The City of Masks. George Barr McCutcheon. Читать онлайн. Newlib. NEWLIB.NET

Автор: George Barr McCutcheon
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066187231
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because they were political fugitives, with prices on their heads.

      The Marchioness, more prosperous than any of her associates, assumed the greater part of the burden attending this singular reversion to form. It was she who held the lease on the building, from cellar to roof, and it was she who paid that important item of expense: the rent. The Marchioness was no other than the celebrated Deborah, whose gowns issuing from the lower floors at prodigious prices, gave her a standing in New York that not even the plutocrats and parvenus could dispute. In private life she may have been a Marchioness, but to all New York she was known as the queen of dressmakers.

      If you desired to consult Deborah in person you inquired for Mrs. Sparflight, or if you happened to be a new customer and ignorant, you were set straight by an attendant (with a slight uplifting of the eyebrows) when you asked for Madame "Deborah."

      The ownership of the rare pieces of antique furniture, rugs, tapestries and paintings was vested in two members of the circle, one occupying a position in the centre of the ring, the other on the outer rim: Count Antonio Fogazario and Moody, the footman. For be it known that while Moody reverted once a week to a remote order of existence he was for the balance of the time an exceedingly prosperous, astute and highly respected dealer in antiques, with a shop in Madison Avenue and a clientele that considered it the grossest impertinence to dispute the prices he demanded. He always looked forward to these "drawing-rooms," so to speak. It was rather a joy to disregard the aspirates. He dropped enough hs on a single evening to make up for a whole week of deliberate speech.

      As for Count Antonio, he was the purveyor of Italian antiques and primitive paintings, "authenticity guaranteed," doing business under the name of "Juneo & Co., Ltd. London, Paris, Rome, New York." He was known in the trade and at his bank as Mr. Juneo.

      Occasionally the exigencies of commerce necessitated the substitution of an article from stock for one temporarily loaned to the fifth-floor drawing-room.

      During the seven days in the week, Mr. Moody and Mr. Juneo observed a strained but common equality. Mr. Moody contemptuously referred to Mr. Juneo as a second-hand dealer, while Mr. Juneo, with commercial bitterness, informed his patrons that Pickett, Inc., needed a lot of watching. But on these Wednesday nights a vast abyss stretched between them. They were no longer rivals in business. Mr. Juneo, without the slightest sign of arrogance, put Mr. Moody in his place, and Mr. Moody, with perfect equanimity, quite properly stayed there.

      "A chair over here, Moody," the Count would say (to Pickett, Inc.,) and Moody, with all the top-lofty obsequiousness of the perfect footman, would place a chair in the designated spot, and say:

      "H'anythink else, my lord? Thank you, sir."

      On this particular Wednesday night two topics of paramount interest engaged the attention of the company. The newspapers of that day had printed the story of the apprehension and seizure of one Peter Jolinski, wanted in Warsaw on the charge of assassination.

      As Count Andreas Verdray he was known to this exclusive circle of Europeans, and to them he was a persecuted, unjustly accused fugitive from the land of his nativity. Russian secret service men had run him to earth after five years of relentless pursuit. As a respectable, industrious window-washer he had managed for years to evade arrest for a crime he had not committed, and now he was in jail awaiting extradition and almost certain death at the hands of his intriguing enemies. A cultured scholar, a true gentleman, he was, despite his vocation, one of the most distinguished units in this little world of theirs. The authorities in Warsaw charged him with instigating the plot to assassinate a powerful and autocratic officer of the Crown. In more or less hushed voices, the assemblage discussed the unhappy event.

      The other topic was the need of immediate relief for the family of the Baroness de Flamme, who was on her death-bed in Harlem and whose three small children, deprived of the support of a hard-working music-teacher and deserted by an unconscionably plebeian father, were in a pitiable state of destitution. Acting on the suggestion of Lord Temple, who as Thomas Trotter earned a weekly stipend of thirty dollars as chauffeur for a prominent Park Avenue gentleman, a collection was taken, each person giving according to his means. The largest contribution was from Count Fogazario, who headed the list with twenty-five dollars. The Marchioness was down for twenty. The smallest donation was from Prince Waldemar. Producing a solitary coin, he made change, and after saving out ten cents for carfare, donated forty cents.

      Cricklewick, Moody and McFaddan were not invited to contribute. No one would have dreamed of asking them to join in such a movement. And yet, of all those present, the three men-servants were in a better position than any one else to give handsomely. They were, in fact, the richest men there. The next morning, however, would certainly bring checks from their offices to the custodian of the fund, the Hon. Mrs. Priestly-Duff. They knew their places on Wednesday night, however.

      The Countess du Bara, from the Opera, sang later on in the evening; Prince Waldemar got out his violin and played; the gay young baroness from the Artists' Colony played accompaniments very badly on the baby grand piano; Cricklewick and the footmen served coffee and sandwiches, and every one smoked in the dining-room.

      At eleven o'clock the Princess departed. She complained a good deal of her feet.

      "It's the weather," she explained to the Marchioness, wincing a little as she made her way to the door.

      "Too bad," said the Marchioness. "Are we to be honoured on next Wednesday night, your highness? You do not often grace our gatherings, you know. I—"

      "It will depend entirely on circumstances," said the Princess, graciously.

      Circumstances, it may be mentioned,—though they never were mentioned on Wednesday nights,—had a great deal to do with the Princess's actions. She conducted a pawn-shop in Baxter street. As the widow and sole legatee of Moses Jacobs, she was quite a figure in the street. Customers came from all corners of the town, and without previous appointment. Report had it that Mrs. Jacobs was rolling in money. People slunk in and out of the front door of her place of business, penniless on entering, affluent on leaving,—if you would call the possession of a dollar or two affluence,—and always with the resolve in their souls to some day get even with the leech who stood behind the counter and doled out nickels where dollars were expected.

      It was an open secret that more than one of those who kissed the Princess's hand in the Marchioness's drawing-room carried pawnchecks issued by Mrs. Jacobs. Business was business. Sentiment entered the soul of the Princess only on such nights as she found it convenient and expedient to present herself at the Salon. It vanished the instant she put on her street clothes on the floor below and passed out into the night. Avarice stepped in as sentiment stepped out, and one should not expect too much of avarice.

      For one, the dreamy, half-starved Prince Waldemar was rarely without pawnchecks from her delectable establishment. Indeed it had been impossible for him to entertain the company on this stormy evening except for her grudging consent to substitute his overcoat for the Stradivarius he had been obliged to leave the day before.

      Without going too deeply into her history, it is only necessary to say that she was one of those wayward, wilful princesses royal who occasionally violate all tradition and marry good-looking young Americans or Englishmen, and disappear promptly and automatically from court circles.

      She ran away when she was nineteen with a young attaché in the British legation. It was the worst thing that could have happened to the poor chap. For years they drifted through many lands, finally ending in New York, where, their resources having been exhausted, she was forced to pawn her jewellery. The pawn-broker was one Abraham Jacobs, of Baxter street.

      The young English husband, disheartened and thoroughly disillusioned, shot himself one fine day. By a single coincidence, a few weeks afterward, old Abraham went to his fathers in the most agreeable fashion known to nature, leaving his business, including the princess's jewels, to his son Moses.

      With rare foresight and acumen, Mrs. Brinsley (the Princess, in other words), after several months of contemplative mourning, redeemed her treasure by marrying Moses. And when Moses, after begetting Solomon, David and Hannah, passed on at the age of twoscore years and ten, she continued