The story is told of a man in London deprived of both legs and arms, who managed to write with his mouth and perform other things so remarkable as to enable him to earn a fair living. He would lay certain sheets of paper together, pinning them at the corner to make them hold. Then he would take a pen and write some verses; after which he would proceed to embellish the lines by many skillful flourishes. Dropping the pen from his mouth, he would next take up a needle and thread, also with his mouth, thread the needle, and make several stitches. He also painted with a brush, and was in many other ways a wonderful man. Instead of being a burden to his family he was the most important contributor to their welfare.
Arthur Cavanagh, M. P., was born without arms or legs, yet it is said that he was a good shot, a skillful fisherman and sailor, and one of the best cross country riders in Ireland. He was a good conversationalist, and an able member of Parliament. He ate with his fork attached to his stump of an arm, and wrote holding his pen in his teeth. In riding he held the bridle in his mouth, his body being strapped to the saddle. He once lost his means of support in India, but went to work with his accustomed energy, and obtained employment as a carrier of dispatches.
People thought it strange that Gladstone should appoint blind Henry Fawcett Postmaster-General of Great Britain; but never before did any one fill the office so well.
John B. Herreshoff, of Bristol, R. I., although blind since he was fifteen years old, is the founder and head of one of the most noted shipbuilding establishments in the world. He has superintended the construction of some of the swiftest torpedo boats and steam and sailing yachts afloat. He frequently takes his turn at the wheel in sailing his vessels on trial trips. He is aided greatly by his younger brother Nathaniel, but can plan vessels and conduct business without him. After examining a vessel's hull or a good model of it, he will give detailed instructions for building another just like it, and will make a more accurate duplicate than can most boat-builders whose sight is perfect.
The Rev. William H. Milburn, who lost his sight when a child, studied for the ministry, and was ordained before he attained his majority. In ten years he traveled about 200,000 miles in missionary work. He has written half a dozen books, among them a very careful history of the Mississippi Valley. He has long been chaplain of the lower house of Congress.
Blind Fanny Crosby, of New York, was a teacher of the blind for many years. She has written nearly three thousand hymns, among which are "Pass Me not, O Gentle Saviour," "Rescue the Perishing," "Saviour more than Life to Me," and "Jesus keep Me near the Cross."
Nor are these by any means the only examples of blind people now doing their full share of the world's work. In the United States alone there are engaged in musical occupation one hundred and fifty blind piano tuners, one hundred and fifty blind teachers of music in schools for the blind, five hundred blind private teachers, one hundred blind church organists, fifteen or more blind composers and publishers of music, and several blind dealers in musical instruments.
There is no open door to the temple of success. Every one who enters makes his own door, which closes behind him to all others, not even permitting his own children to pass.
Nearly forty years ago, on a rainy, dreary day in November, a young widow in Philadelphia sat wondering how she could feed and clothe three little ones left dependent by the death of her husband, a naval officer. Happening to think of a box of which her husband had spoken, she opened it, and found therein an envelope containing directions for a code of colored light signals to be used at night on the ocean. The system was not complete, but she perfected it, went to Washington, and induced the Secretary of the Navy to give it a trial. An admiral soon wrote that the signals were good for nothing, although the idea was valuable. For months and years she worked, succeeding at last in producing brilliant lights of different colors. She was paid $20,000 for the right to manufacture them in our navy. Nearly all the blockade runners captured in the Civil War were taken by the aid of the Coston signals, which are also considered invaluable in the Life Saving Service. Mrs. Coston introduced them into several European navies, and became wealthy.
A modern writer says that it is one of the mysteries of our life that genius, that noblest gift of God to man, is nourished by poverty. Its greatest works have been achieved by the sorrowing ones of the world in tears and despair. Not in the brilliant salon, not in the tapestried library, not in ease and competence, is genius usually born and nurtured; but often in adversity and destitution, amidst the harassing cares of a straitened household, in bare and fireless garrets, with the noise of squalid children, in the turbulence of domestic contentions, and in the deep gloom of uncheered despair. This is its most frequent birthplace, and amid scenes like these unpropitious, repulsive, wretched surroundings, have men labored, studied, and trained themselves, until they have at last emanated from the gloom of that obscurity the shining lights of their times; have become the companions of kings, the guides and teachers of their kind, and exercised an influence upon the thought of the world amounting to a species of intellectual legislation.
Chauncey Jerome's education was limited to three months in the district school each year until he was ten, when his father took him into his blacksmith shop at Plymouth, Conn., to make nails. Money was a scarce article with young Chauncey. He once chopped a load of wood for one cent, and often chopped by moonlight for neighbors at less than a dime a load. His father died when he was eleven, and his mother was forced to send Chauncey out, with tears in his eyes and a little bundle of clothes in his hand, to earn a living on a farm. His new employer kept him at work early and late chopping down trees all day, his shoes sometimes full of snow, for he had no boots until he was nearly twenty-one. At fourteen he was apprenticed for seven years to a carpenter, who gave him only board and clothes. Several times during his apprenticeship he carried his tools thirty miles on his back to his work at different places. After he had learned his trade he frequently walked thirty miles to a job with his kit upon his back. One day he heard people talking of Eli Terry, of Plymouth, who had undertaken to make two hundred clocks in one lot. "He'll never live long enough to finish them," said one. "If he should," said another, "he could not possibly sell so many. The very idea is ridiculous." Chauncey pondered long over this rumor, for it had long been his dream to become a great clock-maker. He tried his hand at the first opportunity, and soon learned to make a wooden clock. When he got an order to make twelve at twelve dollars apiece he thought his fortune was made. One night he happened to think that a cheap clock could be made of brass as well as of wood, and would not shrink, swell, or warp appreciably in any climate. He acted on the idea, and became the first great manufacturer of brass clocks. He made millions at the rate of six hundred a day, exporting them to all parts of the globe.
"The History of the English People" was written while J. R. Green was struggling against a mortal illness. He had collected a vast store of materials, and had begun to write, when his disease made a sudden and startling progress, and his physicians said they could do nothing to arrest it. In the extremity of ruin and defeat he applied himself with greater fidelity to his work. The time that might still be left to him for work must henceforth be wrested, day by day, from the grasp of death. The writing occupied five months, while from hour to hour and day to day his life was prolonged, his doctors said, by the sheer force of his own will and his inflexible determination to finish the "Making of England." He lay, too weak to lift a book, or to hold a pen, dictating every word, sometimes through hours of intense suffering. Yet so conscientious was he that, driven by death as he was, the greater part of the book was rewritten five times. When it was done he began the "Conquest of England," wrote it, reviewed it, and then, dissatisfied with it, rejected it all and began again. As death laid its cold fingers on his heart, he said: "I still have some work to do that I know is good. I will try to win but one week more to write it down." It was not until he was actually dying that he said, "I can work no more."
"What does he know," said a sage, "who has not suffered?" Schiller produced his greatest tragedies in the midst of physical suffering almost amounting to torture. Handel was never greater than when, warned by palsy of the approach of death, and struggling with distress and suffering, he sat down to compose the great works which have made his name immortal in