Prince Andrew, seeing that his father insisted, began—at first reluctantly, but gradually with more and more animation, and from habit changing unconsciously from Russian to French as he went on- to explain the plan of operation for the coming campaign. He explained how an army, ninety thousand strong, was to threaten Prussia so as to bring her out of her neutrality and draw her into the war; how part of that army was to join some Swedish forces at Stralsund; how two hundred and twenty thousand Austrians, with a hundred thousand Russians, were to operate in Italy and on the Rhine; how fifty thousand Russians and as many English were to land at Naples, and how a total force of five hundred thousand men was to attack the French from different sides. The old prince did not evince the least interest during this explanation, but as if he were not listening to it continued to dress while walking about, and three times unexpectedly interrupted. Once he stopped it by shouting: "The white one, the white one!"
This meant that Tikhon was not handing him the waistcoat he wanted. Another time he interrupted, saying:
"And will she soon be confined?" and shaking his head reproachfully said: "That's bad! Go on, go on."
The third interruption came when Prince Andrew was finishing his description. The old man began to sing, in the cracked voice of old age: "Malbrook s'en va-t-en guerre. Dieu sait quand reviendra."[15] His son only smiled. "I don't say it's a plan I approve of," said the son; "I am only telling you what it is. Napoleon has also formed his plan by now, not worse than this one." "Well, you've told me nothing new," and the old man repeated, meditatively and rapidly: "Dieu sait quand reviendra. Go to the dining room."
Chapter 27
At the appointed hour the prince, powdered and shaven, entered the dining room where his daughter-in-law, Princess Mary, and Mademoiselle Bourienne were already awaiting him together with his architect, who by a strange caprice of his employer's was admitted to table though the position of that insignificant individual was such as could certainly not have caused him to expect that honor. The prince, who generally kept very strictly to social distinctions and rarely admitted even important government officials to his table, had unexpectedly selected Michael Ivanovich (who always went into a corner to blow his nose on his checked handkerchief) to illustrate the theory that all men are equals, and had more than once impressed on his daughter that Michael Ivanovich was "not a whit worse than you or I." At dinner the prince usually spoke to the taciturn Michael Ivanovich more often than to anyone else.
In the dining room, which like all the rooms in the house was exceedingly lofty, the members of the household and the footmen—one behind each chair—stood waiting for the prince to enter. The head butler, napkin on arm, was scanning the setting of the table, making signs to the footmen, and anxiously glancing from the clock to the door by which the prince was to enter. Prince Andrew was looking at a large gilt frame, new to him, containing the genealogical tree of the Princes Bolkonski, opposite which hung another such frame with a badly painted portrait (evidently by the hand of the artist belonging to the estate) of a ruling prince, in a crown—an alleged descendant of Rurik and ancestor of the Bolkonskis. Prince Andrew, looking again at that genealogical tree, shook his head, laughing as a man laughs who looks at a portrait so characteristic of the original as to be amusing.
"How thoroughly like him that is!" he said to Princess Mary, who had come up to him.
Princess Mary looked at her brother in surprise. She did not understand what he was laughing at. Everything her father did inspired her with reverence and was beyond question.
"Everyone has his Achilles' heel," continued Prince Andrew. "Fancy, with his powerful mind, indulging in such nonsense!"
Princess Mary could not understand the boldness of her brother's criticism and was about to reply, when the expected footsteps were heard coming from the study. The prince walked in quickly and jauntily as was his wont, as if intentionally contrasting the briskness of his manners with the strict formality of his house. At that moment the great clock struck two and another with a shrill tone joined in from the drawing room. The prince stood still; his lively glittering eyes from under their thick, bushy eyebrows sternly scanned all present and rested on the little princess. She felt, as courtiers do when the Tsar enters, the sensation of fear and respect which the old man inspired in all around him. He stroked her hair and then patted her awkwardly on the back of her neck.
"I'm glad, glad, to see you," he said, looking attentively into her eyes, and then quickly went to his place and sat down. "Sit down, sit down! Sit down, Michael Ianovich!"
He indicated a place beside him to his daughter-in-law. A footman moved the chair for her.
"Ho, ho!" said the old man, casting his eyes on her rounded figure. "You've been in a hurry. That's bad!"
He laughed in his usual dry, cold, unpleasant way, with his lips only and not with his eyes.
"You must walk, walk as much as possible, as much as possible," he said.
The little princess did not, or did not wish to, hear his words. She was silent and seemed confused. The prince asked her about her father, and she began to smile and talk. He asked about mutual acquaintances, and she became still more animated and chattered away giving him greetings from various people and retailing the town gossip.
"Countess Apraksina, poor thing, has lost her husband and she has cried her eyes out," she said, growing more and more lively.
As she became animated the prince looked at her more and more sternly, and suddenly, as if he had studied her sufficiently and had formed a definite idea of her, he turned away and addressed Michael Ivanovich.
"Well, Michael Ivanovich, our Bonaparte will be having a bad time of it. Prince Andrew" (he always spoke thus of his son) "has been telling me what forces are being collected against him! While you and I never thought much of him."
Michael Ivanovich did not at all know when "you and I" had said such things about Bonaparte, but understanding that he was wanted as a peg on which to hang the prince's favorite topic, he looked inquiringly at the young prince, wondering what would follow.
"He is a great tactician!" said the prince to his son, pointing to the architect.
And the conversation again turned on the war, on Bonaparte, and the generals and statesmen of the day. The old prince seemed convinced not only that all the men of the day were mere babies who did not know the A B C of war or of politics, and that Bonaparte was an insignificant little Frenchy, successful only because there were no longer any Potemkins or Suvorovs left to oppose him; but he was also convinced that there were no political difficulties in Europe and no real war, but only a sort of puppet show at which the men of the day were playing, pretending to do something real. Prince Andrew gaily bore with his father's ridicule of the new men, and drew him on and listened to him with evident pleasure.
"The past always seems good," said he, "but did not Suvorov himself fall into a trap Moreau set him, and from which he did not know how to escape?"
"Who told you that? Who?" cried the prince. "Suvorov!" And he jerked away his plate, which Tikhon briskly caught. "Suvorov!… Consider, Prince Andrew. Two… Frederick and Suvorov; Moreau!… Moreau would have been a prisoner if Suvorov had had a free hand; but he had the Hofs-kriegs-wurst-schnapps-Rath on his hands. It would have puzzled the devil himself! When you get there you'll find out what those Hofs-kriegs-wurst-Raths are! Suvorov couldn't manage them so what chance has Michael Kutuzov? No, my dear boy," he continued, "you and your generals won't get on against Buonaparte; you'll have to call in the French, so that birds of a feather may fight together. The German, Pahlen, has been sent to New York