“Have you anything to do, Ovid, for the next half-hour?” his mother asked.
“Do you wish me to see Mr. Mool? If it’s law-business, I am afraid I shall not be of much use.”
“The lawyer is here by appointment, with a copy of your late uncle’s Will,” Mrs. Gallilee answered. “You may have some interest in it. I think you ought to hear it read.”
Ovid showed no inclination to adopt this proposal. He asked an idle question. “I heard of their finding the Will—are there any romantic circumstances?”
Mrs. Gallilee surveyed her son with an expression of good-humoured contempt. “What a boy you are, in some things! Have you been reading a novel lately? My dear, when the people in Italy made up their minds, at last, to have the furniture in your uncle’s room taken to pieces, they found the Will. It had slipped behind a drawer, in a rotten old cabinet, full of useless papers. Nothing romantic (thank God!), and nothing (as Mr. Mool’s letter tells me) that can lead to misunderstandings or disputes.”
Ovid’s indifference was not to be conquered. He left it to his mother to send him word if he had a legacy “I am not as much interested in it as you are,” he explained. “Plenty of money left to you, of course?” He was evidently thinking all the time of something else.
Mrs. Gallilee stopped in the hall, with an air of downright alarm.
“Your mind is in a dreadful state,” she said.
“Have you really forgotten what I told you, only yesterday? The Will appoints me Carmina’s guardian.”
He had plainly forgotten it—he started, when his mother recalled the circumstance. “Curious,” he said to himself, “that I was not reminded of it, when I saw Carmina’s rooms prepared for her.” His mother, anxiously looking at him, observed that his face brightened when he spoke of Carmina. He suddenly changed his mind.
“Make allowances for an overworked man,” he said. “You are quite right. I ought to hear the Will read—I am at your service.”
Even Mrs. Gallilee now drew the right inference at last. She made no remark. Something seemed to move feebly under her powder and paint. Soft emotion trying to find its way to the surface? Impossible!
As they entered the library together, Miss Minerva returned to the schoolroom. She had lingered on the upper landing, and had heard the conversation between mother and son.
CHAPTER VII.
The library at Fairfield Gardens possessed two special attractions, besides the books. It opened into a large conservatory; and it was adorned by an admirable portrait of Mrs. Gallilee, painted by her brother.
Waiting the appearance of the fair original, Mr. Mool looked at the portrait, and then mentally reviewed the history of Mrs. Gallilee’s family. What he did next, no person acquainted with the habits of lawyers will be weak enough to believe. Mr. Mool blushed.
Is this the language of exaggeration, describing a human anomaly on the roll of attorneys? The fact shall be left to answer the question. Mr. Mool had made a mistake in his choice of a profession. The result of the mistake was—a shy lawyer.
Attended by such circumstances as these, the history of the family assumes, for the moment, a certain importance. It is connected with a blushing attorney. It will explain what happened on the reading of the Will. And it is sure beforehand of a favourable reception—for it is all about money.
Old Robert Graywell began life as the son of a small farmer. He was generally considered to be rather an eccentric man; but prospered, nevertheless, as a merchant in the city of London. When he retired from business, he possessed a house and estate in the country, and a handsome fortune safely invested in the Funds.
His children were three in number:—his son Robert, and his daughters Maria and Susan.
The death of his wife, to whom he was devotedly attached, was the first serious calamity of his life. He retired to his estate a soured and broken man. Loving husbands are not always, as a necessary consequence, tender fathers. Old Robert’s daughters afforded him no consolation on their mother’s death. Their anxiety about their mourning dresses so disgusted him that he kept out of their way. No extraordinary interest was connected with their prospects in life: they would be married—and there would be an end of them. As for the son, he had long since placed himself beyond the narrow range of his father’s sympathies. In the first place, his refusal to qualify himself for a mercantile career had made it necessary to dispose of the business to strangers. In the second place, young Robert Graywell proved—without any hereditary influence, and in the face of the strongest discouragement—to be a born painter! One of the greatest artists of that day saw the boy’s first efforts, and pronounced judgment in these plain words: “What a pity he has not got his bread to earn by his brush!”
On the death of old Robert, his daughters found themselves (to use their own expression) reduced to a trumpery legacy of ten thousand pounds each. Their brother inherited the estate, and the bulk of the property—not because his father cared about founding a family, but because the boy had always been his mother’s favourite.
The first of the three children to marry was the eldest sister.
Maria considered herself fortunate in captivating Mr. Vere—a man of old family, with a high sense of what he owed to his name. He had a sufficient income, and he wanted no more. His wife’s dowry was settled on herself. When he died, he left her a life-interest in his property amounting to six hundred a year. This, added to the annual proceeds of her own little fortune, made an income of one thousand pounds. The remainder of Mr. Vere’s property was left to his only surviving child, Ovid.
With a thousand a year for herself, and with two thousand a year for her son, on his coming of age, the widowed Maria might possibly have been satisfied—but for the extraordinary presumption of her younger sister.
Susan, ranking second in age, ranked second also in beauty; and yet, in the race for a husband, Susan won the prize!
Soon after her sister’s marriage, she made a conquest of a Scotch nobleman, possessed of a palace in London, and a palace in Scotland, and a rent-roll of forty thousand pounds. Maria, to use her own expression, never recovered it. From the horrid day when Susan became Lady Northlake, Maria became a serious woman. All her earthly interests centred now in the cultivation of her intellect. She started on that glorious career, which associated her with the march of science. In only a year afterwards—as an example of the progress which a resolute woman can make—she was familiar with zoophyte fossils, and had succeeded in dissecting the nervous system of a bee.
Was there no counter-attraction in her married life?
Very little. Mr. Vere felt no sympathy with his wife’s scientific pursuits.
On her husband’s death, did she find no consolation in her son? Let her speak for herself. “My son fills my heart. But the school, the university, and the hospital have all in turn taken his education out of my hands. My mind must be filled, as well as my heart.” She seized her exquisite instruments, and returned to the nervous system of the bee.
In course of time, Mr. John Gallilee—“drifting about,” as he said of himself—drifted across the path of science.
The widowed Mrs. Vere (as exhibited in public) was still a fine woman. Mr. Gallilee admired “that style”; and Mr. Gallilee had fifty thousand pounds. Only a little more, to my lord and my lady, than one year’s income. But, invested at four percent, it added an annual two thousand pounds to Mrs. Vere’s annual one thousand. Result, three thousand a year, encumbered with Mr. Gallilee. On reflection, Mrs. Vere accepted the encumbrance—and reaped her reward. Susan was no longer distinguished as the sister who had her dresses made in Paris; and Mrs. Gallilee was not now subjected to the indignity of getting a lift in Lady Northlake’s carriage.