The Village Rector. Honore de Balzac

took on an exquisite fulness; her graceful, animated movements gave to her supple figure its utmost charm.

      The Limoges women accused her of being in love with Monsieur de Grandville, who certainly paid her assiduous attention, to which Veronique opposed all the barriers of a conscientious resistance. The viscount professed for her one of those respectful attachments which did not blind the habitual visitors of her salon. The priests and men of sense saw plainly that this affection, which was love on the part of the young man, did not go beyond the permissible line in Madame Graslin. Weary at last of a resistance based on religious principle, the Vicomte de Grandville consoled himself (to the knowledge of his intimates) with other and easier friendships; which did not, however, lessen his constant admiration and worship of the beautiful Madame Graslin—such was the term by which she was designated in 1829.

      The most clear-sighted among those who surrounded her attributed the change which rendered Veronique increasingly charming to her friends to the secret delight which all women, even the most religious, feel when they see themselves courted; and to the satisfaction of living at last in a circle congenial to her mind, where the pleasure of exchanging ideas and the happiness of being surrounded by intelligent and well-informed men and true friends, whose attachment deepened day by day, had dispersed forever the weary dulness of her life.

      Perhaps, however, closer, more perceptive or sceptical observers were needed than those who frequented the hotel Graslin, to detect the barbaric grandeur, the plebeian force of the People which lay deep-hidden in her soul. If sometimes her friends surprised her in a torpor of meditation either gloomy or merely pensive, they knew she bore upon her heart the miseries of others, and had doubtless that morning been initiated in some fresh sorrow, or had penetrated to some haunt where vices terrify the soul with their candor.

      The viscount, now promoted to be procureur-general, would occasionally blame her for certain unintelligent acts of charity by which, as he knew from his secret police-reports, she had given encouragement to criminal schemes.

      “If you ever want money for any of your paupers, let me be a sharer in your good deeds,” said old Grossetete, taking Veronique’s hand.

      “Ah!” she replied with a sigh, “it is impossible to make everybody rich.”

      At the beginning of this year an event occurred which was destined to change the whole interior life of this woman and to transform the splendid expression of her countenance into something far more interesting in the eyes of painters.

      Becoming uneasy about his health, Graslin, to his wife’s despair, no longer desired to live on the ground-floor. He returned to the conjugal chamber and allowed himself to be nursed. The news soon spread throughout Limoges that Madame Graslin was pregnant. Her sadness, mingled with joy, struck the minds of her friends, who then for the first time perceived that in spite of her virtues she had been happy in the fact of living separate from her husband. Perhaps she had hoped for some better fate ever since the time when, as it was known, the attorney-general had declined to marry the richest heiress in the place, in order to keep his loyalty to her.

      From this suggestion there grew up in the minds of the profound politicians who played their whist at the hotel Graslin a belief that the viscount and the young wife had based certain hopes on the ill-health of the banker which were now frustrated. The great agitations which marked this period of Veronique’s life, the anxieties which a first childbirth causes in every woman, and which, it is said, threatens special danger when she is past her first youth, made her friends more attentive than ever to her; they vied with each other in showing her those little kindnesses which proved how warm and solid their affection really was.