The position of a wife is not an enviable one, as the care of the household, the farm, and all hard and degrading work fall to her share, while her liege lord spends most of his time in idling. When about to be confined, she proceeds to a hut erected for this purpose in the forest, a short distance from the village, where she remains from a week to two months, according to the custom of the tribe, attended by female friends who supply all her wants, since she is not allowed to handle food herself. No one must pass to the windward of the hut, because an obstruction of the air might cause the death of the mother and child, and for thus offending the guilty party must pay the damages. In such seclusion it is easy to dispose of deformed children, and it is believed that this is done to avoid the disgrace of a nickname, which might otherwise attach to the family. At the expiration of the period of purification, the mother returns to the village carrying the infant tied to her back in a cloth. The village witch has in the meantime fastened round its neck, a pew or charm, consisting of a bag of small seeds with which to pay old Charon for ferriage across the river, in case of an early death. The child is suckled for about two years; yucca-root pap also forms a great part of its food in some parts, but otherwise it receives little care. The mother delivers herself, cutting the navel-string with her own hand; she also washes the infant's clothes, for it is believed that the child will die if this is done by another; after washing herself and suckling the child she returns to the village. Formerly all children born within the year were taken to the temple by the parents, wrapped in a net and painted cloth, and laid to sleep under a cake made of honey and iguana-flesh. Notice was taken of dreams, and if the child appeared well and happy, they augured riches and long life for it, if weak and sorrowful, it would be poor and unfortunate; if no dreams occurred, it betokened an early death. Acting on this superstition, parents often became careless about the future of their children, and suffered them to grow up without attention. Priests were not allowed to marry, and the care and education of the sons of prominent men were entrusted to them.997
MOSQUITO DIVERSIONS.
Drinking is the chief amusement, and to become helplessly drunk is the sum of all enjoyment. Frequent sihkrans or feasts are held, lasting for days, at which large numbers assist to drain the canoeful of liquor prepared for the occasion. Occasionally surrounding villagers are invited, and a drinking-bout is held, first in one house and then in another, until the climax is reached in a debauch by both sexes of the most revolting character. Quarrels are generally put off for these occasions, but, as the wives have carefully hidden all weapons, recourse is had to the fist, with which the combatants exchange blows in turn until one has had enough. These trials of endurance are also held in sport; the Smoo or Woolwa, for instance, who wishes to be held most worthy of the fair sex, engages in a lowta or striking-match with a rival, each one presenting his bent back to the other in turn, until the bravest stands declared. Death is not unfrequently the result of such trials. Even boys, carried away by emulation, hold lighted sticks to each other's skin. In early times the people of Honduras held regular festivals at the beginning of each month, at the time of electing officers, at harvest time, and three other grand celebrations during the year, for which much food and drink were prepared. As the wine took effect, the participants were seized with a desire to move to the exhilarating sound of drum, flute, and rattle, and a simple dance was organized. That of the Carib is merely a forward and backward movement of hands and feet, accompanied by a peculiar intonation of voice, and at their seekroes, or festivals in commemoration of the departed, they stalk in a circle, one following the other, and singing in a loud and uncouth tone. Their pas seul is livelier, however, the performer skipping up and down, bending the body in different ways, and making the most grotesque movements. They are not satisfied with a mere drinking-bout at their reunions, but spread a good table, to which guests often bring their own liquor. The Towkas and others prefer the circle dance, walking at a slow, swinging pace, beating their knuckles against emptied calabashes, and joining in a refrain, at the end of which they strike their cups one against another's. At each additional potation, the walk is increased in speed, until it assumes a trot and ends in a gallop, the calabashes rattling in accordance. The Sambo dance is like a minuet, in which the performers advance and recede, making strange gesticulations. The women have also a dance among themselves—for they are not allowed to join with the men—in which they form a ring, holding each other round the waist with the left hand, bending, wriggling, shaking calabash rattles, and singing until exhausted. Dramatic representations usually accompany these saltatory exhibitions, wherein the various phases of a lover's trials, comical sketches, or battles are depicted. The people of Honduras are fond of disguising themselves with feather tufts, and skins of animals, whose actions and cries they imitate. The favorite entertainment of the Sambos is to put on a head-dress of thin strips of wood painted in various colors to represent the beak of a sword-fish, fasten a collar of wood round the neck, from which a number of palm-leaves are suspended, and to daub the face red, black, and yellow. Two men thus adorned advance toward one another and bend the fish-head in salute, keeping time with a rattle and singing, "shovel-nosed sharks, grandmother!" after which they slide off crab-like, making the most ludicrous gestures imaginable. This fun exhausted, fresh men appear, introducing new movements, and then the spectators join in a 'walk around,' flourishing white sticks in their hands, and repeating the above-mentioned refrain in a peculiar buzzing tone produced by placing in the mouth a small tube covered with the membrane of a nut.998
GUAJIQUERO DANCE.
The Guajiqueros in an interesting performance described by Squier, depict incidents from their history. A square piece of ground having a tree in the centre is marked off, and two poles adorned with feathers are erected in opposite corners, one bearing the head of a deer, the other that of a tiger. A dull, monotonous music is heard, and two parties of youth, fantastically dressed up and painted, move up to the square in a slow, but not ungraceful dance, and station themselves round the poles that bear their respective insignia. A man, stooping as if bent with age, starts out from the deers, dances round the ground, trying to arouse the mirth of the spectators with his grotesque movements. The tigers also dispatch a man, who does his best to excel the other one in contortions and grimaces. After a while they meet, and commence a discussion which ends in open rupture, the rising passions being well delineated. The two men who represent ambassadors then return to their party with an account of the mission, the result of which is a general excitement, both factions starting out, dancing backwards and forwards, up and down the square, until they meet under the tree, in the centre. The leader of each then steps out and recites the glories and prowess of his tribe, amidst the applause of his own men, and the disapproval of the others. As soon as they are worked up to the requisite pitch of irritation, the dialogue ceases, the music strikes up, and a mimic combat ensues, in which the armies advance and retreat, close and separate, using short canes for weapons. At last the tigers lose their standard and take to flight, whereat the victors execute a dance of triumph; but finding how dearly the victory has been bought, their joy is turned into sorrow, and they bend their head upon the knees, breaking out in loud lament. In a few moments one of them starts up and begins a panegyric on the fallen brave, which is followed by a mimic sacrifice and other ceremonies. The vanquished are now seen to approach with downcast eyes, bringing tribute, which they lay at the feet of the victors, who receive it with imperious bearing. The music at these entertainments