[25] The Moslem rosary consists of ninety-nine beads divided into sets of thirty-three each by some peculiar sign, as a bit of red coral. [Illustration] The consulter, beginning at a chance place, counts up to the mark: if the number of beads be odd, he sets down a single dot, if even, two. This is done four times, when a figure is produced as in the margin. Of these there are sixteen, each having its peculiar name and properties. The art is merely Geomancy in its rudest shape; a mode of vaticination which, from its wide diffusion, must be of high antiquity. The Arabs call it El Baml, and ascribe its present form to the Imam Jaafar el Sadik; amongst them it is a ponderous study, connected as usual with astrology. Napoleon's "Book of Fate" is a specimen of the old Eastern superstition presented to Europe in a modern and simple form.
[26] In this country, as in Western and Southern Africa, the leopard, not the wolf, is the shepherd's scourge.
[27] Popular superstition in Abyssinia attributes the same power to the Felashas or Jews.
[28] Our Elixir, a corruption of the Arabic El Iksir.
[29] In the Somali tongue its name is Barki: they make a stool of similar shape, and call it Barjimo.
[30] Specimens of these discourses have been given by Mr. Lane, Mod. Egypt, chap. 3. It is useless to offer others, as all bear the closest resemblance.
CHAP. III.
EXCURSIONS NEAR ZAYLA.
We determined on the 9th of November to visit the island of Saad el Din, the larger of the two patches of ground which lie about two miles north of the town. Reaching our destination, after an hour's lively sail, we passed through a thick belt of underwood tenanted by swarms of midges, with a damp chill air crying fever, and a fetor of decayed vegetation smelling death. To this succeeded a barren flat of silt and sand, white with salt and ragged with salsolaceous stubble, reeking with heat, and covered with old vegetation. Here, says local tradition, was the ancient site of Zayla [1], built by Arabs from Yemen. The legend runs that when Saad el Din was besieged and slain by David, King of Ethiopia, the wells dried up and the island sank. Something doubtless occurred which rendered a removal advisable: the sons of the Moslem hero fled to Ahmed bin El Ashraf, Prince of Senaa, offering their allegiance if he would build fortifications for them and aid them against the Christians of Abyssinia. The consequence was a walled circuit upon the present site of Zayla: of its old locality almost may be said "periere ruinae."
During my stay with Sharmarkay I made many inquiries about historical works, and the Kazi; Mohammed Khatib, a Harar man of the Hawiyah tribe, was at last persuaded to send his Daftar, or office papers, for my inspection. They formed a kind of parish register of births, deaths, marriages, divorces, and manumissions. From them it appeared that in A.H. 1081 (A.D. 1670–71) the Shanabila Sayyids were Kazis of Zayla and retained the office for 138 years. It passed two generations ago into the hands of Mohammed Musa, a Hawiyah, and the present Kazi is his nephew.
The origin of Zayla, or, as it is locally called, "Audal," is lost in the fogs of Phoenician fable. The Avalites [2] of the Periplus and Pliny, it was in earliest ages dependent upon the kingdom of Axum. [3] About the seventh century, when the Southern Arabs penetrated into the heart of Abyssinia [4], it became the great factory of the eastern coast, and rose to its height of splendour. Taki el Din Makrizi [5] includes under the name of Zayla, a territory of forty-three days' march by forty, and divides it into seven great provinces, speaking about fifty languages, and ruled by Amirs, subject to the Hati (Hatze) of Abyssinia.
In the fourteenth century it became celebrated by its wars with the kings of Abyssinia: sustaining severe defeats the Moslems retired upon their harbour, which, after an obstinate defence fell into the hands of the Christians. The land was laid waste, the mosques were converted into churches, and the Abyssinians returned to their mountains laden with booty. About A.D. 1400, Saad el Din, the heroic prince of Zayla, was besieged in his city by the Hatze David the Second: slain by a spear- thrust, he left his people powerless in the hands of their enemies, till his sons, Sabr el Din, Ali, Mansur, and Jemal el Din retrieved the cause of El Islam.
Ibn Batuta, a voyager of the fourteenth century, thus describes the place: "I then went from Aden by sea, and after four days came to the city of Zayla. This is a settlement, of the Berbers [6], a people of Sudan, of the Shafia sect. Their country is a desert of two months' extent; the first part is termed Zayla, the last Makdashu. The greatest number of the inhabitants, however, are of the Rafizah sect. [7] Their food is mostly camels' flesh and fish. [8] The stench of the country is extreme, as is also its filth, from the stink of the fish and the blood of camels which are slaughtered in its streets."
About A.D. 1500 the Turks conquered Yemen, and the lawless Janissaries, "who lived upon the very bowels of commerce" [9], drove the peaceable Arab merchants to the opposite shore. The trade of India, flying from the same enemy, took refuge in Adel, amongst its partners. [10] The Turks of Arabia, though they were blind to the cause, were sensible of the great influx of wealth into the opposite kingdoms. They took possession, therefore, of Zayla, which they made a den of thieves, established there what they called a custom-house [11], and, by means of that post and galleys cruising in the narrow straits of Bab el Mandeb, they laid the Indian trade to Adel under heavy contributions that might indemnify them for the great desertion their violence and injustice had occasioned in Arabia.
This step threatened the very existence both of Adel and Abyssinia; and considering the vigorous government of the one, and the weak politics and prejudices of the other, it is more than probable that the Turks would have subdued both, had they not in India, their chief object, met the Portuguese, strongly established.
Bartema, travelling in A.D. 1503, treats in his 15th chapter of "Zeila in AEthiopia and the great fruitlessness thereof, and of certain strange beasts seen there."
"In this city is great frequentation of merchandise, as in a most famous mart. There is marvellous abundance of gold and iron, and an innumerable number of black slaves sold for small prices; these are taken in War by the Mahomedans out of AEthiopia, of the kingdom of Presbyter Johannes, or Preciosus Johannes, which some also call the king of Jacobins or Abyssins, being a Christian; and are carried away from thence into Persia, Arabia Felix, Babylonia of Nilus or Alcair, and Meccah. In this city justice and good laws are observed. [12] … It hath an innumerable multitude of merchants; the walls are greatly decayed, and the haven rude and despicable. The King or Sultan of the city is a Mahomedan, and entertaineth in wages a great multitude of footmen and horsemen. They are greatly given to war, and wear only one loose single vesture: they are of dark ash colour, inclining to black."
In July 1516 Zayla was taken, and the town burned by a Portuguese armament, under Lopez Suarez Alberguiera. When the Turks were compelled to retire from Southern Arabia, it became subject to the Prince of Senaa, who gave it in perpetuity to the family of a Senaani merchant.
The kingdom of Yemen falling into decay, Zayla passed under the authority of the Sherif of Mocha, who, though receiving no part of the revenue, had yet the power of displacing the Governor. By him it was farmed out to the Hajj Sharmarkay, who paid annually to Sayyid Mohammed el Barr, at Mocha, the sum of 750 crowns, and reserved all that he could collect above that sum for himself. In A.D. 1848 Zayla was taken from the family El Barr, and farmed out to Sharmarkay by the Turkish Governor of Mocha and Hodaydah.
The extant remains at Saad el Din are principally those of water-courses, rude lines of coralline, stretching across the plain towards wells, now lost [13], and diminutive tanks, made apparently to collect rain water. One of these latter is a work of some art—a long sunken vault, with a pointed arch projecting a few feet above the surface of the ground; outside it is of rough stone, the interior is carefully coated with fine lime, and from the roof long stalactites depend. Near it is a cemetery: the graves are, for the most part, provided with large slabs of close black basalt, planted in the ground edgeways, and in the shape