It is needless to remark that the sailors witnessed this unprovoked assault with unutterable amazement. But the most remarkable part of it was, that the fellow, instead of knocking all his assailants down, as he might have done without much trouble, quietly submitted to the indignities heaped upon him; nay, he even smiled upon his tormentors, who increased in numbers every minute, running out from among the bushes and surrounding the unoffending man, and uttering wild shouts as they maltreated him.
“Wot’s he bin doin’?” inquired Rokens, turning to his black companion. But Rokens received no answer, for Neepeelootambo was looking on at the scene with an expression so utterly woe-begone and miserable that one would imagine he was himself suffering the rough usage he witnessed.
“Arrah! ye don’t appear to be chairful,” said Briant, laughing, as he looked in the negro’s face. “This is a quare counthrie, an’ no mistake;—it seems to be always blowin’ a gale o’ surprises. Wot’s wrong wid ye, Bumble?”
The negro groaned.
“Sure that may be a civil answer, but it’s not o’ much use. Hallo! what air they doin’ wid the poor cratur now?”
As he spoke the crowd seized the black giant by the arms and neck and hair, and dragged him away towards the village, leaving our friends in solitude.
“A very purty little scene,” remarked Phil Briant when they were out of sight; “very purty indade, av we only knowed wot it’s all about.”
If the surprise of the two sailors was great at what they had just witnessed, it was increased tenfold by the subsequent behaviour of their negro companion.
That eccentric individual suddenly checked his groans, gave vent to a long, deep sigh, and assuming a resigned expression of countenance, rose up and said— “Ho! It all ober now, massa.”
“I do believe,” remarked Rokens, looking gravely at his shipmate, “that the feller’s had an attack of the mollygrumbles, an’s got better all of a suddint.”
“No, massa, dat not it. But me willin’ to go wid you now to de sea.”
“Eh? willin’ to go? Why, Nippi-Too-Cumble, wot a rum customer you are, to be sure!”
“Yis, massa,” rejoined the negro. “Me not goin’ to be king now, anyhow; so it ob no use stoppin’ here. Me go to sea.”
“Not goin’ to be king? How d’ye know that?”
“’Cause dat oder nigger, him be made king in a berry short time. You mus’ know, dat w’en dey make wan king in dis here place, de peeple choose de man; but dey not let him know. He may guess if him please—like me—but p’raps him guess wrong—like me! Ho! ho! Den arter dey fix on de man, dey run at him and kick him, as you hab seen dem do, and spit on him, and trow mud ober him, tellin’ him all de time, ‘You no king yet, you black rascal; you soon be king, and den you may put your foots on our necks and do w’at you like, but not yit; take dat, you tief!’ An’ so dey ’buse him for a littel time. Den dey take him straight away to de palace and crown him, an’, oh! arter dat dey become very purlite to him. Him know dat well ’nuff, and so him not be angry just now. Ah! me did ’xpec, to hab bin kick and spitted on dis berry day!”
Poor Neepeelootambo uttered the last words in such a deeply touching tone, and seemed to be so much cast down at the thought that his chance of being “kicked and spitted upon” had passed away for ever, that Phil Briant burst into a hearty fit of laughter, and Tim Rokens exhibited symptoms of internal risibility, though his outward physiognomy remained unchanged.
“Och! Bumble, you’ll be the death o’ me,” cried Briant. “An’ are they a-crownin’ of him now?”
“Yis, massa. Dat what dey go for to do jist now.”
“Troth, then, I’ll go an’ inspict the coronation. Come along, Bumble, me darlint, and show us the way.”
In a few minutes Neepeelootambo conducted his new friends into a large rudely-constructed hut, which was open on three sides and thatched with palm-leaves. This was the palace before referred to by him. Here they found a large concourse of negroes, whose main object at that time seemed to be the creation of noise; for besides yelling and hooting, they beat a variety of native drums, some of which consisted of bits of board, and others of old tin and copper kettles. Forcing their way through the noisy throng they reached the inside of the hut, into which they found that Ailie Dunning and Glynn Proctor had pushed their way before them. Giving them a nod of recognition, they sat down on a mat by their side to watch the proceedings, which by this time were nearly concluded.
The new king—who was about to fill the throne rendered vacant by the recent death of the old king of that region—was seated on an elevated stool looking very dignified, despite the rough ordeal through which he had just passed. When the noise above referred to had calmed down, an old grey-headed negro rose and made a speech in the language of the country, after which he advanced and crowned the new king, who had already been invested in a long scarlet coat covered with tarnished gold lace, and cut in the form peculiar to the last century. The crown consisted of an ordinary black silk hat, considerably the worse for wear. It looked familiar and commonplace enough in the eyes of their white visitors; but, being the only specimen of the article in the district, it was regarded by the negroes with peculiar admiration, and deemed worthy to decorate the brows of royalty.
Having had this novel crown placed on the top of his woolly pate, which was much too large for it, the new king hit it an emphatic blow on the top, partly with a view to force it on, and partly, no doubt, with the design of impressing his new subjects with the fact that he was now their rightful sovereign, and that he meant thenceforth to exercise all the authority, and avail himself of all the privileges that his high position conferred on him. He then rose and made a pretty long speech, which was frequently applauded, and which terminated amid a most uproarious demonstration of loyalty on the part of the people.
If you wish to gladden the heart of a black man, reader, get him into the midst of an appalling noise. The negro’s delight is to shout, and laugh, and yell, and beat tin kettles with iron spoons. The greater the noise, the more he enjoys himself. Great guns and musketry, gongs and brass bands, kettledrums and smashing crockery, crashing railway-engines, blending their utmost whistles with the shrieks of a thousand pigs being killed, all going at once, full blast, and as near to him as possible, is a species of Elysium to the sable son of Africa. On their occasions of rejoicing, negroes procure and produce as much noise as is possible, so that the white visitors were soon glad to seek shelter, and find relief to their ears, on board ship.
But even there the sounds of rejoicing reached them, and long after the curtain of night had enshrouded land and sea, the hideous din of royal festivities came swelling out with the soft warm breeze that fanned Ailie’s cheek as she stood on the quarterdeck of the Red Eric, watching the wild antics of the naked savages as they danced round their bright fires, and holding her father’s hand tightly as she related the day’s adventures, and told of the monkeys, crocodiles, and other strange creatures she had seen in the mangrove-swamps and on the mud-banks of the slimy river.
CHAPTER TEN.
An Inland Journey—Sleeping in the Woods—Wild Beasts Everywhere—Sad Fate of a Gazelle.
The damage sustained by the Red Eric during the storm was found to be more severe than was at first supposed. Part of her false keel had been torn away by a sunken rock, over which the vessel had passed, and scraped so lightly that no one on board was aware of the fact, yet with sufficient force to