewhat" of a dandy myself.

      "Come Antony, and young Octavius, come!

      Revenge yourselves—"

      as you may;—but, dandies all, I have not done with you yet. To resume. "He used to be exceedingly partial to Hessian boots." I confess to the boots; but it was when they were worn even by men who walked on loggats. I had legs. Besides, I was very young, and merely put on my boots to follow the fashion. "His age, if his looks be not deceptive, is somewhere between forty-three and forty-five." A very obscure and elaborated mode of insinuating that I am forty-four. "Somewhere between!" The truth is—though nothing but extreme provocation should induce me to proclaim even truth when age is concerned—that I am "somewhere between" twenty-seven and sixty-three, or I may say sixty-four;—but I hate exaggeration. Exit, G. Ck.

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      "Ah! sure a pair was never seen

      So justly formed—"

      Hoby would say, that as "all are not men who bear the human form," so all are not boots that bear the pedal shape. All boots, for example, are not Hessians; nor are all Hessians like my last pair. Mathews used to tell a story of some French Hoby, who, having with incredible genius constructed a pair of boots, which Tom Thumb when a little boy could no more have got on than Cinderella's sister could the magic slipper, refused to part with them for any sum of money—he had "made them in a moment of enthusiasm." Myriads of such moments were consumed in the construction of my last pair. The boots published by Mr. Warren in magazines and country newspapers, exhibiting the grinning portrait of a gentleman in the interesting act of shaving, or a cat bristling up and outwondering Katerfelto, were vulgar in form, and dull of polish, beside mine Hessians. Pleasant it was, just as I was budding into life, to draw them on, and sit with one knee crossing the other, to contemplate my favourite leg. I used to wish myself a centipede, to wear fifty pairs of Hessians at a time.

      To say that the boots "fitted like gloves" would be to pay the most felicitous pair of white kids a compliment. They had just as many natural wrinkles as they ought to have; and for the tassels—we have all seen the dandies of that day take out a comb, and comb the tassels of their fire-bucket-looking boots as often as they got into disorder; but mine needed no aid from such trickery and finessing.

      I had strolled forth at the decline of a day in spring, and had afterwards dined at Long's—my boots and I. They had evidently been the admiration of every observer. I was entirely satisfied with them, and consequently with myself. Returned home, a pair of slippers was substituted for them, and with my feet on the fender and the vapour of a cigar enwrapping me like a dressing-gown, I sat contemplating "my boots." Thought reverted to the fortunes of my Lord Marquis of Carabas, and I saw in my Hessians a brighter destiny than Puss in hers won for him. I thought too of the seven-leagued boots of my ancient friends the Ogres, and felt that I could take Old and New Bond Streets at a step.

      That night those boots melted into thin air. There was "nothing like leather" visible there in the morning. My golden vision had vanished as suddenly as Alnaschar's—only his perished amidst the crash and clatter of a basket of crockery kicked into the clouds; mine had stolen away in solemn silence. Not a creak was heard, yet the Hessians were gone.

      It was the remark of my housekeeper that boots could not go without hands. Such boots I thought might possibly have walked off by themselves. But when it was discovered that a window-shutter had been forced open, and sundry valuables carried away, it was plain that some conceited and ambitious burglar had eloped with my boots. The suspicion was confirmed by the detection of a pair of shoes conscientiously left behind, on the principle that exchange is no robbery. Ugh!—such shoes. Well might I declare that nothing like leather was visible. What odious feet had been thrust into my desecrated Hessians! I put my legs into mourning for their loss; and, convinced that I should never procure such another pair, sank from that moment into mere Wellingtons.

      It was not long after this, that, seated in a coffee-room in Piccadilly, my attention was drawn to the indolent and comfortable attitude of a person, who, with his legs stretched conspicuously along the cushioned bench, was reading a newspaper. How it was I can hardly tell; but my eye was irresistibly attracted to his boots, just as Othello's was to the handkerchief bound round the wounded limb of Cassio. He seemed to be proud of them; they were ostentatiously elevated into view. The boots were Hessians. Though not now worn in their very "newest gloss," they were yet in excellent, I may say in enviable condition. My anxious glance not only wandered over their polished surface, but seemed to penetrate to their rich bright linings, the colour whereof was now no more a secret to me than were those silken tassels that dangled to delight the beholder. I knew my boots again. The wearer, having the newspaper spread before his face, could not notice any observation directed to his lower extremities; my opportunity of inspection therefore was complete. They were my Hessians. My first impulse was to ring the bell for a boot-jack, and claim them upon the spot; but before I could do so the stranger suddenly sprang upon his feet, seized his hat, and with one complacent glance at those tasselled habiliments, which were far from having lost all their "original brightness," swaggered out of the coffee-room.

      Curiosity prompted me to follow—I caught a glimpse of the bright backs of my boots as they flashed round the corner of a neighbouring street. Pursuing them, I surveyed the wearer; and now perceived that not even those incomparable Hessians could transform a satyr into Hyperion, or convert a vulgar strut into the walk of a gentleman. Those boots were never made for such limbs—never meant to be "sported" after so villanous a fashion. You could see that his calves were indifferently padded, and might have sworn the swaggerer was a swell blackleg—one of the shabby-genteel, and visibly-broken-down class. Accordingly, after a turn or two, it was anything but surprising to see him squeeze himself into a narrow passage over the door of which was written the word "Billiards." I heard my boots tramping up the dingy staircase to which the passage led—and my feet, as though from sympathy, and what the philosopher calls the "eternal fitness of things," were moving after them—when the "cui bono?" forcibly occurred to my mind! If I should demand my Hessians, was there a probability of obtaining them? and if I should obtain them, was there a possibility of my ever wearing them again? Could I think of treading in the boots of a blackleg, albeit they never were his own? No, I gave them up to the profanation which was their destiny. I called up Hamlet's reflection on the vile uses to which we may return; and as for the gambler, who in once virtuous boots threaded the paths of vice and depravity, I kicked him—"with my mind's toe, Horatio"—and passed on.

      Shakspeare, in one of the most touching and beautiful of his sonnets, tells us how he bemoaned his outcast state,

      "And troubled deaf heaven with his bootless cries;"

      but with no such cries of mine is the reader doomed to be troubled. Indeed, when I parted from my Hessians on the occasion referred to, I never dreamed of mentioning them more. I had heard, as it seemed, their last creak. Not only were they out of sight, but out of mind. It appeared just as likely that I should ever again be excited on their account, as that I should