ARJUNA.Be his name and fame, his bravery and prowess false or true, for. mercy's sake do not banish him from your heart—for he kneels at your feet even now.
CHITRA. You, Arjuna!
ARJUNA. Yes, I am he, the love-hungered guest at your door.
CHITRA. Then it is not true that Arjuna has taken a vow of chastity for twelve long years?
ARJUNA. But you have dissolved my vow even as the moon dissolves the night's vow of obscurity.
CHITRA. Oh, shame upon you! What have you seen in me that makes you false to yourself? Whom do you seek in these dark eyes, in these milk-white arms, if you are ready to pay for her the price of your probity? Not my true self, I know. Surely this cannot be love, this is not man's highest homage to woman! Alas, that this frail disguise, the body, should make one blind to the light of the deathless spirit! Yes, now indeed, I know, Arjuna, the fame of your heroic manhood is false.
ARJUNA. Ah, I feel how vain is fame, the pride of prowess! Everything seems to me a dream. You alone are perfect; you are the wealth of the world, the end of all poverty, the goal of all efforts, the one woman! Others there are who can be but slowly known. While to see you for a moment is to see perfect completeness once and for ever.
CHITRA. Alas, it is not I, not I, Arjuna! It is the deceit of a god. Go, go, my hero, go. Woo not falsehood, offer not your great heart to an illusion. Go.
SCENE III
CHITRA. No, impossible. To face that fervent gaze that almost grasps you like clutching hands of the hungry spirit within; to feel his heart struggling to break its bounds urging its passionate cry through the entire body—and then to send him away like a beggar—no, impossible.
Enter MADANA and VASANTA.. Ah, god of love, what fearful flame is this with which thou hast enveloped me! I burn, and I burn whatever I touch.
MADANA. I desire to know what happened last night.
CHITRA. At evening I lay down on a grassy bed strewn with the petals of spring flowers, and recollected the wonderful praise of my beauty I had heard from Arjuna;—drinking drop by drop the honey that I had stored during the long day. The history of my past life like that of my former existences was forgotten. I felt like a flower, which has but a few fleeting hours to listen to all the humming flatteries and whispered murmurs of the woodlands and then must lower its eyes from the Sky, bend its head and at a breath give itself up to the dust without a cry, thus ending the short story of a perfect moment that has neither past nor future.
VASANTA. A limitless life of glory can bloom and spend itself in a morning.
MADANA. Like an endless meaning in the narrow span of a song.
CHITRA. The southern breeze caressed me to sleep. From the flowering Malati bower overhead silent kisses dropped over my body. On my hair, my breast, my feet, each flower chose a bed to die on. I slept. And, suddenly in the depth of my sleep, I felt as if some intense eager look, like tapering fingers of flame, touched my slumbering body. I started up and saw the Hermit standing before me. The moon had moved to the west, peering through the leaves to espy this wonder of divine art wrought in a fragile human frame. The air was heavy with perfume; the silence of the night was vocal with the chirping of crickets; the reflections of the trees hung motionless in the lake; and with his staff in his hand he stood, tall and straight and still, like a forest tree. It seemed to me that I had, on opening my eyes, died to all realities of life and undergone a dream birth into a shadow land. Shame slipped to my feet like loosened clothes. I heard his call—"Beloved, my most beloved!" And all my forgotten lives united as one and responded to it. I said, "Take me, take all I am!" And I stretched out my arms to him. The moon set behind the trees. One curtain of darkness covered all. Heaven and earth, time and space, pleasure and pain, death and life merged together in an unbearable ecstasy. . . . With the first gleam of light, the first twitter of birds, I rose up and sat leaning on my left arm. He lay asleep with a vague smile about his lips like the crescent moon in the morning. The rosy red glow of the dawn fell upon his noble forehead. I sighed and stood up. I drew together the leafy lianas to screen the streaming sun from his face. I looked about me and saw the same old earth. I remembered what I used to be, and ran and ran like a deer afraid of her own shadow, through the forest path strewn with shephali flowers. I found a lonely nook, and sitting down covered my face with both hands, and tried to weep and cry. But no tears came to my eyes.
MADANA. Alas, thou daughter of mortals! I stole from the divine Storehouse the fragrant wine of heaven, filled with it one earthly night to the brim, and placed it in thy hand to drink— yet still I hear this cry of anguish!
CHITRA (BITTERLY). Who drank it? The rarest completion of life's desire, the first union of love was proffered to me, but was wrested from my grasp? This borrowed beauty, this falsehood that enwraps me, will slip from me taking with it the only monument of that sweet union, as the petals fall from an overblown flower; and the woman ashamed of her naked poverty will sit weeping day and night. Lord Love, this cursed appearance companions me like a demon robbing me of all the prizes of love—all the kisses for which my heart is athirst.
MADANA. Alas, how vain thy single night had been! The barque of joy came in sight, but the waves would not let it touch the shore.
CHITRA. Heaven came so close to my hand that I forgot for a moment that it had not reached me. But when I woke in the morning from my dream I found that my body had become my own rival. It is my hateful task to deck her every day, to send her to my beloved and see her caressed by him. O god, take back thy boon!
MADANA. But if I take it from you how can you stand before your lover? To snatch away the cup from his lips when he has scarcely drained his first draught of pleasure, would not that be cruel? With what resentful anger he must regard thee then?
CHITRA. That would be better far than this. I will reveal my true self to him, a nobler thing than this disguise. If he rejects it, if he spurns me and breaks my heart, I will bear even that in silence.
VASANTA. Listen to my advice. When with the advent of autumn the flowering season is over then comes the triumph of fruitage. A time will come of itself when the heat-cloyed bloom of the body will droop and Arjuna will gladly accept the abiding fruitful truth in thee. O child, go back to thy mad festival.
SCENE IV
CHITRA. Why do you watch me like that, my warrior?
ARJUNA. I watch how you weave that garland. Skill and grace, the twin brother and sister, are dancing playfully on your finger tips. I am watching and thinking.
CHITRA. What are you thinking, sir?
ARJUNA. I am thinking that you, with this same lightness of touch and sweetness, are weaving my days of exile into an immortal wreath, to crown me when I return home.
CHITRA. Home! But this love is not for a home!
ARJUNA. Not for a home?
CHITRA. No. Never talk of that. Take to your home what is abiding and strong. Leave the little wild flower where it was born; leave it beautifully to die at the day's end among all fading blossoms and decaying leaves. Do not take it to your palace hall to fling it on the stony floor which knows no pity for things that fade and are forgotten.
ARJUNA. Is ours that kind of love?
CHITRA. Yes, no other! Why regret it? That which was meant for idle days should never outlive them. Joy turns into pain when the door by which it should depart is shut against it. Take it and keep it as long as it lasts. Let not