There had seemed something piteous to me in that appeal of Moll’s, that she might be herself for this night; and indeed I marvelled now how she could have so trained her natural disposition to an artificial manner, and did no longer wonder at the look of fatigue and weariness in her face on her return to London. For the old reckless, careless, daredevil spirit was still alive in her, as I could plainly see now that she abandoned herself entirely to the free sway of impulse; the old twinkle of mirth and mischief was in her eyes; she was no longer a fine lady, but a merry vagabond again, and when she laughed ’twas with her hands clasping her sides, her head thrown back, and all her white teeth gleaming in the light.
“Now,” says I, when at length our meal was finished, “I will clear the table.”
“Hoop!” cries she, catching up the corners of the tablecloth, and flinging them over the fragments; “’tis done. Let us draw round the fire, and tell old tales. Here’s a pipe, dear dad; I love the smell of tobacco; and you” (to me) “do fetch me a pipkin, that I may brew a good drink to keep our tongues going.”
About the time this drink was brewed, Simon, leading Mr. Godwin by a circuitous way, came through the garden to the back of the house, where was a door, which I had never opened for lack of a key to fit the lock. This key was now in Simon’s hand, and putting it with infinite care into the hole, he softly turned it in the wards. Then, with the like precaution, he lifts the latch and gently thrusts the door open, listening at every inch to catch the sounds within. At length ’tis opened wide; and so, turning his face to Mr. Godwin, who waits behind, sick with mingled shame and creeping dread, he beckons him to follow.
Above, Dawson was singing at the top of his voice, a sea-song he had learnt of a mariner at the inn he frequented at Greenwich, with a troll at the end, taken up by Moll and me. And to hear his wife’s voice bearing part in this rude song, made Mr. Godwin’s heart to sink within him. Under cover of this noise, Simon mounted the stairs without hesitation, Mr. Godwin following at his heels, in a kind of sick bewilderment. ’Twas pitch dark up there, and Simon, stretching forth his hands to know if Mr. Godwin was by, touched his hand, which was deadly cold and quivering; for here at the door he was seized with a sweating faintness, which so sapped his vigour that he was forced to hold by the wall to save himself from falling.
“Art thee ready?” asks Simon; but he can get no answer, for Mr. Godwin’s energies, quickened by a word from within like a jaded beast by the sting of a whip, is straining his ears to catch what is passing within. And what hears he?—The song is ended, and Dawson cries:
“You han’t lost your old knack of catching a tune, Moll. Come hither, wench, and sit upon my knee, for I do love ye more than ever. Give me a buss, chuck; this fine husband of thine shall not have all thy sweetness to himself.”
At this moment, Simon, having lifted the latch under his thumb, pushes wide open the door, and there through the thick cloud of tobacco smoke Mr. Godwin sees the table in disorder, the white cloth flung back over the remnants of our repast and stained with a patch of liquor from an overturned mug, a smutty pipkin set upon the board beside a dish of tobacco, and a broken pipe—me sitting o’ one side the hearth heavy and drowsy with too much good cheer, and on t’other side his young wife, sitting on Dawson’s knee, with one arm about his neck, and he in his uncouth seaman’s garb, with a pipe in one hand, the other about Moll’s waist, a-kissing her yielded cheek. With a cry of fury, like any wild beast, he springs forward and clutches at a knife that lies ready to his hand upon the board, and this cry is answered with a shriek from Moll as she starts to her feet.
“Who is this drunken villain?” he cries, stretching the knife in his hand towards Dawson.
And Moll, flinging herself betwixt the knife and Dawson, with fear for his life, and yet with some dignity in her voice and gesture, answers swiftly:
“This drunken villain is my father.”
CHAPTER XXXI.
Moll’s conscience is quickened by grief and humiliation beyond the ordinary.
“Stand aside, Moll,” cries Dawson, stepping to the fore, and facing Mr. Godwin. “This is my crime, and I will answer for it with my blood. Here is my breast” (tearing open his jerkin). “Strike, for I alone have done you wrong, this child of mine being but an instrument to my purpose.”
Mr. Godwin’s hand fell by his side, and the knife slipped from his fingers.
“Speak,” says he, thickly, after a moment of horrible silence broken only by the sound of the knife striking the floor. “If this is your daughter—if she has lied to me—what in God’s name is the truth? Who are you, I ask?”
“John Dawson, a player,” answers he, seeing the time is past for lying.
Mr. Godwin makes no response, but turns his eyes upon Moll, who stands before him with bowed head and clasped hands, wrung to her innermost fibre with shame, remorse, and awful dread, and for a terrible space I heard nothing but the deep, painful breathing of this poor, overwrought man.
“You are my wife,” says he, at length. “Follow me,” and with that he turns about and goes from the room. Then Moll, without a look at us, without a word, her face ghastly pale and drawn with agony, with faltering steps, obeys, catching at table and chair, as she passes, for support.
Dawson made a step forward, as if he would have overtaken her; but I withheld him, shaking my head, and himself seeing ’twas in vain, he dropped into a chair, and, spreading his arms upon the table, hides his face in them with a groan of despair.
Moll totters down the dark stairs, and finds her husband standing in the doorway, his figure revealed against the patch of grey light beyond, for the moon was risen, though veiled by a thick pall of cloud. He sees, as she comes to his side, that she has neither cloak nor hood to protect her from the winter wind, and in silence he takes off his own cloak and lays it on her shoulder. At this act of mercy a ray of hope animates Moll’s numbed soul, and she catches at her husband’s hand to press it to her lips, yet can find never a word to express her gratitude. But his hand is cold as ice, and he draws it away from her firmly, with obvious repugnance. There was no love in this little act of giving her his cloak; ’twas but the outcome of that chivalry in gentlemen which doth exact lenience even to an enemy.
So he goes on his way, she following like a whipped dog at his heels, till they reach the Court gates, and these being fast locked, on a little further, to the wicket gate. And there, as Mr. Godwin is about to enter, there confronts him Peter, that sturdy Puritan hireling of old Simon’s.
“Thee canst not enter here, friend,” says he, in his canting voice, as he sets his foot against the gate.
“Know you who I am?” asks Mr. Godwin.
“Yea, friend; and I know who thy woman is also. I am bidden by friend Simon, the true and faithful steward of Mistress Godwin in Barbary, to defend her house and lands against robbers and evil-doers of every kind, and without respect of their degree; and, with the Lord’s help,” adds he, showing a stout cudgel, “that will I do, friend.”
“’Tis true, fellow,” returns Mr. Godwin. “I have no right to enter here.”
And then, turning about, he stands irresolute, as not knowing whither he shall go to find shelter for his wife. For very shame, he does not take her to the village inn, to be questioned by gaping servants and landlord, who, ere long, must catch the flying news of her shameful condition and overthrow. A faint light in the lattice of Anne Fitch’s cottage catches his eye, and he crosses to her door, still humbly followed by poor Moll. There he finds the thumb-piece gone from the latch, to him a well-known sign that Mother Fitch has gone out a-nursing; so, pulling the hidden string he wots of, he lifts the latch within, and the door opens to his hand. A rush is burning in a cup of oil upon