Prior to the Revolution there is a dearth of records; the earlier documents and archives of the Custom-House having, probably, been carried off to Halifax, when all the king’s officials accompanied the British army in its flight from Boston. It has often been a matter of regret with me; for, going back, perhaps, to the days of the Protectorate, those papers must have contained many references to forgotten or remembered men, and to antique customs, which would have affected me with the same pleasure as when I used to pick up Indian arrowheads in the field near the Old Manse.
But, one idle and rainy day, it was my fortune to make a discovery of some little interest. Poking and burrowing into the heaped-up rubbish in the corner, unfolding one and another document, and reading the names of vessels that had long ago foundered at sea or rotted at the wharves, and those of merchants never heard of now on ‘Change, nor very readily decipherable on their mossy tombstones; glancing at such matters with the saddened, weary, half-reluctant interest which we bestow on the corpse of dead activity – and exerting my fancy, sluggish with little use, to raise up from these dry bones an image of the old town’s brighter aspect, when India was a new region, and only Salem knew the way thither – I chanced to lay my hand on a small package, carefully done up in a piece of ancient yellow parchment. This envelope had the air of an official record of some period long past, when clerks engrossed their stiff and formal chirography on more substantial materials than at present. There was something about it that quickened an instinctive curiosity, and made me undo the faded red tape that tied up the package, with the sense that a treasure would here be brought to light. Unbending the rigid folds of the parchment cover, I found it to be a commission, under the hand and seal of Governor Shirley, in favour of one Jonathan Pue, as Surveyor of His Majesty’s Customs for the Port of Salem in the Province of Massachusetts Bay. I remembered to have read (probably in Felt’s ‘Annals’) a notice of the decease of Mr Surveyor Pue, about fourscore years ago; and likewise, in a newspaper of recent times, an account of the digging up of his remains in the little graveyard of St Peter’s Church, during the renewal of that edifice. Nothing, if I rightly call to mind, was left of my respected predecessor, save an imperfect skeleton, and some fragments of apparel, and a wig of majestic frizzle, which, unlike the head that it once adorned, was in very satisfactory preservation. But, on examining the papers which the parchment commission served to envelop, I found more traces of Mr Pue’s mental part, and the internal operations of his head, than the frizzled wig had contained of the venerable skull itself.
They were documents, in short, not official, but of a private nature, or, at least, written in his private capacity, and apparently with his own hand. I could account for their being included in the heap of Custom-House lumber, only by the fact that Mr Pue’s death had happened suddenly, and that these papers, which he probably kept in his official desk, had never come to the knowledge of his heirs, or were supposed to relate to the business of the Revenue. On the transfer of the archives to Halifax, this package, proving to be of no public concern, was left behind, and had remained ever since unopened.
The ancient Surveyor – being little molested, I suppose, at that early day with business pertaining to his office – seems to have devoted some of his many leisure hours to researches as a local antiquarian, and other inquisitions of a similar nature. These supplied material for petty activity to a mind that would otherwise have been eaten up with rust. A portion of his facts, by the bye, did me good service in the preparation of my article entitled ‘Main Street.’ The remainder may perhaps be applied to purposes equally valuable hereafter, or not impossibly may be worked up, so far as they go, into a regular history of Salem, should my veneration for the natal soil ever impel me to so pious a task. Meanwhile, they shall be at the command of any gentleman, inclined and competent, to take the unprofitable labour off my hands. As a final disposition, I contemplated depositing them with the Essex Historical Society.
But the object that most drew my attention in the mysterious package was a certain affair of fine red cloth, much worn and faded. There were traces about it of gold embroidery, which, however, was greatly frayed and defaced, so that none, or very little, of the glitter was left. It had been wrought, as was easy to perceive, with wonderful skill of needlework; and the stitch (as I am assured by ladies conversant with such mysteries) gives evidence of a now forgotten art, not to be discovered even by the process of picking out the threads. This rag of scarlet cloth – for time, and wear, and a sacrilegious moth had reduced it to little other than a rag – on careful examination, assumed the shape of a letter. It was the capital letter A. By an accurate measurement, each limb proved to be precisely three inches and a quarter in length. It had been intended, there could be no doubt, as an ornamental article of dress; but how it was to be worn, or what rank, honour, and dignity, in by-past times, were signified by it, was a riddle which (so evanescent are the fashions of the world in these particulars) I saw little hope of solving. And yet it strangely interested me. My eyes fastened themselves upon the old scarlet letter, and would not be turned aside. Certainly there was some deep meaning in it most worthy of interpretation, and which, as it were, streamed forth from the mystic symbol, subtly communicating itself to my sensibilities, but evading the analysis of my mind.
While thus perplexed – and cogitating, among other hypotheses, whether the letter might not have been one of those decorations which the white men used to contrive in order to take the eyes of Indians – I happened to place it on my breast. It seemed to me – the reader may smile, but must not doubt my word – it seemed to me, then, that I experienced a sensation not altogether physical, yet almost so, as of burning heat, and as if the letter were not of red cloth, but red-hot iron. I shuddered, and involuntarily let it fall upon the floor.
In the absorbing contemplation of the scarlet letter, I had hitherto neglected to examine a small roll of dingy paper, around which it had been twisted. This I now opened, and had the satisfaction to find, recorded by the old Surveyor’s pen, a reasonably complete explanation of the whole affair. There were several foolscap sheets, containing many particulars respecting the life and conversation of one Hester Prynne, who appeared to have been rather a noteworthy personage in the view of our ancestors. She had flourished during the period between the early days of Massachusetts and the close of the seventeenth century. Aged persons, alive in the time of Mr Surveyor Pue, and from whose oral testimony he had made up his narrative, remembered her, in their youth, as a very old, but not decrepit woman, of a stately and solemn aspect. It had been her habit, from an almost immemorial date, to go about the country as a kind of voluntary nurse, and doing whatever miscellaneous good she might; taking upon herself, likewise, to give advice in all matters, especially those of the heart, by which means – as a person of such propensities inevitably must – she gained from many people the reverence due to an angel, but, I should imagine, was looked upon by others as an intruder and a nuisance. Prying further into the manuscript, I found the record of other doings and sufferings of this singular woman, for most of which the reader is referred to the story entitled ‘The Scarlet Letter’; and it should be borne carefully in mind that the main facts of that story are authorised and authenticated by the document of Mr Surveyor Pue. The original papers, together with the scarlet letter itself – a most curious relic – are still in my possession, and shall be freely exhibited to whomsoever, induced by the great interest of the narrative, may desire a sight of them. I must not be understood as affirming that, in the dressing up of the tale, and imagining the motives and modes of passion that influenced the characters who figure in it, I have invariably confined myself within the limits of the old Surveyor’s half a dozen sheets of foolscap. On the contrary,