It was not until the occasion when he had run down a gang of Williamsburg counterfeiters, however, that his name was conspicuously in print. So interesting were the details of this gang's operations, so typical were their methods, that Wilkie or some official under Wilkie had handed over to a monthly known as The Counterfeit Detector a full account of the case. A New York paper has printed a somewhat distorted and romanticized copy of this, having sent a woman reporter to interview Blake—while a staff artist made a pencil drawing of the Secret Service man during the very moments the latter was smilingly denying them either a statement or a photograph. Blake knew that publicity would impair his effectiveness. Some inner small voice forewarned him that all outside recognition of his calling would take away from his value as an agent of the Secret Service. But his hunger for his rights as a man was stronger than his discretion as an official. He said nothing openly; but he allowed inferences to be drawn and the artist's pencil to put the finishing touches to the sketch.
It was here, too, that his slyness, his natural circuitiveness, operated to save him. When the inevitable protest came he was able to prove that he had said nothing and had indignantly refused a photograph. He completely cleared himself. But the hint of an interesting personality had been betrayed to the public, the name of a new sleuth had gone on record, and the infection of curiosity spread like a mulberry rash from newspaper office to newspaper office. A representative of the press, every now and then, would drop in on Blake, or chance to occupy the same smoking compartment with him on a run between Washington and New York, to ply his suavest and subtlest arts for the extraction of some final fact with which to cap an unfinished "story." Blake, in turn, became equally subtle and suave. His lips were sealed, but even silence, he found, could be made illuminative. Even reticence, on occasion, could be made to serve his personal ends. He acquired the trick of surrendering data without any shadow of actual statement.
These chickens, however, all came home to roost. Official recognition was taken of Blake's tendencies, and he was assigned to those cases where a "leak" would prove least embarrassing to the Department. He saw this and resented it. But in the meantime he had been keeping his eyes open and storing up in his cabinet of silence every unsavory rumor and fact that might prove of use in the future. He found himself, in due time, the master of an arsenal of political secrets. And when it came to a display of power he could merit the attention if not the respect of a startlingly wide circle of city officials. When a New York municipal election brought a party turn over, he chose the moment as the psychological one for a display of his power, cruising up and down the coasts of officialdom with his grim facts in tow, for all the world like a flagship followed by its fleet.
It was deemed expedient for the New York authorities to "take care" of him. A berth was made for him in the Central Office, and after a year of laborious manipulation he found himself Third Deputy Commissioner and a power in the land.
If he became a figure of note, and fattened on power, he found it no longer possible to keep as free as he wished from entangling alliances. He had by this time learned to give and take, to choose the lesser of two evils, to pay the ordained price for his triumphs. Occasionally the forces of evil had to be bribed with a promise of protection. For the surrender of dangerous plates, for example, a counterfeiter might receive immunity, or for the turning of State's evidence a guilty man might have to go scott free. At other times, to squeeze confession out of a crook, a cruelty as refined as that of the Inquisition had to be adopted. In one stubborn case the end had been achieved by depriving the victim of sleep, this Chinese torture being kept up until the needed nervous collapse. At another time the midnight cell of a suspected murderer had been "set" like a stage, with all the accessories of his crime, including even the cadaver, and when suddenly awakened the frenzied man had shrieked out his confession. But, as a rule, it was by imposing on his prisoner's better instincts, such as gang-loyalty or pity for a supposedly threatened "rag," that the point was won. In resources of this nature Blake became quite conscienceless, salving his soul with the altogether Jesuitic claim that illegal means were always justified by the legal end.
By the time he had fought his way up to the office of Second Deputy he no longer resented being known as a "rough neck" or a "flat foot." As an official, he believed in roughness; it was his right; and one touch of right made away with all wrong, very much as one grain of pepsin properly disposed might digest a carload of beef. A crook was a crook. His natural end was the cell or the chair, and the sooner he got there the better for all concerned. So Blake believed in "hammering" his victims. He was an advocate of "confrontation." He had faith in the old-fashioned "third-degree" dodges. At these, in his ponderous way, he became an adept, looking on the nervous system of his subject as a nut, to be calmly and relentlessly gnawed at until the meat of truth lay exposed, or to be cracked by the impact of some sudden great shock. Nor was the Second Deputy above resorting to the use of "plants." Sometimes he had to call in a "fixer" to manufacture evidence, that the far-off ends of justice might not be defeated. He made frequent use of women of a certain type, women whom he could intimidate as an officer or buy over as a good fellow. He had his aides in all walks of life, in clubs and offices, in pawnshops and saloons, in hotels and steamers and barber shops, in pool rooms and anarchists' cellars. He also had his visiting list, his "fences" and "stool-pigeons" and "shoo-flies."
He preferred the "outdoor" work, both because he was more at home in it and because it was more spectacular. He relished the bigger cases. He liked to step in where an underling had failed, get his teeth into the situation, shake the mystery out of it, and then obliterate the underling with a half hour of blasphemous abuse. He had scant patience with what he called the "high-collar cops." He consistently opposed the new-fangled methods, such as the Portrait Parle, and pin-maps for recording crime, and the graphic-system boards for marking the movements of criminals. All anthropometric nonsense such as Bertillon's he openly sneered at, just as he scoffed at card indexes and finger prints and other academic innovations which were debilitating the force. He had gathered his own data, at great pains, he nursed his own personal knowledge as to habitual offenders and their aliases, their methods, their convictions and records, their associates and hang outs. He carried his own gallery under his own hat, and he was proud of it. His memory was good, and he claimed always to know his man. His intuitions were strong, and if he disliked a captive, that captive was in some way guilty—and he saw to it that his man did not escape. He was relentless, once his professional pride was involved. Being without imagination, he was without pity. It was, at best, a case of dog eat dog, and the Law, the Law for which he had such reverence, happened to keep him the upper dog.
Yet he was a comparatively stupid man, an amazingly self-satisfied toiler who had chanced to specialize on crime. And even as he became more and more assured of his personal ability, more and more entrenched in his tradition of greatness, he was becoming less and less elastic, less receptive, less adaptive. Much as he tried to blink the fact, he was compelled to depend more and more on the office behind him. His personal gallery, the gallery under his hat, showed a tendency to become both obsolete and inadequate. That endless catacomb of lost souls grew too intricate for one human mind to compass. New faces, new names, new tricks tended to bewilder him. He had to depend more and more on the clerical staff and the finger-print bureau records. His position became that of a villager with a department store on his hands, of a country shopkeeper trying to operate an urban emporium. He was averse to deputizing his official labors. He was ignorant of system and science. He took on the pathos of a man who is out of his time, touched with the added poignancy of a passionate incredulity as to his predicament. He felt, at times, that there was something wrong, that the rest of the Department did not look on life and work as he did. But he could not decide