Though unaccustomed to spend the Sabbath day in the manner here indicated, I have never yet been regarded as Saint George; neither, on the other hand, have I ever before been represented as the Dragon! Time was, when the dove was not more gentle; but now I "frighten people from my presence," and the isle from its propriety. The "Saracen's Head" is all suavity and seductiveness compared to mine. Forty thousand knockers, with all their quantity of fright, would not make up my sum. I enter a drawing-room, it may be supposed, like one prepared to go the whole griffin. Gorgons, and monsters, and chimeras dire, are concentrated by multitudes in my person.
The aspect of Miss Jemima Jones, who is enchanting the assembled party with "See the conquering hero comes," instantaneously assumes the expression of a person singing "Monster, away." All London is Wantley, and all Wantley is terror-stricken wherever I go. I am as uncourteous as a gust of wind, as abrupt as a flash of lightning, and as rude as the billows of the sea. But of all this, be it known that I am "unconscious." This is acknowledged; "he is himself unconscious of this," which is true to the very letter, and very sweet it is to light at last upon an entire and perfect fact. But enjoying this happy unconsciousness—sharing it moreover with my friends, why wake me from the delusion! Why excite my imagination, and unstring my nerves, with visions of nursery-maids flying before me in my suburban walks—of tender innocents in arms frightened into fits at my approach, of five-bottle men turning pale in my presence, of banquet-halls deserted on my entrance!
(9.) "G. C. is the only man I know moving in a respectable sphere of life who is a match for the under class of cabmen. He meets them on their own ground, and fights them with their own weapons. The moment they begin to swagger, to bluster, and abuse, he darts a look at them, which, in two cases out of three, has the effect of reducing them to a tolerable state of civility; but if looks do not produce the desired results—if the eyes do not operate like oil thrown on the troubled waters, he talks to them in tones which, aided as his words and lungs are by the fire and fury darting from his eye, and the vehemence of his gesticulation, silence poor Jehu effectually," &c.
Fact is told in fewer words than fiction. It so happens that I never had a dispute with a cabman in my life, possibly because I never provoked one. From me they are sure of a civil word; I generally open the door to let myself in, and always to let myself out; nay, unless they are very active indeed, I hand the money to them on the box, and shut the door to save them the trouble of descending. "The greatest is behind"—I invariably pay them more than their fare; and frequently, by the exercise of a generous forgetfulness, make them a present of an umbrella, pair of gloves, or a handkerchief. At times, I have gone so far as to leave them a few sketches, as an inspection of the albums of their wives and daughters (they have their albums doubtless) would abundantly testify.
(10.) "And yet he can make himself exceedingly agreeable both in conversation and manners when he is in the humour so to do. I have met with persons who have been loaded with his civilities and attention. I know instances in which he has spent considerable time in showing strangers everything curious in the house; he is a collector of curiosities."
No single symp—— I was about to say that no single symptom of a curiosity, however insignificant, is visible in my dwelling, when by audible tokens I was (or rather am) rendered sensible of the existence of a pair of bellows. Well, in these it must be admitted that we do possess a curiosity. We call them "bellows," because, on a close inspection, they appear to bear a much stronger resemblance to "bellows" than to any other species of domestic implement; but what in reality they are, the next annual meeting of the great Scientific Association must determine; or the public may decide for themselves when admitted hereafter to view the precious deposit in the British Museum. In the mean time, I vainly essay to picture the unpicturable.
Eccentric, noseless, broken-winded, dilapidated, but immortal, these bellows have been condemned to be burnt a thousand times at least; but they are bellows of such an obstinate turn of mind that to destroy them is impossible. No matter how imperative the order—how immediate the hour of sacrifice, they are sure to escape. So much for old maxims; we may "sing old Rose," but we cannot "burn the bellows." As often as a family accident happens—such as the arrival of a new servant, or the sudden necessity for rekindling an expiring fire, out come the bellows, and forth go into the most secret and silent corners of the house such sounds of wheezing, squeaking, groaning, screaming, and sighing, as might be heard in a louder, but not more intolerable key, beneath the roaring fires of Etna. Then, rising above these mingled notes, issues the rapid ringing of two bells at once, succeeded by a stern injunction to the startled domestic "never on any account to use those bellows again," but, on the contrary, to burn, eject, and destroy them without reservation or remorse. One might as well issue orders to burn the east wind. A magic more powerful even than womanly tenderness preserves them; and six weeks afterwards forth rolls once more that world of wondrous noises. Let no one imagine that I have really sketched the bellows, unless I had sketched their multitudinous voice. What I have felt when drawing Punch is, that it was easy to represent his eyes, his nose, his mouth; but that the one essential was after all wanting—the squeak. The musician who undertook to convey by a single sound a sense of the peculiar smell of the shape of a drum, could alone picture to the eye the howlings and whisperings of the preternatural bellows. Now you hear a moaning as of one put to the torture, and may detect both the motion of the engine and the cracking of the joints; anon cometh a sound as of an old beldame half inebriated, coughing and chuckling. A sigh as from the depths of a woman's heart torn with love, or the "lover sighing like furnace," succeeds to this; and presently break out altogether—each separate note of the straining pack struggling to be foremost—the yelping of a cur, the bellowing of a schoolboy, the tones of a cracked flute played by a learner, the grinding of notched knives, the slow ringing of a muffled muffin-bell, the interrupted rush of water down a leaky pipe, the motion of a pendulum that does not know its own mind, the creaking of a prison-door, and the voice of one who crieth the last dying speech and confession; together with fifty thousand similar sounds, each as pleasant to the ear as "When am I to have the eighteen-pence" would be, to a man who never had a shilling since the day he was breeched. The origin of the bellows, I know not; but a suspicion has seized me that they might have been employed in the Ark had there been a kitchen-fire there; and they may have assisted in raising a flame under the first tea-kettle put on to celebrate the laying of the first stone of the great wall of China. They are ages upon ages older than the bellows of Simple Simon's mother; and were they by him to be ripped open, they could not possibly be deteriorated in quality. The bellows which yet bear the inscription,
"Who rides on these bellows?
The prince of good fellows,
Willy Shakspeare,"
are a thing of yesterday beside these, which look as if they had been industriously exercised by some energetic Greek in fanning the earliest flame of Troy. To descend to later days, they must have invigorated the blaze at which Tobias Shandy lighted his undying pipe, and kindled a generous blaze under that hashed mutton which has rendered Amelia immortal. But "the days are gone when beauty bright" followed quick upon the breath of the bellows: their effect at present is, to give the fire a bad cold; they blow an influenza into the grate. Empires rise and fall, and a century hence the bellows may be as good as new. Like puffing, they will know no end.
(11.) And lastly—for the personality of this paragraph warns me to conclude—"In person G. C. is about the middle height and proportionably made. His complexion is something between pale and clear; and his hair, which is tolerably ample, partakes of a lightish hue. His face is of the angular form, and his forehead has a prominently receding shape."
As Hamlet said to the ghost, I'll go no further! The indefinite