"They" were one or two out of the few who got back to the German lines. Most of the Prussians stayed in the ploughed field. Karl Heinz's scream had frozen the blood of the English soldiers, but it had also ruined the major's plans. He and his men, caught all unready, clumsy with the burdens that they carried, were shot to pieces; hardly a score of them returned. The rest of the force were attended to by an English burying party. According to custom the dead men were searched before they were buried, and some singular relies of the campaign were found upon them, but nothing so singular as Karl Heinz's diary.
He had been keeping it for some time. It began with entries about bread and sausage and the ordinary incidents of the trenches; here and there Karl wrote about an old grandfather, and a big china pipe, and pinewoods and roast goose. Then the diarist seemed to get fidgety about his health. Thus:
April 17.—Annoyed for some days by murmuring sounds in my head. I trust I shall not become deaf, like my departed uncle Christopher.
April 20.—The noise in my head grows worse; it is a humming sound. It distracts me; twice I have failed to hear the captain and have been reprimanded.
April 22.—So bad is my head that I go to see the doctor. He speaks of tinnitus, and gives me an inhaling apparatus that shall reach, he says, the middle ear.
April 25.—The apparatus is of no use. The sound is now become like the booming of a great church bell. It reminds me of the bell at St. Lambart on that terrible day of last August.
April 26.—I could swear that it is the bell of St. Lambart that I hear all the time. They rang it as the procession came out of the church.
The man's writing, at first firm enough, begins to straggle unevenly over the page at this point. The entries show that he became convinced that he heard the bell of St. Lambart's Church ringing, though (as he knew better than most men) there had been no bell and no church at St. Lambart's since the summer of 1914. There was no village either—the whole place was a rubbish-heap.
Then the unfortunate Karl Heinz was beset with other troubles.
May 2.—I fear I am becoming ill. To-day Joseph Kleist, who is next to me in the trench, asked me why I jerked my head to the right so constantly. I told him to hold his tongue; but this shows that I am noticed. I keep fancying that there is something white just beyond the range of my sight on the right hand.
May 3.—This whiteness is now quite clear, and in front of me. All this day it has slowly passed before me. I asked Joseph Kleist if he saw a piece of newspaper just beyond the trench. He stared at me solemnly—he is a stupid fool—and said, "There is no paper."
May 4.—It looks like a white robe. There was a strong smell of incense to-day in the trench. No one seemed to notice it. There is decidedly a white robe, and I think I can see feet, passing very slowly before me at this moment while I write.
There is no space here for continuous extracts from Karl Heinz's diary. But to condense with severity, it would seem that he slowly gathered about himself a complete set of sensory hallucinations. First the auditory hallucination of the sound of a bell, which the doctor called tinnitus. Then a patch of white growing into a white robe, then the smell of incense. At last he lived in two worlds. He saw his trench, and the level before it, and the English lines; he talked with his comrades and obeyed orders, though with a certain difficulty; but he also heard the deep boom of St. Lambart's bell, and saw continually advancing towards him a white procession of little children, led by a boy who was swinging a censer. There is one extraordinary entry: "But in August those children carried no lilies; now they have lilies in their hands. Why should they have lilies?"
It is interesting to note the transition over the border line. After May 2 there is no reference in the diary to bodily illness, with two notable exceptions. Up to and including that date the sergeant knows that he is suffering from illusions; after that he accepts his hallucinations as actualities. The man who cannot see what he sees and hear what he hears is a fool. So he writes: "I ask who is singing 'Ave Maria Stella.' That blockhead Friedrich Schumacher raises his crest and answers insolently that no one sings, since singing is strictly forbidden for the present."
A few days before the disastrous night expedition the last figure in the procession appeared to those sick eyes.
The old priest now comes in his golden robe, the two boys holding each side of it. He is looking just as he did when he died, save that when he walked in St. Lambart there was no shining round his head. But this is illusion and contrary to reason, since no one has a shining about his head. I must take some medicine.
Note here that Karl Heinz absolutely accepts the appearance of the martyred priest of St. Lambart as actual, while he thinks that the halo must be an illusion; and so he reverts again to his physical condition.
The priest held up both his hands, the diary states, "as if there were something between them. But there is a sort of cloud or dimness over this object, whatever it may be. My poor Aunt Kathie suffered much from her eyes in her old age."
* * * * *
One can guess what the priest of St. Lambart carried in his hands when he and the little children went out into the hot sunlight to implore mercy, while the great resounding bell of St. Lambart boomed over the plain. Karl Heinz knew what happened then; they said that it was he who killed the old priest and helped to crucify the little child against the church door. The baby was only three years old. He died calling piteously for "mummy" and "daddy."
* * * * *
And those who will may guess what Karl Heinz saw when the mist cleared from before the monstrance in the priest's hands. Then he shrieked and died.
The Dazzling Light
The new head-covering is made of heavy steel, which has been specialty treated to increase its resisting power. The walls protecting the skull are particularly thick, and the weight of the helmet renders its use in open warfare out of the question. The rim is large, like that of the headpiece of Mambrino, and the soldier can at will either bring the helmet forward and protect his eyes or wear it so as to protect the base of the skull . . . Military experts admit that continuance of the present trench warfare may lead to those engaged in it, especially bombing parties and barbed wire cutters, being more heavily armoured than the knights, who fought at Bouvines and at Agincourt.—The Times, July 22, 1915
The war is already a fruitful mother of legends. Some people think that there are too many war legends, and a Croydon gentleman—or lady, I am not sure which—wrote to me quite recently telling me that a certain particular legend, which I will not specify, had become the "chief horror of the war." There may be something to be said for this point of view, but it strikes me as interesting that the old myth-making faculty has survived into these days, a relic of noble, far-off Homeric battles. And after all, what do we know? It does not do to be too sure that this, that, or the other hasn't happened and couldn't have happened.
What follows, at any rate, has no claim to be considered either as legend or as myth. It is merely one of the odd circumstances of these times, and I have no doubt it can easily be "explained away." In fact, the rationalistic explanation of the whole thing is patent and on the surface. There is only one little difficulty, and that, I fancy, is by no means insuperable. In any case this one knot or tangle may be put down as a queer coincidence and nothing more.
Here, then, is the curiosity or oddity in question. A young fellow, whom we will call for avoidance of all identification Delamere Smith— he is now Lieutenant Delamere Smith—was spending his holidays on the coast of west South Wales at the beginning of the war. He was something or other not very important in the City, and in his leisure hours he smattered lightly and agreeably a little literature, a little art, a little antiquarianism. He liked the Italian primitives, he knew the difference between first, second, and third pointed, he had looked through Boutell's "Engraved Brasses." He had been heard indeed to speak with enthusiasm