"Monseigneur, a youth sent here by the Queen's furrier is at the gate, and says that he has a set of ermine to deliver to Her Majesty. Is he to be admitted?"
"To be sure; an ermine surcoat she spoke of but yesterday," said the Cardinal. "Let the shop-clerk in. She will need the mantle for her journey by the Loire."
"Which way did he come, that he was not stopped before reaching the gate?" asked the Grand Master.
"I do not know," said Pardaillan.
"I will go to see him in the Queen's rooms," said la Balafré. "Tell him to await her lever in the guardroom. But, Pardaillan, is he young?"
"Yes, Monseigneur; he says he is Lecamus' son."
"Lecamus is a good Catholic," said the Cardinal, who, like the Duke, was gifted with a memory like Cæsar's. "The priest of Saint-Pierre aux Bœufs trusts him, for he is officer of the peace for the Palace."
"Make this youth chat with the Captain of the Scotch Guard, all the same," said the Grand Master, with an emphasis which gave the words a very pointed meaning. "But Ambroise is at the château; through him we shall know at once if he really is the son of Lecamus, who was formerly his very good friend. Ask for Ambroise Paré."
At this moment the Queen came towards the brothers, who hurried to meet her with marks of respect, in which Catherine never failed to discern deep irony.
"Gentlemen," said she, "will you condescend to inform me of what is going on? Is the widow of your late sovereign of less account in your esteem than Messieurs de Vieilleville, Birague, and Chiverni?"
"Madame," said the Cardinal, with an air of gallantry, "our first duty as men, before all matters of politics, is not to alarm ladies by false rumors. This morning, indeed, we have had occasion to confer on State affairs. You will pardon my brother for having in the first instance given orders on purely military matters which must be indifferent to you—the really important points remain to be discussed. If you approve, we will all attend the lever of the King and Queen; it is close on the hour."
"Why, what is happening, Monsieur le Grand Maître?" asked Catherine, affecting terror.
"The Reformation, madame, is no longer a mere heresy; it is a party which is about to take up arms and seize the King."
Catherine, with the Cardinal, the Duke, and the gentlemen, made their way towards the staircase by the corridor, which was crowded with courtiers who had not the right of entrée, and who ranged themselves against the wall.
Gondi, who had been studying the Princes of Lorraine while Catherine was conversing with them, said in good Tuscan and in Catherine's ear these two words, which became bywords, and which express one aspect of that royally powerful nature:
"Odiate e aspettate!" Hate and wait.
Pardaillan, who had delivered to the officer on guard at the gatehouse the order to admit the messenger from the Queen's furrier, found Christophe standing outside the portico and staring at the façade built by good King Louis XII., whereon there was at that time an even more numerous array of sculptured figures of the coarsest buffoonery—if we may judge by what has survived. The curious will detect, for instance, a figure of a woman carved on the capital of one of the columns of the gateway holding up her skirts, and saucily exhibiting "what Brunel displayed to Marphise" to a burly monk crouching in the capital of the corresponding column at the other jamb of this gate, above which once stood a statue of Louis XII. Several of the windows of this front, ornamented in this grotesque taste, and now unfortunately destroyed, amused, or seemed to amuse, Christophe, whom the gunners of the Guard were already pelting with their pleasantries.
"He would like to be lodged there, he would," said the sergeant-at-arms, patting his store of charges for his musket, which hung from his belt in the sugar-loaf-shaped cartridges.
"Hallo, you from Paris, you never saw so much before!" said a soldier.
"He recognizes good King Louis!" said another.
Christophe affected not to hear them, and tried to look even more helplessly amazed, so that his look of blank stupidity was an excellent recommendation to Pardaillan.
"The Queen is not yet risen," said the young officer. "Come and wait in the guardroom."
Christophe slowly followed Pardaillan. He purposely lingered to admire the pretty covered balcony with an arched front, where, in the reign of Louis XII., the courtiers could wait under cover till the hour of reception if the weather was bad, and where at this moment some of the gentlemen attached to the Guises were grouped; for the staircase, still so well preserved, which led to their apartments is at the end of that gallery, in a tower of which the architecture is greatly admired by the curious.
"Now, then! have you come here to study graven images?" cried Pardaillan, seeing Lecamus riveted in front of the elegant stonework of the outer parapet which unites—or, if you will, separates—the columns of each archway.
Christophe followed the young captain to the grand staircase, not without glancing at this almost Moorish-looking structure from top to bottom with an expression of ecstasy. On this fine morning the court was full of captains-at-arms and of courtiers chatting in groups; and their brilliant costumes gave life to the scene, in itself so bright, for the marvels of architecture that decorated the façade were still quite new.
"Come in here," said Pardaillan to Lecamus, signing to him to follow him through the carved door on the second floor, which was thrown open by a sentry on his recognizing Pardaillan.
Christophe's amazement may easily be imagined on entering this guardroom, so vast, that the military genius of our day has cut it across by a partition to form two rooms. It extends, in fact, both on the second floor, where the King lived, and on the first, occupied by the Queen-mother, for a third of the length of the front towards the court, and is lighted by two windows to the left and two to the right of the famous staircase. The young captain made his way toward the door leading to the King's room, which opened out of this hall, and desired one of the pages-in-waiting to tell Madame Dayelle, one of the Queen's ladies, that the furrier was in the guardroom with her surcoats.
At a sign from Pardaillan, Christophe went to stand by the side of an officer seated on a low stool in the corner of a chimney-place as large as his father's shop, at one end of this vast hall opposite another exactly like it at the other end. In talking with this gentleman, Christophe succeeded in interesting him by telling him the trivial details of his trade; and he seemed so completely the craftsman, that the officer volunteered this opinion to the captain of the Scotch Guard, who came in to cross-question the lad while scrutinizing him closely out of the corner of his eye.
Though Christophe Lecamus had had ample warning, he still did not understand the cold ferocity of the interested parties between whom Chaudieu had bid him stand. To an observer who should have mastered the secrets of the drama, as the historian knows them now, it would have seemed terrible to see this young fellow, the hope of two families, risking his life between two such powerful and pitiless machines as Catherine and the Guises. But how few brave hearts ever know the extent of their danger! From the way in which the quays of the city and the château were guarded, Christophe had expected to find snares and spies at every step, so he determined to conceal the importance of his errand and the agitation of his mind under the stupid tradesman's stare, which he had put on before Pardaillan, the officer of the Guard, and the captain.
The stir which in a royal residence attends the rising of the King began to be perceptible. The nobles, leaving their horses with their pages or grooms in the outer court, for no one but the King and Queen was allowed to enter the inner court on horseback, were mounting the splendid stairs in twos and threes and filling the guardroom, a large room with two fireplaces—where the huge mantels are now bereft of adornment, where squalid red tiles have taken the place of the fine mosaic flooring, where royal hangings covered the rough walls now daubed with whitewash, and where every art of an age unique in its splendor was displayed at its best.
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