He redoubled his efforts to sustain the myth which had grown up about him, the myth of his vast cleverness and personal courage. He showed a tendency for the more turbulent centers. He went among murderers without a gun. He dropped into dives, protected by nothing more than the tradition of his office. He pushed his way in through thugs, picked out his man, and told him to come to Headquarters in an hour's time—and the man usually came. His appetite for the spectacular increased. He preferred to head his own gambling raids, ax in hand. But more even than his authority he liked to parade his knowledge. He liked to be able to say: "This is Sheeny Chi's coup!" or, "That's a job that only Soup-Can Charlie could do!" When a police surgeon hit on the idea of etherizing an obdurate "dummy chucker," to determine if the prisoner could talk or not, Blake appropriated the suggestion as his own. And when the "press boys" trooped in for their daily gist of news, he asked them, as usual, not to couple his name with the incident; and they, as usual, made him the hero of the occasion.
For Never-Fail Blake had made it a point to be good to the press boys. He acquired an ability to "jolly" them without too obvious loss of dignity. He took them into his confidences, apparently, and made his disclosures personal matters, individual favors. He kept careful note of their names, their characteristics, their interests. He cultivated them, keeping as careful track of them from city to city as he did of the "big" criminals themselves. They got into the habit of going to him for their special stories. He always exacted secrecy, pretended reluctance, yet parceled out to one reporter and another those dicta to which his name could be most appropriately attached. He even surrendered a clue or two as to how his own activities and triumphs might be worked into a given story. When he perceived that those worldly wise young men of the press saw through the dodge, he became more adept, more adroit, more delicate in method. But the end was the same.
It was about this time that he invested in his first scrap-book. Into this secret granary went every seed of his printed personal history. Then came the higher records of the magazines, the illustrated articles written about "Blake, the Hamard of America," as one of them expressed it, and "Never-Fail Blake," as another put it. He was very proud of those magazine articles, he even made ponderous and painstaking efforts for their repetition, at considerable loss of dignity. Yet he adopted the pose of disclaiming responsibility, of disliking such things, of being ready to oppose them if some effective method could only be thought out. He even hinted to those about him at Headquarters that this seeming garrulity was serving a good end, claiming it to be harmless pother to "cover" more immediate trails on which he pretended to be engaged.
But the scrap-books grew in number and size. It became a task to keep up with his clippings. He developed into a personage, as much a personage as a grand-opera prima donna on tour. His successes were talked over in clubs. His name came to be known to the men in the street. His "camera eye" was now and then mentioned by the scientists. His unblemished record was referred to in an occasional editorial. When an ex-police reporter came to him, asking him to father a macaronic volume bearing the title "Criminals of America," Blake not only added his name to the title page, but advanced three hundred dollars to assist towards its launching.
The result of all this was a subtle yet unmistakable shifting of values, an achievement of public glory at the loss of official confidence. He excused his waning popularity among his co-workers on the ground of envy. It was, he held, merely the inevitable penalty for supreme success in any field. But a hint would come, now and then, that troubled him. "You think you 're a big gun, Blake," one of his underworld victims once had the temerity to cry out at him. "You think you 're the king of the Hawkshaws! But if you were on my side of the fence, you 'd last about as long as a snowball on a crownsheet!"
III
It was not until the advent of Copeland, the new First Deputy, that Blake began to suspect his own position. Copeland was an out-and-out "office" man, anything but a "flat foot." Weak looking and pallid, with the sedentary air of a junior desk clerk, vibratingly restless with no actual promise of being penetrating, he was of that indeterminate type which never seems to acquire a personality of its own. The small and bony and steel-blue face was as neutral as the spare and reticent figure that sat before a bald table in a bald room as inexpressive and reticent as its occupant. Copeland was not only unknown outside the Department; he was, in a way, unknown in his own official circles.
And then Blake woke up to the fact that some one on the inside was working against him, was blocking his moves, was actually using him as a "blind." While he was given the "cold" trails, younger men went out on the "hot" ones. There were times when the Second Deputy suspected that his enemy was Copeland. Not that he could be sure of this, for Copeland himself gave no inkling of his attitude. He gave no inkling of anything, in fact, personal or impersonal. But more and more Blake was given the talking parts, the rôle of spokesman to the press. He was more and more posted in the background, like artillery, to intimidate with his remote thunder and cover the advance of more agile columns. He was encouraged to tell the public what he knew, but he was not allowed to know too much. And, ironically enough, he bitterly resented this rôle of "mouthpiece" for the Department.
"You call yourself a gun!" a patrolman who had been shaken down for insubordination broke out at him. "A gun! why, you 're only a park gun! That's all you are, a broken-down bluff, an ornamental has-been, a park gun for kids to play 'round!"
Blake raged at that, impotently, pathetically, like an old lion with its teeth drawn. He prowled moodily around, looking for an enemy on whom to vent his anger. But he could find no tangible force that opposed him. He could see nothing on which to centralize his activity. Yet something or somebody was working against him. To fight that opposition was like fighting a fog. It was as bad as trying to shoulder back a shadow.
He had his own "spots" and "finders" on the force. When he had been tipped off that the powers above were about to send him out on the Binhart case, he passed the word along to his underlings, without loss of time, for he felt that he was about to be put on trial, that they were making the Binhart capture a test case. And he had rejoiced mightily when his dragnet had brought up the unexpected tip that Elsie Verriner had been in recent communication with Binhart, and with pressure from the right quarter could be made to talk.
This tip had been a secret one. Blake, on his part, kept it well muffled, for he intended that his capture of Binhart should be not only a personal triumph for the Second Deputy, but a vindication of that Second Deputy's methods.
So when the Commissioner called him and Copeland into conference, the day after his talk with Elsie Verriner, Blake prided himself on being secretly prepared for any advances that might be made.
It was the Commissioner who did the talking. Copeland, as usual, lapsed into the background, cracking his dry knuckles and blinking his pale-blue eyes about the room as the voices of the two larger men boomed back and forth.
"We 've been going over this Binhart case," began the Commissioner. "It's seven months now—and nothing done!"
Blake looked sideways at Copeland. There was muffled and meditative belligerency in the look. There was also gratification, for it was the move he had been expecting.
"I always said McCooey was n't the man to go out on that case," said the Second Deputy, still watching Copeland.
"Then who is the man?" asked the Commissioner.
Blake took out a cigar, bit the end off, and struck a match. It was out of place; but it was a sign of his independence. He had long since given up plug and fine-cut and taken to fat Havanas, which he smoked audibly, in plethoric wheezes. Good living had left his body stout and his breathing slightly asthmatic. He sat looking down at his massive knees; his oblique