“You have only lately arrived?” the countess asked him.
“Oui, madame,” replied he, looking around him.
“You have not yet seen my husband?”
“Non, madame.” He smiled quite inappropriately.
“You have been in Paris recently, I believe? I suppose it’s very interesting.”
“Very interesting.”
The countess exchanged glances with Anna Mikhaylovna. The latter understood that she was being asked to entertain this young man, and sitting down beside him she began to speak about his father; but he answered her, as he had the countess, only in monosyllables. The other guests were all conversing with one another. “The Razumovskis... It was charming... You are very kind... Countess Apraksina...” was heard on all sides. The countess rose and went into the ballroom.
“Marya Dmitrievna?” came her voice from there.
“Herself,” came the answer in a rough voice, and Marya Dmitrievna entered the room.
All the unmarried ladies and even the married ones except the very oldest rose. Marya Dmitrievna paused at the door. Tall and stout, holding high her fifty-year-old head with its gray curls, she stood surveying the guests, and leisurely arranged her wide sleeves as if rolling them up. Marya Dmitrievna always spoke in Russian.
“Health and happiness to her whose name day we are keeping and to her children,” she said, in her loud, full-toned voice which drowned all others. “Well, you old sinner,” she went on, turning to the count who was kissing her hand, “you’re feeling dull in Moscow, I daresay? Nowhere to hunt with your dogs? But what is to be done, old man? Just see how these nestlings are growing up,” and she pointed to the girls. “You must look for husbands for them whether you like it or not....”
“Well,” said she, “how’s my Cossack?” (Marya Dmitrievna always called Natasha a Cossack) and she stroked the child’s arm as she came up fearless and gay to kiss her hand. “I know she’s a scamp of a girl, but I like her.”
She took a pair of pear-shaped ruby earrings from her huge reticule and, having given them to the rosy Natasha, who beamed with the pleasure of her saint’s-day fete, turned away at once and addressed herself to Pierre.
“Eh, eh, friend! Come here a bit,” said she, assuming a soft high tone of voice. “Come here, my friend...” and she ominously tucked up her sleeves still higher. Pierre approached, looking at her in a childlike way through his spectacles.
“Come nearer, come nearer, friend! I used to be the only one to tell your father the truth when he was in favor, and in your case it’s my evident duty.” She paused. All were silent, expectant of what was to follow, for this was clearly only a prelude.
“A fine lad! My word! A fine lad!... His father lies on his deathbed and he amuses himself setting a policeman astride a bear! For shame, sir, for shame! It would be better if you went to the war.”
She turned away and gave her hand to the count, who could hardly keep from laughing.
“Well, I suppose it is time we were at table?” said Marya Dmitrievna.
The count went in first with Marya Dmitrievna, the countess followed on the arm of a colonel of hussars, a man of importance to them because Nicholas was to go with him to the regiment; then came Anna Mikhaylovna with Shinshin. Berg gave his arm to Vera. The smiling Julie Karagina went in with Nicholas. After them other couples followed, filling the whole dining hall, and last of all the children, tutors, and governesses followed singly. The footmen began moving about, chairs scraped, the band struck up in the gallery, and the guests settled down in their places. Then the strains of the count’s household band were replaced by the clatter of knives and forks, the voices of visitors, and the soft steps of the footmen. At one end of the table sat the countess with Marya Dmitrievna on her right and Anna Mikhaylovna on her left, the other lady visitors were farther down. At the other end sat the count, with the hussar colonel on his left and Shinshin and the other male visitors on his right. Midway down the long table on one side sat the grownup young people: Vera beside Berg, and Pierre beside Boris; and on the other side, the children, tutors, and governesses. From behind the crystal decanters and fruit vases, the count kept glancing at his wife and her tall cap with its light-blue ribbons, and busily filled his neighbors’ glasses, not neglecting his own. The countess in turn, without omitting her duties as hostess, threw significant glances from behind the pineapples at her husband whose face and bald head seemed by their redness to contrast more than usual with his gray hair. At the ladies’ end an even chatter of voices was heard all the time, at the men’s end the voices sounded louder and louder, especially that of the colonel of hussars who, growing more and more flushed, ate and drank so much that the count held him up as a pattern to the other guests. Berg with tender smiles was saying to Vera that love is not an earthly but a heavenly feeling. Boris was telling his new friend Pierre who the guests were and exchanging glances with Natasha, who was sitting opposite. Pierre spoke little but examined the new faces, and ate a great deal. Of the two soups he chose turtle with savory patties and went on to the game without omitting a single dish or one of the wines. These latter the butler thrust mysteriously forward, wrapped in a napkin, from behind the next man’s shoulders and whispered: “Dry Madeira”... “Hungarian”... or “Rhine wine” as the case might be. Of the four crystal glasses engraved with the count’s monogram that stood before his plate, Pierre held out one at random and drank with enjoyment, gazing with ever-increasing amiability at the other guests. Natasha, who sat opposite, was looking at Boris as girls of thirteen look at the boy they are in love with and have just kissed for the first time. Sometimes that same look fell on Pierre, and that funny lively little girl’s look made him inclined to laugh without knowing why.
Nicholas sat at some distance from Sonya, beside Julie Karagina, to whom he was again talking with the same involuntary smile. Sonya wore a company smile but was evidently tormented by jealousy; now she turned pale, now blushed and strained every nerve to overhear what Nicholas and Julie were saying to one another. The governess kept looking round uneasily as if preparing to resent any slight that might be put upon the children. The German tutor was trying to remember all the dishes, wines, and kinds of dessert, in order to send a full description of the dinner to his people in Germany; and he felt greatly offended when the butler with a bottle wrapped in a napkin passed him by. He frowned, trying to appear as if he did not want any of that wine, but was mortified because no one would understand that it was not to quench his thirst or from greediness that he wanted it, but simply from a conscientious desire for knowledge.
Chapter 19
At the men’s end of the table the talk grew more and more animated. The colonel told them that the declaration of war had already appeared in Petersburg and that a copy, which he had himself seen, had that day been forwarded by courier to the commander-in-chief.
“And why the deuce are we going to fight Bonaparte?” remarked Shinshin. “He has stopped Austria’s cackle and I fear it will be our turn next.”
The colonel was a stout, tall, plethoric German, evidently devoted to the service and patriotically Russian. He resented Shinshin’s remark.
“It is for the reasson, my goot sir,” said he, speaking with a German accent, “for the reasson zat ze Emperor knows zat. He declares in ze manifessto zat he cannot fiew wiz indifference ze danger vreatening Russia and zat ze safety and dignity of ze Empire as vell as ze sanctity of its alliances...” he spoke this last word with particular emphasis as if in it lay the gist of the matter.
Then with the unerring official memory that characterized him he repeated from the opening words of the manifesto:
... and the wish, which constitutes the Emperor’s sole and absolute aim—to establish peace in Europe on firm foundations—has now decided him to despatch part of the army abroad and to create a new condition