“Opposed!” cried the tailor, terrified at the responsibility which would weigh upon him; “I to oppose the desire, the will of M. Fouquet when he is seeking to please the king! Oh, what a hateful word you have uttered, monseigneur. Oppose! Oh, ‘tis not I who said it, Heaven have mercy on me. I call the captain of the musketeers to witness it! Is it not true, Monsieur d’Artagnan, that I have opposed nothing?”
D’Artagnan made a sign indicating that he wished to remain neutral. He felt that there was an intrigue at the bottom of it, whether comedy or tragedy; he was at his wit’s end at not being able to fathom it, but in the meanwhile wished to keep clear.
But already Percerin, goaded by the idea that the king was to be told he stood in the way of a pleasant surprise, had offered Lebrun a chair, and proceeded to bring from a wardrobe four magnificent dresses, the fifth being still in the workmen’s hands; and these masterpieces he successively fitted upon four lay figures, which, imported into France in the time of Concini, had been given to Percerin II. by Marshal d’Onore, after the discomfiture of the Italian tailors ruined in their competition. The painter set to work to draw and then to paint the dresses. But Aramis, who was closely watching all the phases of his toil, suddenly stopped him.
“I think you have not quite got it, my dear Lebrun,” he said; “your colors will deceive you, and on canvas we shall lack that exact resemblance which is absolutely requisite. Time is necessary for attentively observing the finer shades.”
“Quite true,” said Percerin, “but time is wanting, and on that head, you will agree with me, monseigneur, I can do nothing.”
“Then the affair will fail,” said Aramis, quietly, “and that because of a want of precision in the colors.”
Nevertheless Lebrun went on copying the materials and ornaments with the closest fidelity—a process which Aramis watched with ill-concealed impatience.
“What in the world, now, is the meaning of this imbroglio?” the musketeer kept saying to himself.
“That will never do,” said Aramis: “M. Lebrun, close your box, and roll up your canvas.”
“But, monsieur,” cried the vexed painter, “the light is abominable here.”
“An idea, M. Lebrun, an idea! If we had a pattern of the materials, for example, and with time, and a better light—”
“Oh, then,” cried Lebrun, “I would answer for the effect.”
“Good!” said D’Artagnan, “this ought to be the knotty point of the whole thing; they want a pattern of each of the materials. Mordioux! Will this Percerin give in now?”
Percerin, beaten from his last retreat, and duped, moreover, by the feigned good-nature of Aramis, cut out five patterns and handed them to the bishop of Vannes.
“I like this better. That is your opinion, is it not?” said Aramis to D’Artagnan.
“My dear Aramis,” said D’Artagnan, “my opinion is that you are always the same.”
“And, consequently, always your friend,” said the bishop in a charming tone.
“Yes, yes,” said D’Artagnan, aloud; then, in a low voice, “If I am your dupe, double Jesuit that you are, I will not be your accomplice; and to prevent it, ’tis time I left this place.—Adieu, Aramis,” he added aloud, “adieu; I am going to rejoin Porthos.”
“Then wait for me,” said Aramis, pocketing the patterns, “for I have done, and shall be glad to say a parting word to our dear old friend.”
Lebrun packed up his paints and brushes, Percerin put back the dresses into the closet, Aramis put his hand on his pocket to assure himself the patterns were secure,—and they all left the study.
CHAPTER 5 Where, Probably, Moliere Obtained His First Idea of the Bourgeois Gentilhomme.
D’Artagnan found Porthos in the adjoining chamber; but no longer an irritated Porthos, or a disappointed Porthos, but Porthos radiant, blooming, fascinating, and chattering with Moliere, who was looking upon him with a species of idolatry, and as a man would who had not only never seen anything greater, but not even ever anything so great. Aramis went straight up to Porthos and offered him his white hand, which lost itself in the gigantic clasp of his old friend,—an operation which Aramis never hazarded without a certain uneasiness. But the friendly pressure having been performed not too painfully for him, the bishop of Vannes passed over to Moliere.
“Well, monsieur,” said he, “will you come with me to Saint-Mande?”
“I will go anywhere you like, monseigneur,” answered Moliere.
“To Saint-Mande!” cried Porthos, surprised at seeing the proud bishop of Vannes fraternizing with a journeyman tailor. “What, Aramis, are you going to take this gentleman to Saint-Mande?”
“Yes,” said Aramis, smiling, “our work is pressing.”
“And besides, my dear Porthos,” continued D’Artagnan, “M. Moliere is not altogether what he seems.”
“In what way?” asked Porthos.
“Why, this gentleman is one of M. Percerin’s chief clerks, and is expected at Saint-Mande to try on the dresses which M. Fouquet has ordered for the Epicureans.”
“’Tis precisely so,” said Moliere.
“Yes, monsieur.”
“Come, then, my dear M. Moliere,” said Aramis, “that is, if you have done with M. du Vallon.”
“We have finished,” replied Porthos.
“And you are satisfied?” asked D’Artagnan.
“Completely so,” replied Porthos.
Moliere took his leave of Porthos with much ceremony, and grasped the hand which the captain of the musketeers furtively offered him.
“Pray, monsieur,” concluded Porthos, mincingly, “above all, be exact.”
“You will have your dress the day after to-morrow, monsieur le baron,” answered Moliere. And he left with Aramis.
Then D’Artagnan, taking Porthos’s arm, “What has this tailor done for you, my dear Porthos,” he asked, “that you are so pleased with him?”
“What has he done for me, my friend! done for me!” cried Porthos, enthusiastically.
“Yes, I ask you, what has he done for you?”
“My friend, he has done that which no tailor ever yet accomplished: he has taken my measure without touching me!”
“Ah, bah! tell me how he did it.”
“First, then, they went, I don’t know where, for a number of lay figures, of all heights and sizes, hoping there would be one to suit mine, but the largest—that of the drum-major of the Swiss guard—was two inches too short, and a half foot too narrow in the chest.”
“Indeed!”
“It is exactly as I tell you, D’Artagnan; but he is a great man, or at the very least a great tailor, is this M. Moliere. He was not at all put at fault by the circumstance.”
“What did he do, then?”
“Oh! it is a very simple matter. I’faith, ’tis an unheard-of thing that people should have been so stupid