* *
But Rome. Greece may be dead or in the currant trade. Rome is alive and immortal. Do not talk to me about Signor Giolitti, who is quite sure that the only things that matter in this new Italy, which is old Rome, are her commercial relations with Germany. Rome of the legions, our ancient mistress and conqueror, is alive to-day, and she cannot be for an ignoble peace. Here in my newspaper is the speech of a poet spoken in Rome to a shouting crowd: I will cut out the column and put it in the Poetry Book.
* *
He calls to the living and to the dead: "I saw the fire of Vesta, O Romans, lit yesterday in the great steel works of Liguria, The fountain of Juturna, O Romans, I saw its water run to temper armour, to chill the drills that hollow out the bore of guns." This is poetry of the old Roman sort. I imagine that scene in Rome: the latest poet of Rome calling upon the Romans in the name of Vesta's holy fire, in the name of the springs at which the Great Twin Brethren washed their horses. I still believe in the power and the ancient charm of noble words. I do not think that Giolitti and the stockbrokers will keep old Rome off the old roads where the legions went.
Postscript
While this volume was passing through the press, Mr. Ralph Shirley, the Editor of "The Occult Review" called my attention to an article that is appearing in the August issue of his magazine, and was kind enough to let me see the advance proof sheets.
The article is called "The Angelic Leaders" It is written by Miss Phyllis Campbell. I have read it with great care.
Miss Campbell says that she was in France when the war broke out. She became a nurse, and while she was nursing the wounded she was informed that an English soldier wanted a "holy picture." She went to the man and found him to be a Lancashire Fusilier. He said that he was a Wesleyan Methodist, and asked "for a picture or medal (he didn't care which) of St. George… because he had seen him on a white horse, leading the British at Vitry-le-François, when the Allies turned"
This statement was corroborated by a wounded R.F.A. man who was present. He saw a tall man with yellow hair, in golden armour, on a white horse, holding his sword up, and his mouth open as if he was saying, "Come on, boys! I'll put the kybosh on the devils" This figure was bareheaded—as appeared later from the testimony of other soldiers—and the R.F.A. man and the Fusilier knew that he was St. George, because he was exactly like the figure of St. George on the sovereigns. "Hadn't they seen him with his sword on every 'quid' they'd ever had?"
From further evidence it seemed that while the English had seen the apparition of St. George coming out of a "yellow mist" or "cloud of light," to the French had been vouchsafed visions of St. Michael the Archangel and Joan of Arc. Miss Campbell says:—
"Everybody has seen them who has fought through from Mons to Ypres; they all agree on them individually, and have no doubt at all as to the final issue of their interference"
Such are the main points of the article as it concerns the great legend of "The Angels of Mons." I cannot say that the author has shaken my incredulity—firstly, because the evidence is second-hand. Miss Campbell is perhaps acquainted with "Pickwick" and I would remind her of that famous (and golden) ruling of Stareleigh, J.: to the effect that you mustn't tell us what the soldier said; it's not evidence. Miss Campbell has offended against this rule, and she has not only told us what the soldier said, but she has omitted to give us the soldier's name and address.
If Miss Campbell proffered herself as a witness at the Old Bailey and said, "John Doe is undoubtedly guilty. A soldier I met told me that he had seen the prisoner put his hand into an old gentleman's pocket and take out a purse"—well, she would find that the stout spirit of Mr. Justice Stareleigh still survives in our judges.
The soldier must be produced. Before that is done we are not technically aware that he exists at all.
Then there are one or two points in the article itself which puzzle me. The Fusilier and the R.F.A. man had seen "St, George leading the British at Vitry-le-François, when the Allies turned." Thus the time of the apparition and the place of the apparition were firmly fixed in the two soldiers' minds.
Yet the very next paragraph in the article begins:—
"'Where was this ?' I asked. But neither of them could tell"
This is an odd circumstance. They knew, and yet they did not know; or, rather, they had forgotten a piece of information that they had themselves imparted a few seconds before.
Another point. The soldiers knew that the figure on the horse was St. George by his exact likeness to the figure of the saint on the English sovereign.
This, again, is odd. The apparition was of a bareheaded figure in golden armour. The St. George of the coinage is naked, except for a short cape flying from the shoulders, and a helmet. He is not bareheaded, and has no armour—save the piece on his head. I do not quite see how the soldiers were so certain as to the identity of the apparition.
Lastly, Miss Campbell declares that "everybody" who fought from Mons to Ypres saw the apparitions. If that be so, it is again odd that Nobody has come forward to testify at first hand to the most amazing event of his life. Many men have been back on leave from the front, we have many wounded in hospital, many soldiers have written letters home. And they have all combined, this great host, to keep silence as to the most wonderful of occurrences, the most inspiring assurance, the surest omen of victory.
It may be so, but—
Arthur Machen.
The Marriage of Panurge
It was a dim, hot night; all the great city smoked as with a mist, and a tawny moon rose through films of cloud far in the vista of the east. Ambrose thought with a sudden recollection that the moon, that world of splendour, was shining in a farther land, on the coast of the wild rocks, on the heaving sea, on the faery apple-garths in Avalon, where, though the apples are always golden, yet the blossoms of enchantment never fade, but hang for ever against the sky.
They were passing a half-lit street, and these dreams were broken by the sudden clanging, rattling music of a piano-organ. For a moment they saw the shadowy figures of the children as they flitted to and fro, dancing odd measures in the rhythm of the tune. Then they came into a long, narrow way with a church spire in the distance, and near the church they passed the “church-shop”— Roman, evidently, from the subjects and the treatment of the works of art on view. But it was strange! In the middle of the window was a crude, glaring statue of some saint. He was in bright red robes, sprinkled with golden stars; the blood rained down from a wound in his forehead, and with one hand he drew the scarlet vestment aside and pointed to the dreadful gash above his heart, and from this, again, the bloody drops fell thick. The colours stared and shrieked, and yet, through the bad, cheap art there seemed to shine a rapture that was very near to beauty; the thing expressed was so great that it had to a certain extent overcome the villainy of the expression.
They wandered vaguely, after their custom. Ambrose was silent; he was thinking of Avalon and “Red Martyrdom” and the Frenchman’s parting salutation, of the vision in one of the old books, “the Man clothed in a robe redder and more shining than burning fire, and his feet and his hands and his face were of a like flame, and five angels in fiery vesture stood about him, and at the feet of the Man the ground was covered with a ruddy dew.”
They passed under an old church tower that rose white in the moonlight above them. The air had cleared, the mist had floated away, and now the sky glowed violet, and the white stones of the classic spire shone on high. From it there came suddenly a tumult of glad sound, exultant bells in ever-changing order, pealing out as if to honour some great victory, so that the mirth of the street below became but a trivial restless noise. He thought of some passage that he had read but could not distinctly remember: a ship was coming back to its haven after