Sons of the Soil. Honore de Balzac

this history will unfold), they ended at last in cutting “their wood,” and stealing almost their entire livelihood. Pasturage for the cows and the abuses of gleaning were established as customs little by little. When the Tonsards and the do-nothings of the valley had tasted the sweets of these four rights (thus captured by rural paupers, and amounting to actual robbery) we can easily imagine they would never give them up unless compelled by a power greater than their own audacity.

      At the time when this history begins Tonsard, then about fifty years of age, tall and strong, rather stout than thin, with curly black hair, skin highly colored and marbled like a brick with purple blotches, yellow whites to the eyes, large ears with broad flaps, a muscular frame, encased, however, in flabby flesh, a retreating forehead, and a hanging lip—Tonsard, such as you see him, hid his real character under an external stupidity, lightened at times by a show of experience, which seemed all the more intelligent because he had acquired in the company of his father-in-law a sort of bantering talk, much affected by old Fourchon and Vermichel. His nose, flattened at the end as if the finger of God intended to mark him, gave him a voice which came from his palate, like that of all persons disfigured by a disease which thickens the nasal passages, through which the air then passes with difficulty. His upper teeth overlapped each other, and this defect (which Lavater calls terrible) was all the more apparent because they were as white as those of a dog. But for a certain lawless and slothful good humor, and the free-and-easy ways of a rustic tippler, the man would have alarmed the least observing of spectators.

      If the portraits of Tonsard, his inn, and his father-in-law take a prominent place in this history, it is because that place belongs to him and to the inn and to the family. In the first place, their existence, so minutely described, is the type of a hundred other households in the valley of Les Aigues. Secondly, Tonsard, without being other than the instrument of deep and active hatreds, had an immense influence on the struggle that was about to take place, being the friend and counsellor of all the complainants of the lower classes. His inn, as we shall presently see, was the rendezvous for the aggressors; in fact, he became their chief, partly on account of the fear he inspired throughout the valley—less, however, by his actual deeds than by those that were constantly expected of him. The threat of this man was as much dreaded as the thing threatened, so that he never had occasion to execute it.

      Every revolt, open or concealed, has its banner. The banner of the marauders, the drunkards, the idlers, the sluggards of the valley des Aigues was the terrible tavern of the Grand-I-Vert. Its frequenters found amusement there—as rare and much-desired a thing in the country as in a city. Moreover, there was no other inn along the country-road for over twelve miles, a distance which conveyances (even when laden) could easily do in three hours; so that those who went from Conches to Ville-aux-Fayes always stopped at the Grand-I-Vert, if only to refresh themselves. The miller of Les Aigues, who was also assistant-mayor, and his men came there. The grooms and valets of the general were not averse to Tonsard’s wine, rendered attractive by Tonsard’s daughters; so the Grand-I-Vert held subterraneous communication with the chateau through the servants, and knew immediately everything that they knew. It is impossible either by benefits or through their own self-interests, to break up the perpetual understanding that exists between the servants of a household and the people from whom they come. Domestic service is of the masses, and to the masses it will ever remain attached. This fatal comradeship explains the reticence of the last words of Charles the groom, as he and Blondet reached the portico of the chateau.