Old Sauviat now wound up his business and sold his house in town. He bought a little country-place on the left bank of the Vienne between Limoges and Cluzeau, ten minutes’ walk from the suburb of Saint-Martial, where he intended to finish his days tranquilly with his wife. The old couple had an apartment in the hotel Graslin and always dined once or twice a week with their daughter, who, as often, made their house in the country the object of her walks.
This enforced rest almost killed old Sauviat. Happily, Graslin found a means of occupying his father-in-law. In 1823 the banker was forced to take possession of a porcelain manufactory, to the proprietors of which he had advanced large sums, which they found themselves unable to repay except by the sale of their factory, which they made to him. By the help of his business connections and by investing a large amount of property in the concern, Graslin made it one of the finest manufactories of Limoges ware in the town. Afterwards he resold it at a fine profit; meantime he placed it under the superintendence of his father-in-law, who, in spite of his seventy-two years, counted for much in the return of prosperity to the establishment, who himself renewed his youth in the employment. Graslin was then able to attend to his legitimate business of banking without anxiety as to the manufactory.
Sauviat died in 1827 from an accident. While taking account of stock he fell into a charasse—a sort of crate with an open grating in which the china was packed; his leg was slightly injured, so slightly that he paid no attention to it; gangrene set in; he would not consent to amputation, and therefore died. The widow gave up about two hundred and fifty thousand francs which came to her from Sauviat’s estate, reserving only a stipend of two hundred francs a month, which amply sufficed for her wants. Graslin bound himself to pay her that sum duly. She kept her little house in the country, and lived there alone without a servant and against the remonstrances of her daughter, who could not induce her to alter this determination, to which she clung with the obstinacy peculiar to old persons. Madame Sauviat came nearly every day into Limoges to see her daughter, and the latter still continued to make her mother’s house, from which was a charming view of the river, the object of her walks. From the road leading to it could be seen that island long loved by Veronique and called by her the Ile de France.
In order not to complicate our history of the Graslin household with the foregoing incidents, we have thought it best to end that of the Sauviats by anticipating events, which are moreover useful as explaining the private and hidden life which Madame Graslin now led. The old mother, noticing that Graslin’s miserliness, which returned upon him, might hamper her daughter, was for some time unwilling to resign the property left to her by her husband. But Veronique, unable to imagine a case in which a woman might desire the use of her own property, urged it upon her mother with reasons of great generosity, and out of gratitude to Graslin for restoring to her the liberty and freedom of a young girl. But this is anticipating.
The unusual splendor which accompanied Graslin’s marriage had disturbed all his habits and constantly annoyed him. The mind of the great financier was a very small one. Veronique had had no means of judging the man with whom she was to pass her life. During his fifty-five visits he had let her see nothing but the business man, the indefatigable worker, who conceived and sustained great enterprises, and analyzed public affairs, bringing them always to the crucial test of the Bank. Fascinated by the million offered to him by Sauviat, he showed himself generous by calculation. Carried away by the interests of his marriage and by what he called his “folly,” namely, the house which still goes by the name of the hotel Graslin, he did things on a large scale. Having bought horses, a caleche, and a coupe, he naturally used them to return the wedding visits and go to those dinners and balls, called the “retours de noces,” which the heads of the administration and the rich families of Limoges gave to the newly married pair. Under this impulsion, which carried him entirely out of his natural sphere, Graslin sent to Paris for a man-cook and took a reception day. For a year he kept the pace of a man who possesses a fortune of sixteen hundred thousand francs, and he became of course the most noted personage in Limoges. During this year he generously put into his wife’s purse every month twenty-five gold pieces of twenty francs each.
Society concerned itself much about Veronique from the day of her marriage, for she was a boon to its curiosity, which has little to feed on in the provinces. Veronique was all the more studied because she had appeared in the social world like a phenomenon; but once there, she remained always simple and modest, in the attitude of a person who is observing habits, customs, manners, things unknown to her, and endeavoring to conform to them. Already voted ugly but well-shaped, she was now declared kindly but stupid. She was learning so many things, she had so much to hear and to see that her looks and speech did certainly give some reason for this judgment. She showed a sort of torpor which resembled lack of mind. Marriage, that hard calling, as she said, for which the Church, the Code, and her mother exhorted her to resignation and obedience, under pain of transgressing all human laws and causing irreparable evil, threw her into a dazed and dizzy condition, which amounted sometimes to a species of inward delirium.
Silent and self-contained, she listened as much to herself as she did to others. Feeling within her the most violent “difficulty of existing,” to use an expression of Fontenelle’s, which was constantly increasing, she became terrified at herself. Nature resisted the commands of the mind, the body denied the will. The poor creature, caught in the net, wept on the breast of that great Mother of the poor and the afflicted—she went for comfort to the Church; her piety redoubled, she confided the assaults of the demon to her confessor; she prayed to heaven for succor. Never, at any period of her life, did she fulfil her religious duties with such fervor. The despair of not loving her husband flung her violently at the foot of the altar, where divine and consolatory voices urged her to patience. She was patient, she was gentle, and she continued to live on, hoping always for the happiness of maternity.
“Did you notice Madame Graslin this morning?” the women would say to each other. “Marriage doesn’t agree with her; she is actually green.”
“Yes,” some of them would reply; “but would you give your daughter to a man like Graslin? No woman could marry him with impunity.”
Now that Graslin was married, all the mothers who had courted him for ten years past pursued him with sarcasms.
Veronique grew visibly thinner and really ugly; her eyes looked weary, her features coarsened, her manner was shy and awkward; she acquired that air of cold and melancholy rigidity for which the ultra-pious are so often blamed. Her skin took on a grayish tone; she dragged herself languidly about during this first year of married life, ordinarily so brilliant for a young wife. She tried to divert her mind by reading, profiting by the liberty of married women to read what they please. She read the novels of Walter Scott, the poems of Lord Byron, the works of Schiller and of Goethe, and much else of modern and also ancient literature. She learned to ride a horse, and to dance and to draw. She painted water-colors and made sepia sketches, turning ardently to all those resources which women employ to bear the weariness of their solitude. She gave herself that second education which most women derive from a man, but which she derived from herself only.
The natural superiority of a free, sincere spirit, brought up, as it were in a desert and strengthened by religion, had given her a sort of untrammelled grandeur and certain needs, to which the provincial world she lived in offered no sustenance. All books pictured Love to her, and she sought for the evidence of its existence, but nowhere could she see the passion of which she read. Love was in her heart, like seeds in the earth, awaiting the action of the sun. Her deep melancholy, caused by constant meditation on herself, brought her back by hidden by-ways to the brilliant dreams of her girlish days. Many a time she must have lived again that old romantic poem, making herself both the actor and the subject of it. Again she saw that island bathed in light, flowery, fragrant,