From "Anecdotes of Abraham Lincoln."
When Abraham Lincoln was a lawyer in Illinois, he and a certain Judge once got to bantering one another about trading horses; and it was agreed that the next morning at 9 o'clock they should make a trade, the horses to be unseen up to that hour, and no backing out, under a forfeiture of $25.
At the hour appointed the Judge came up, leading the sorriest-looking specimen of a horse ever seen in those parts. In a few minutes Mr. Lincoln was seen approaching with a wooden saw-horse upon his shoulders. Great were the shouts and the laughter of the crowd, and both were greatly increased when Mr. Lincoln, on surveying the Judge's animal, set down his saw-horse, and exclaimed: "Well, Judge, this is the first time I ever got the worst of it in a horse trade."
ABRAHAM LINCOLN AS A MAN OF LETTERS[3]
BY HAMILTON WRIGHT MABIE
From "Warner's Library of the World's Best Literature."
Born in 1809 and dying in 1865, Mr. Lincoln was the contemporary of every distinguished man of letters in America to the close of the war; but from none of them does he appear to have received literary impulse or guidance. He might have read, if circumstances had been favorable, a large part of the work of Irving, Bryant, Poe, Hawthorne, Emerson, Lowell, Whittier, Holmes, Longfellow, and Thoreau, as it came from the press; but he was entirely unfamiliar with it apparently until late in his career and it is doubtful if even at that period he knew it well or cared greatly for it. He was singularly isolated by circumstances and by temperament from those influences which usually determine, within certain limits, the quality and character of a man's style.
And Mr. Lincoln had a style—a distinctive, individual, characteristic form of expression. In his own way he gained an insight into the structure of English, and a freedom and skill in the selection and combination of words, which not only made him the most convincing speaker of his time, but which have secured for his speeches a permanent place in literature. One of those speeches is already known wherever the English language is spoken; it is a classic by virtue not only of its unique condensation of the sentiment of a tremendous struggle into the narrow compass of a few brief paragraphs, but by virtue of that instinctive felicity of style which gives to the largest thought the beauty of perfect simplicity. The two Inaugural Addresses are touched by the same deep feeling, the same large vision, the same clear, expressive and persuasive eloquence; and these qualities are found in a great number of speeches, from Mr. Lincoln's first appearance in public life. In his earliest expressions of his political views there is less range; but there is the structural order, clearness, sense of proportion, ease, and simplicity which give classic quality to the later utterances. Few speeches have so little of what is commonly regarded as oratorial quality; few have approached so constantly the standards and character of literature. While a group of men of gift and opportunity in the East were giving American literature its earliest direction, and putting the stamp of a high idealism on its thought and a rare refinement of spirit on its form, this lonely, untrained man on the old frontier was slowly working his way through the hardest and rudest conditions to perhaps the foremost place in American history, and forming at the same time a style of singular and persuasive charm.
There is, however, no possible excellence without adequate education; no possible mastery of any art without thorough training. Mr. Lincoln has sometimes been called an accident, and his literary gift an unaccountable play of nature; but few men have ever more definitely and persistently worked out what was in them by clear intelligence than Mr. Lincoln, and no speaker or writer of our time has, according to his opportunities, trained himself more thoroughly in the use of English prose. Of educational opportunity in the scholastic sense, the future orator had only the slightest. He went to school "by littles," and these "littles" put together aggregated less than a year; but he discerned very early the practical uses of knowledge, and set himself to acquire it. This pursuit soon became a passion, and this deep and irresistible yearning did more for him perhaps than richer opportunities would have done. It made him a constant student, and it taught him the value of fragments of time. "He was always at the head of his class," writes one of his schoolmates, "and passed us rapidly in his studies. He lost no time at home, and when he was not at work was at his books. He kept up his studies on Sunday, and carried his books with him to work, so that he might read when he rested from labor." "I induced my husband to permit Abe to read and study at home as well as at school," writes his stepmother. "At first he was not easily reconciled to it, but finally he too seemed willing to encourage him to a certain extent. Abe was a dutiful son to me always, and we took particular care when he was reading not to disturb him,—would let him read on and on until he quit of his own accord."
The books within his reach were few, but they were among the best. First and foremost was that collection of literature in prose and verse, the Bible: a library of sixty-six volumes, presenting nearly every literary form, and translated at the fortunate moment when the English language had received the recent impress of its greatest masters of the speech of the imagination. This literature Mr. Lincoln knew intimately, familiarly, fruitfully; as Shakespeare knew it in an earlier version, and as Tennyson knew it and was deeply influenced by it in the form in which it entered into and trained Lincoln's imagination. Then there was that wise and very human text-book of the knowledge of character and life, "Æsop's Fables"; that masterpiece of clear presentation, "Robinson Crusoe"; and that classic of pure English, "The Pilgrim's Progress." These four books—in the hands of a meditative boy, who read until the last ember went out on the hearth, began again when the earliest light reached his bed in the loft of the log cabin, who perched himself on a stump, book in hand, at the end of every furrow in the plowing season—contained the elements of a movable university.
To these must be added many volumes borrowed from more fortunate neighbors; for he had "read through every book he had heard of in that country, for a circuit of fifty miles." A history of the United States and a copy of Weems's "Life of Washington" laid the foundations of his political education. That he read with his imagination as well as with his eyes is clear from certain words spoken in the Senate Chamber at Trenton in 1861. "May I be pardoned," said Mr. Lincoln, "if on this occasion I mention that way back in my childhood, the earliest days of my being able to read, I got hold of a small book, such a one as few of the members have ever seen—Weems's 'Life of Washington.' I remember all the accounts there given of the battle-fields and struggles for the liberties of the country; and none fixed themselves upon my imagination so deeply as the struggle here at Trenton, New Jersey. The crossing of the river, the contest with the Hessians, the great hardships endured at that time—all fixed themselves on my memory more than any single Revolutionary event; and you all know, for you have all been boys, how those early impressions last longer than any others."
"When Abe and I returned to the house from work," writes John Hanks, "he would go to the cupboard, snatch a piece of corn bread, sit down, take a book, cock his legs up as high as his head, and read. We grubbed, plowed, weeded, and worked together barefooted in the field. Whenever Abe had a chance in the field while at work, or at the house, he would stop and read." And this habit was kept up until Mr. Lincoln had found both his life work and his individual expression. Later he devoured Shakespeare and Burns; and the poetry of these masters of the dramatic and lyric form, sprung like himself from the common soil, and like him self-trained and directed, furnished a kind of running accompaniment to his work and his play. What he read he not only held tenaciously, but took into his imagination and incorporated into himself. His familiar talk was enriched with frequent and striking illustrations from the Bible and "Æsop's Fables."
This passion for knowledge and for companionship with the great writers would have gone for nothing, so far as the boy's training in expression was concerned, if he had contented himself with acquisition; but he turned everything to account. He was as eager for expression as for the material of expression; more eager to write and to talk than to read. Bits of paper, stray sheets, even boards served his purpose. He was continually transcribing with his