Sea People. Christina Thompson. Читать онлайн. Newlib. NEWLIB.NET

Автор: Christina Thompson
Издательство: HarperCollins
Серия:
Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780008339036
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thousands of miles, summering in places like Alaska and wintering over in the tropics.

      For terrestrial life, however, it is quite a different matter. A typical atoll in the Tuamotus might support thirty indigenous species of plants and trees—as compared with the more than four hundred native plant species that might be found on a high island like Tahiti, or the many thousands that grow on a large continental island like New Zealand—and, among land animals, only lizards and crabs. While there are places on an atoll where one might, for a moment, imagine oneself to be surrounded by land—places where one’s line of sight is blocked by trees or shrubs—a few minutes’ walk in any direction will quickly dispel the illusion. Strolling the length of even a largish motu, you eventually come to a place where you can see water on both sides. At such moments it becomes breathtakingly clear that the ground beneath your feet is not really land in the way that most people understand it, but rather the tip of an undersea world that has temporarily emerged from the ocean. The real action, the real landscape, is all of water: the great rollers that boom and crash on the reef, the rush and suck of the tide through the passes, the breathtaking hues of the lagoon.

      And yet, when Europeans first reached the Pacific, they found virtually all the larger atolls inhabited. Even those that were clearly too small to support a permanent population often showed signs of human activity. On one tiny, uninhabited atoll, an early explorer found an abandoned canoe and piles of coconuts at the foot of a tree; on another there was the puzzling presence of unaccompanied dogs. Even the pit in which the Dutch sailors found water had almost certainly been dug by someone else. What all this appeared to suggest was that even the most insignificant and isolated specks of land were being visited by people who could come and go.

      There are not many good early descriptions of these people. The Tuamotus offered almost none of the things that European sailors needed—namely, food, water, and safe ports—and their complex network of reefs was dangerous to ships. With so little to be gained and so much to be lost, Europeans tended not to linger, and the early eyewitness reports are correspondingly slight. What they did manage to observe about the inhabitants of the Tuamotus was this: they were tall and well proportioned (Quirós referred to them as “corpulent,” presumably meaning something like “robust”); their hair, which they wore long and loose, was black; their skin was brown or reddish and, according to the Dutch explorer Le Maire, “all over pictured with snakes and dragons, and such like reptiles,” an unusually vivid description of tattooing. Europeans, it is worth noting, had a famously difficult time identifying the color of Polynesian skin; a later Dutch navigator would describe the inhabitants of Easter Island as pale yellow where they were not painted a dark blue.

      For food, the inhabitants of the low islands had coconuts, fish, shellfish, and other sea creatures; for animals, it is clear that at least they had dogs. Their knives, tools, and necklaces were made of shell (later investigators would also discover basalt adzes, which could only have been transported from a high island, there being no local sources of volcanic rock). Their principal weapons were spears, with which they armed themselves at the approach of strangers. Many Europeans who sailed past these islands reported seeing the inhabitants standing or running along the beach with their weapons in hand. Some interpreted their shouts and gestures as an invitation to land, others as an exhortation to depart, but, as “both sides were in the dark as to each other’s mind,” it was difficult to know for sure.

      Later observers would describe the “roving migratory habits” of these atoll dwellers, noting that they wandered from place to place, “so that at times an island will appear to be thickly peopled, and at others scarcely an individual is to be found.” Census taking proved almost impossible, because some portion of the population was always “away,” hunting turtles or collecting birds’ eggs or gathering coconuts or visiting in some other corner of the archipelago. All of which raises an interesting question: Since there are almost no trees on an atoll, and certainly none of the larger species that in other parts of the Pacific provided wood for keels and planks and masts, what did the inhabitants of the low islands do for canoes? It being inconceivable that they could ever have lived in this watery world without them.

      We have an early description, from 1606, of a fleet of canoes that came out “from within the island,” meaning presumably from across the lagoon, on the Tuamotuan atoll of Anaa. The vessels were described as something like a half galley—that is, a boat with both oars and masts—and were fitted with sails made of some kind of matting. Most had room for fourteen or fifteen men, though the largest carried as many as twenty-six. They were made, wrote the observer somewhat enigmatically, “not of one tree-trunk, but very subtly contrived.”

      There is a picture in A. C. Haddon and James Hornell’s Canoes of Oceania that sheds some light on this remark. It shows a small canoe from the island of Nukutavake, in the southern Tuamotus, which was brought to England in the 1760s by Captain Samuel Wallis. Now held in the British Museum, it is described as “by far the oldest complete hull of a Polynesian canoe in existence.” At just twelve feet long, it is not nearly big enough to carry fourteen or fifteen men and was probably a small fishing boat, to judge by the burn marks on its upper edge, which are thought to have been made by the friction of a running line.

      The amazing thing about the Nukutavake canoe is the way it’s constructed. It is composed of no fewer than forty-five irregularly shaped pieces of wood ingeniously stitched together with braided sennit, a kind of cordage made from the inner husk of a coconut. Close up, it looks like nothing so much as a crazy quilt whose seams have been decoratively overstitched with yarn. It is difficult to believe that such neat and painstaking rows of sewing could be made with something as rough as rope; or that what they are holding together could be something as stiff as wooden planks; or that anyone would think of making something as solid and important as a boat using such a method. Everything about it suggests cleverness and thrift and also, plainly, necessity. You can even see where the boards have been patched with little plugs or circles of timber held in place with stitches radiating out like the rays of a sun, and at least one plank shows signs of having been repurposed from another vessel.

      It was said, in the eighteenth and nineteenth centuries, that the inhabitants of the Tuamotus were the finest canoe builders in the eastern Pacific, and that when chiefs on the high island of Tahiti wanted to build a great canoe, “they had need of the help of men from the low islands.” One eighteenth-century British commander described a double-hulled canoe that he saw in the Tuamotus as having hulls that were thirty feet long. The planks, which were sewn together, he wrote, were “exceedingly well wrought,” and over every seam was a strip of tortoiseshell, “very artificially fastened, to keep out the weather.” All Polynesians gave proper names to different parts of their canoes, including the thwarts, paddles, bailers, anchors, and steering oars. But in the Tuamotus it is said that even the individual boards were sometimes named, the old timbers serving as “reminders of the courage, endurance, and success” of those who had preceded them upon the sea.

      Europeans greatly admired the craftsmanship of these vessels, but they also felt there was something a little startling about the idea of people putting to sea in boats that had been stitched together from scraps of wood. One early-eighteenth-century explorer recalled seeing a man some three miles out to sea in a craft so narrow it could accommodate only one person, sitting with his knees together. It was made, like the Nukutavake canoe, of “many small pieces of wood and held together by some plant,” and was so light it could be carried by a single man. Watching the progress of this canoe on the ocean was something of a revelation. “It was for us wonderful,” he wrote, “to see that one man alone dared to proceed in so frail a craft so far to sea, having nothing to help him but a paddle.” It was the merest inkling that here was a people with a different relationship to the ocean—people who could make their home on an atoll, people who could sail out to sea in a stitched ship—but, having little time or inclination to ponder the matter, the recorder of this interesting little tidbit turned and sailed on.

       New Zealand and Easter Island

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