"This gown is so old I sometimes think I was made for it," said the girl gaily. "I can't remember when it was made for me."
Moody had drawn two chairs up to the fire.
"Rubbish!" said the Marchioness, sitting down. "Toast your toes, my dear."
Lady Jane's gown was far from modish. In these days of swift-changing fashions for women, it had become passé long before its usefulness or its beauty had passed. Any woman would have told you that it was a "season before last model," which would be so distantly removed from the present that its owner may be forgiven the justifiable invention concerning her memory.
But Lady Jane's figure was not old, nor passé, nor even a thing to be forgotten easily. She was straight, and slim, and sound of body and limb. That is to say, she stood well on her feet and suggested strength rather than fragility. Her neck and shoulders were smooth and white and firm; her arms shapely and capable, her hands long and slender and aristocratic. Her dark brown hair was abundant and wavy;—it had never experienced the baleful caress of a curling-iron. Her firm, red lips were of the smiling kind,—and she must have known that her teeth were white and strong and beautiful, for she smiled more often than not with parted lips. There was character, intelligence and breeding in her face.
She wore a simple black velvet gown, close-fitting,—please remember that it was of an antiquity not even surpassed, as things go, by the oldest rug in the apartment,—with a short train. She was fully a head taller than the Marchioness, which isn't saying much when you are informed that the latter was at least half-a-head shorter than a woman of medium height.
On the little finger of her right hand she wore a heavy seal ring of gold. If you had known her well enough to hold her hand—to the light, I mean,—you would have been able to decipher the markings of a crest, notwithstanding the fact that age had all but obliterated the lines.
Dinner was formal only in the manner in which it was served. Behind the chair of the Marchioness, Moody posed loftily when not otherwise employed. A critical observer would have taken note of the threadbare condition of his coat, especially at the elbows, and the somewhat snug way in which it adhered to him, fore and aft. Indeed, there was an ever-present peril in its snugness. He was painfully deliberate and detached.
From time to time, a second footman, addressed as McFaddan, paused back of Lady Jane. His chin was not quite so high in the air as Moody's; the higher he raised it the less it looked like a chin. McFaddan, you would remark, carried a great deal of weight above the hips. The ancient butler, Cricklewick, decanted the wine, lifted his right eyebrow for the benefit of Moody, the left in directing McFaddan, and cringed slightly with each trip upward of the dumb-waiter.
The Marchioness and Lady Jane were in a gay mood despite the studied solemnity of the three servants. As dinner has no connection with this narrative except to introduce an effect of opulence, we will hurry through with it and allow Moody and McFaddan to draw back the chairs on a signal transmitted by Cricklewick, and return to the drawing-room with the two ladies.
"A quarter of nine," said the Marchioness, peering at the French clock through her lorgnon. "I am quite sure the Princess will not venture out on such a night as this."
"She's really quite an awful pill," said Lady Jane calmly. "I for one sha'n't be broken-hearted if she doesn't venture."
"For heaven's sake, don't let Cricklewick hear you say such a thing," said the Marchioness in a furtive undertone.
"I've heard Cricklewick say even worse," retorted the girl. She lowered her voice to a confidential whisper. "No longer ago than yesterday he told me that she made him tired, or something of the sort."
"Poor Cricklewick! I fear he is losing ambition," mused the Marchioness. "An ideal butler but a most dreary creature the instant he attempts to be a human being. It isn't possible. McFaddan is quite human. That's why he is so fat. I am not sure that I ever told you, but he was quite a slim, puny lad when Cricklewick took him out of the stables and made a very decent footman out of him. That was a great many years ago, of course. Camelford left him a thousand pounds in his will. I have always believed it was hush money. McFaddan was a very wide-awake chap in those days." The Marchioness lowered one eye-lid slowly.
"And, by all reports, the Marquis of Camelford was very well worth watching," said Lady Jane.
"Hear the wind!" cried the Marchioness, with a little shiver. "How it shrieks!"
"We were speaking of the Marquis," said Lady Jane.
"But one may always fall back on the weather," said the Marchioness drily. "Even at its worst it is a pleasanter thing to discuss than Camelford. You can't get anything out of me, my dear. I was his next door neighbour for twenty years, and I don't believe in talking about one's neighbour."
Lady Jane stared for a moment. "But—how quaint you are!—you were married to him almost as long as that, were you not?"
"My clearest,—I may even say my dearest,—recollection of him is as a neighbour, Lady Jane. He was most agreeable next door."
Cricklewick appeared in the door.
"Count Antonio Fogazario," he announced.
A small, wizened man in black satin knee-breeches entered the room and approached the Marchioness. With courtly grace he lifted her fingers to his lips and, in a voice that quavered slightly, declared in French that his joy on seeing her again was only surpassed by the hideous gloom he had experienced during the week that had elapsed since their last meeting.
"But now the gloom is dispelled and I am basking in sunshine so rare and soft and—"
"My dear Count," broke in the Marchioness, "you forget that we are enjoying the worst blizzard of the year."
"Enjoying,—vastly enjoying it!" he cried. "It is the most enchanting blizzard I have ever known. Ah, my dear Lady Jane! This is delightful!"
His sharp little face beamed with pleasure. The vast pleated shirt front extended itself to amazing proportions, as if blown up by an invisible though prodigious bellows, and his elbow described an angle of considerable elevation as he clasped the slim hand of the tall young woman. The crown of his sleek black toupee was on a line with her shoulder.
"God bless me," he added, in a somewhat astonished manner, "this is most gratifying. I could not have lifted it half that high yesterday without experiencing the most excruciating agony." He worked his arm up and down experimentally. "Quite all right, quite all right. I feared I was in for another siege. I cannot tell you how delighted I am. Ahem! Where was I? Oh, yes—This is a pleasure, Lady Jane, a positive delight. How charming you are look—"
"Save your compliments, Count, for the Princess," interrupted the girl, smiling. "She is coming, you know."
"I doubt it," he said, fumbling for his snuff-box. "I saw her this afternoon. Chilblains. Weather like this, you see. Quite a distance from her place to the street-cars. Frightful going. I doubt it very much. Now, what was it she said to me this afternoon? Something very important, I remember distinctly,—but it seems to have slipped my mind completely. I am fearfully annoyed with myself. I remember with great distinctness that it was something I was determined to remember, and here I am forgetting—Ah, let me see! It comes to me like a flash. I have it! She said she felt as though she had a cold coming on or something like that. Yes, I am sure that was it. I remember she blew her nose frequently, and she always makes a dreadful noise when she blows her nose. A really unforgettable noise, you know. Now, when I blow my nose, I don't behave like an elephant. I—"
"You blow it like a gentleman," interrupted the Marchioness, as he paused in some confusion.
"Indeed I do," he said gratefully. "In the most polished manner possible, my dear lady."