“What has become of Kadiga?” cried the princesses in alarm.
“Allah alone knows!” replied the renegado; “my belt came loose when in the midst of the river, and Kadiga was swept with it down the stream. The will of Allah be done! but it was an embroidered belt, and of great price.”
There was no time to waste in idle regrets; yet bitterly did the princesses bewail the loss of their discreet counsellor. That excellent old woman, however, did not lose more than half of her nine lives in the water: a fisherman, who was drawing his nets some distance down the stream, brought her to land, and was not a little astonished at his miraculous draught. What further became of the discreet Kadiga, the legend does not mention; certain it is that she evinced her discretion in never venturing within the reach of Mohamed the Left-handed.
Almost as little is known of the conduct of that sagacious monarch when he discovered the escape of his daughters, and the deceit practised upon him by the most faithful of servants. It was the only instance in which he had called in the aid of counsel, and he was never afterwards known to be guilty of a similar weakness. He took good care, however, to guard his remaining daughter, who had no disposition to elope: it is thought, indeed, that she secretly repented having remained behind: now and then she was seen leaning on the battlements of the tower, and looking mournfully towards the mountains in the direction of Cordova, and sometimes the notes of her lute were heard accompanying plaintive ditties, in which she was said to lament the loss of her sisters and her lover, and to bewail her solitary life. She died young, and, according to popular rumor, was buried in a vault beneath the tower, and her untimely fate has given rise to more than one traditionary fable.
The following legend, which seems in some measure to spring out of the foregoing story, is too closely connected with high historic names to be entirely doubted. The Count’s daughter, and some of her young companions, to whom it was read in one of the evening tertulias, thought certain parts of it had much appearance of reality; and Dolores, who was much more versed than they in the improbable truths of the Alhambra, believed every word of it.
* The reader will recognize the sovereign connected with the fortunes of the Abencerrages. His story appears to be a little fictionized in the legend.
LEGEND OF THE ROSE OF THE ALHAMBRA.
For some time after the surrender of Granada by the Moors, that delightful city was a frequent and favorite residence of the Spanish sovereigns, until they were frightened away by successive shocks of earthquakes, which toppled down various houses, and made the old Moslem towers rock to their foundation.
Many, many years then rolled away, during which Granada was rarely honored by a royal guest. The palaces of the nobility remained silent and shut up; and the Alhambra, like a slighted beauty, sat in mournful desolation, among her neglected gardens. The tower of the Infantas, once the residence of the three beautiful Moorish princesses, partook of the general desolation; the spider spun her web athwart the gilded vault, and bats and owls nestled in those chambers that had been graced by the presence of Zayda, Zorayda, and Zorahayda. The neglect of this tower may partly have been owing to some superstitious notions of the neighbors. It was rumored that the spirit of the youthful Zorahayda, who had perished in that tower, was often seen by moonlight seated beside the fountain in the hall, or moaning about the battlements, and that the notes of her silver lute would be heard at midnight by wayfarers passing along the glen.
At length the city of Granada was once more welcomed by the royal presence. All the world knows that Philip V was the first Bourbon that swayed the Spanish sceptre. All the world knows that he married, in second nuptials, Elizabetta or Isabella (for they are the same), the beautiful princess of Parma; and all the world knows that by this chain of contingencies a French prince and an Italian princess were seated together on the Spanish throne. For a visit of this illustrious pair, the Alhambra was repaired and fitted up with all possible expedition. The arrival of the court changed the whole aspect of the lately deserted palace. The clangor of drum and trumpet, the tramp of steed about the avenues and outer court, the glitter of arms and display of banners about barbican and battlement, recalled the ancient and warlike glories of the fortress. A softer spirit, however, reigned within the royal palace. There was the rustling of robes and the cautious tread and murmuring voice of reverential courtiers about the antechambers; a loitering of pages and maids of honor about the gardens, and the sound of music stealing from open casements.
Among those who attended in the train of the monarchs was a favorite page of the queen, named Ruyz de Alarcon. To say that he was a favorite page of the queen was at once to speak his eulogium, for every one in the suite of the stately Elizabetta was chosen for grace, and beauty, and accomplishments. He was just turned of eighteen, light and lithe of form, and graceful as a young Antinous. To the queen he was all deference and respect, yet he was at heart a roguish stripling, petted and spoiled by the ladies about the court, and experienced in the ways of women far beyond his years.
This loitering page was one morning rambling about the groves of the Generalife, which overlook the grounds of the Alhambra. He had taken with him for his amusement a favorite gerfalcon of the queen. In the course of his rambles, seeing a bird rising from a thicket, he unhooded the hawk and let him fly. The falcon towered high in the air, made a swoop at his quarry, but missing it, soared away, regardless of the calls of the page. The latter followed the truant bird with his eye, in its capricious flight, until he saw it alight upon the battlements of a remote and lonely tower, in the outer wall of the Alhambra, built on the edge of a ravine that separated the royal fortress from the grounds of the Generalife. It was in fact the “Tower of the Princesses.”
The page descended into the ravine and approached the tower, but it had no entrance from the glen, and its lofty height rendered any attempt to scale it fruitless. Seeking one of the gates of the fortress, therefore, he made a wide circuit to that side of the tower facing within the walls.
A small garden, inclosed by a trellis-work of reeds overhung with myrtle, lay before the tower. Opening a wicket, the page passed between beds of flowers and thickets of roses to the door. It was closed and bolted. A crevice in the door gave him a peep into the interior. There was a small Moorish hall with fretted walls, light marble columns, and an alabaster fountain surrounded with flowers. In the centre hung a gilt cage containing a singing bird, beneath it, on a chair, lay a tortoiseshell cat among reels of silk and other articles of female labor, and a guitar decorated with ribbons leaned against the fountain.
Ruyz de Alarcon was struck with these traces of female taste and elegance in a lonely, and, as he had supposed, deserted tower. They reminded him of the tales of enchanted halls current in the Alhambra; and the tortoiseshell cat might be some spellbound princess.
He knocked gently at the door. A beautiful face peeped out from a little window above, but was instantly withdrawn. He waited, expecting that the door would be opened, but he waited in vain; no footstep was to be heard within — all was silent. Had his senses deceived him, or was this beautiful apparition the fairy of the tower? He knocked again, and more loudly. After a little while the beaming face once more peeped forth; it was that of a blooming damsel of fifteen.
The page immediately doffed his plumed bonnet, and entreated in the most courteous accents to be permitted to ascend the tower in pursuit of his falcon.
“I dare not open the door, senor,”