As the woman's door opened, wide and brimful of light, a door of one of the log houses opened, and then another, and out into the night, like dim shadows, trod the moccasined men from the factor's office, and stood there waiting for the word of life or death from John Cummins. In their own fashion these men, who, without knowing it, lived very near to the ways of God, sent mute prayers into the starry heavens that the most beautiful thing in the world might yet be spared to them.
It was just two summers before that this beautiful thing had come into Cummins' life, and into the life of the post. Cummins, red-headed, lithe as a cat, big-souled as the eternal mountain of the Crees, and the best of the company's hunters, had brought Mélisse thither as his bride. Seventeen rough hearts had welcomed her. They had assembled about that little cabin in which the light was shining now, speechless in their adoration of this woman who had come among them, their caps in their hands, their faces shining, their eyes shifting before the glorious ones that looked at them and smiled at them as the woman shook their hands, one by one.
Perhaps she was not strictly beautiful, as most people judge; but she was beautiful here, four hundred miles beyond civilization. Mukee, the half-Cree, had never seen a white woman, for even the factor's wife was part Chippewayan; and no one of the others went down to the edge of the southern wilderness more than once each twelvemonth or so.
Melisse's hair was brown and soft, and it shone with a sunny glory that reached far back into their conception of things dreamed of but never seen. Her eyes were as blue as the early wild flowers that came after the spring floods, and her voice was the sweetest sound that had ever fallen upon their ears. So these men thought when Cummins first brought home his wife, and the masterpiece which each had painted in his soul and brain was never changed. Each week and month added to the deep-toned value of that picture, as the passing of a century might add to a Raphael or a Vandyke.
The woman became more human, and less an angel, of course, but that only made her more real, and allowed them to become acquainted with her, to talk with her, and to love her more. There was no thought of wrong, for the devotion of these men was a great, passionless love unhinting of sin. Cummins and his wife accepted it, and added to it when they could, and were the happiest pair in all that vast Northland.
The girl—she was scarce more than budding into womanhood—fell happily into the ways of her new life. She did nothing that was elementally unusual, nothing more than any pure woman reared in the love of God and of a home would have done. In her spare hours she began to teach the half-dozen wild little children about the post, and every Sunday she told them wonderful stories out of the Bible. She ministered to the sick, for that was a part of her code of life. Everywhere she carried her glad smile, her cheery greeting, her wistful earnestness, to brighten what seemed to her the sad and lonely lives of these silent men of the North.
And she succeeded, not because she was unlike other millions of her kind, but because of the difference between the fortieth degree and the sixtieth—the difference in the viewpoint of men who fought themselves into moral shreds in the big game of life and those who lived a thousand miles nearer to the dome of the earth.
A few days before there had come a wonderful event in the history of the company's post. A new life was born into the little cabin of Cummins and his wife. After this the silent, wordless worship of their people was filled with something very near to pathos. Cummins' wife was a mother! She was one of them now, an indissoluble part of their existence—a part of it as truly as the strange lights for ever hovering over the pole, as surely as the countless stars that never left the night skies, as surely as the endless forests and the deep snows!
Then had come the sudden change, and the gloom, that brought with it the shadow of death, fell like a pall upon the post, stifling its life, and bringing with it a grief that those who lived there had never known before.
There came to them no word from Cummins now.
He stood for a moment before his lighted door, and then went back, and the word passed softly from one to another that the most beautiful thing in the world was still living her sweet life in that little cabin at the end of the clearing.
"You hear the music in the skies—now, my Mélisse?" whispered the man, kneeling beside her again. "It is very pretty to-night!"
"It was not that," repeated the woman.
She attempted to stroke his face, but Cummins saw nothing of the effort, for the hand lay all but motionless. He saw nothing of the fading softness that glowed in the big, loving eyes, for his own eyes were blinded by a hot film. And the woman saw nothing of the hot film, so torture was saved them both. But suddenly the woman quivered, and Cummins heard a thrilling sound.
"It is the music!" she panted. "John, John, it is—the music—of—my—people!"
The man straightened himself, his face turned to the open door. He heard it now! Was it the blessed angels coming for his Mélisse? He rose, a sobbing note in his throat, and went, his arms stretched out, to meet them. He had never heard a sound like that—never in all his life in this endless wilderness.
He went from the door out into the night, and, step by step, through the snow toward the black edge of the spruce forest. The sobs fell chokingly from his lips, and his arms were still reaching out to greet this messenger of the God of his beloved; for Cummins was a man of the wild and mannerless ways of a savage world, and he knew not what to make of this sweetness that came to them from out of the depths of the black forest.
"My Mélisse! My Mélisse!" he sobbed.
A figure came from the shadows, and with the figure came the music, sweet and soft and low. John Cummins stopped and turned his face straight up to the sky. His heart died within him.
The music ceased, and when he looked again the figure was close to him, staggering as it walked, and a face white and thin and starved came with it. It was a boy's face.
"For the museek of the violon—somet'ing to eat!" he heard, and the thin figure swayed and fell almost into his arms. The voice came weak again. "Thees is Jan—Jan Thoreau—and his violon—"
The woman's bloodless face and her great staring dark eyes greeted them as they entered the cabin. As the man knelt beside her again, and lifted her head against his breast, she whispered once more:
"It is the—music—of my people—the violin!"
John Cummins turned his head.
"Play!" he breathed.
"Ah, the white angel is seek—ver' seek," murmured Jan, and he drew his bow gently across the strings of his violin.
From the instrument there came something so soft and sweet that John Cummins closed his eyes as he held the woman against his breast and listened. Not until he opened them again, and felt a strange chill against his cheek, did he know that his beloved's soul had gone from him on the gentle music of Jan Thoreau's violin.
CHAPTER II
MUKEE'S STORY
For many minutes after the last gentle breath had passed from the woman's lips, Jan Thoreau played softly upon his violin. It was the great, heart-broken sob of John Cummins that stopped him. As tenderly as if she had fallen into a sweet sleep from which he feared to awaken her, the man unclasped his arms and lowered his wife's head to the pillow; and with staring black eyes Jan crushed his violin against his ragged breast and watched him as he smoothed back the shimmering hair and looked long and hungrily into the still,