Humpy, having gone into the parlor to tend the fire, returned with two envelopes he had found on the mantel. There was a check for a thousand dollars in each, one from Wilton, the other from Talbot, with “Merry Christmas” written across the visiting-cards of those gentlemen. The Hopper permitted Mary and Humpy to examine them and then laid them on the kitchen table, while he deliberated. His meditations were so prolonged that they grew nervous.
“I reckon they could spare ut, after all ye done fer ’em, Hop,” remarked Humpy.
“They’s millionaires, an’ money ain’t nothin’ to ’em,” said The Hopper.
“We can buy a motor-truck,” suggested Mary, “to haul our stuff to town; an’ mebbe we can build a new shed to keep ut in.”
The Hopper set the catsup bottle on the checks and rubbed his cheek, squinting at the ceiling in the manner of one who means to be careful of his speech.
“They’s things wot is an’ things wot ain’t,” he began. “We ain’t none o’ us ever got nowheres bein’ crooked. I been figurin’ that I still got about twenty thousan’ o’ that bunch o’ green I pulled out o’ that express car, planted in places where ’taint doin’ nobody no good. I guess ef I do ut careful I kin send ut back to the company, a little at a time, an’ they’d never know where ut come from.”
Mary wept; Humpy stared, his mouth open, his one eye rolling queerly.
“I guess we kin put a little chunk away every year,” The Hopper went on. “We’d be comfortabler doin’ ut. We could square up ef we lived long enough, which we don’t need t’ worry about, that bein’ the Lord’s business. You an’ me’s cracked a good many safes, Hump, but we never made no money at ut, takin’ out th’ time we done.”
“He’s got religion; that’s wot he’s got!” moaned Humpy, as though this marked the ultimate tragedy of The Hopper’s life.
“Mebbe ut’s religion an’ mebbe ut’s jes’ sense,” pursued The Hopper, unshaken by Humpy’s charge. “They wuz a chaplin in th’ Minnesoty pen as used t’ say ef we’re all square with our own selves ut’s goin’ to be all right with God. I guess I got a good deal o’ squarin’ t’ do, but I’m goin’ t’ begin ut. An’ all these things happenin’ along o’ Chris’mus, an’ little Shaver an’ his ma bein’ so friendly like, an’ her gittin’ me t’ help straighten out them ole gents, an’ doin’ all I done an’ not gettin’ pinched seems more ’n jes’ luck; it’s providential’s wot ut is!”
This, uttered in a challenging tone, evoked a sob from Humpy, who announced that he “felt like” he was going to die.
“It’s th’ Chris’mus time, I reckon,” said Mary, watching The Hopper deposit the two checks in the clock. “It’s the only decent Chris’mus I ever knowed!”
BEASLEY’S CHRISTMAS PARTY, by Booth Tarkington
TO JAMES WHITCOMB RILEY
I.
The maple-bordered street was as still as a country Sunday; so quiet that there seemed an echo to my footsteps. It was four o’clock in the morning; clear October moonlight misted through the thinning foliage to the shadowy sidewalk and lay like a transparent silver fog upon the house of my admiration, as I strode along, returning from my first night’s work on the Wainwright Morning Despatch.
I had already marked that house as the finest (to my taste) in Wainwright, though hitherto, on my excursions to this metropolis, the state capital, I was not without a certain native jealousy that Spencerville, the county-seat where I lived, had nothing so good. Now, however, I approached its purlieus with a pleasure in it quite unalloyed, for I was at last myself a resident (albeit of only one day’s standing) of Wainwright, and the house—though I had not even an idea who lived there—part of my possessions as a citizen. Moreover, I might enjoy the warmer pride of a next-door-neighbor, for Mrs. Apperthwaite’s, where I had taken a room, was just beyond.
This was the quietest part of Wainwright; business stopped short of it, and the “fashionable residence section” had overleaped this “forgotten backwater,” leaving it undisturbed and unchanging, with that look about it which is the quality of few urban quarters, and eventually of none, as a town grows to be a city—the look of still being a neighborhood. This friendliness of appearance was largely the emanation of the homely and beautiful house which so greatly pleased my fancy.
It might be difficult to say why I thought it the “finest” house in Wainwright, for a simpler structure would be hard to imagine; it was merely a big, old-fashioned brick house, painted brown and very plain, set well away from the street among some splendid forest trees, with a fair spread of flat lawn. But it gave back a great deal for your glance, just as some people do. It was a large house, as I say, yet it looked not like a mansion but like a home; and made you wish that you lived in it. Or, driving by, of an evening, you would have liked to hitch your horse and go in; it spoke so surely of hearty, old-fashioned people living there, who would welcome you merrily.
It looked like a house where there were a grandfather and a grandmother; where holidays were warmly kept; where there were boisterous family reunions to which uncles and aunts, who had been born there, would return from no matter what distances; a house where big turkeys would be on the table often; where one called “the hired man” (and named either Abner or Ole) would crack walnuts upon a flat-iron clutched between his knees on the back porch; it looked like a house where they played charades; where there would be long streamers of evergreen and dozens of wreaths of holly at Christmas-time; where there were tearful, happy weddings and great throwings of rice after little brides, from the broad front steps: in a word, it was the sort of a house to make the hearts of spinsters and bachelors very lonely and wistful—and that is about as near as I can come to my reason for thinking it the finest house in Wainwright.
The moon hung kindly above its level roof in the silence of that October morning, as I checked my gait to loiter along the picket fence; but suddenly the house showed a light of its own. The spurt of a match took my eye to one of the upper windows, then a steadier glow of orange told me that a lamp was lighted. The window was opened, and a man looked out and whistled loudly.
I stopped, thinking that he meant to attract my attention; that something might be wrong; that perhaps some one was needed to go for a doctor. My mistake was immediately evident, however; I stood in the shadow of the trees bordering the sidewalk, and the man at the window had not seen me.
“Boy! Boy!” he called, softly. “Where are you, Simpledoria?”
He leaned from the window, looking downward. “Why, there you are!” he exclaimed, and turned to address some invisible person within the room. “He’s right there, underneath the window. I’ll bring him up.” He leaned out again. “Wait there, Simpledoria!” he called. “I’ll be down in a jiffy and let you in.”
Puzzled, I stared at the vacant lawn before me. The clear moonlight revealed it brightly, and it was empty of any living presence; there were no bushes nor shrubberies—nor even shadows—that could have been mistaken for a boy, if “Simpledoria” was a boy. There was no dog in sight; there was no cat; there was nothing beneath the window except thick, close-cropped grass.
A light shone in the hallway behind the broad front doors; one of these was opened, and revealed in silhouette the tall, thin figure of a man in a long, old-fashioned dressing-gown.
“Simpledoria,” he said, addressing the night air with considerable severity, “I don’t know what to make of you. You might have caught your death of cold, roving out at such an hour. But there,” he continued, more indulgently; “wipe your feet on the mat and come in. You’re safe now!”
He