ARTHUR MACHEN Ultimate Collection: The Greatest Occult & Supernatural Classics in One Volume (Including Translations, Essays & Autobiography). Arthur Machen. Читать онлайн. Newlib. NEWLIB.NET

Автор: Arthur Machen
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I walked along, hardly knowing where I was going or what I did there, but feeling impelled, as one sometimes is, to explore still further, with a vague idea of reaching some unknown goal. Thus I forged up the street, noting the small traffic of the milk-shop, and wondering at the incongruous medley of penny pipes, black tobacco, sweets, newspapers, and comic songs which here and there jostled one another in the short compass of a single window. I think it was a cold shudder that suddenly passed through me that first told me that I had found what I wanted. I looked up from the pavement and stopped before a dusty shop, above which the lettering had faded, where the red bricks of two hundred years ago had grimed to black; where the windows had gathered to themselves the fog and the dirt of winters innumerable. I saw what I required; but I think it was five minutes before I had steadied myself and could walk in and ask for it in a cool voice and with a calm face. I think there must even then have been a tremor in my words, for the old man who came out from his back parlour, and fumbled slowly amongst his goods, looked oddly at me as he tied the parcel. I paid what he asked, and stood leaning by the counter, with a strange reluctance to take up my goods and go. I asked about the business, and learnt that trade was bad and the profits cut down sadly; but then the street was not what it was before traffic had been diverted, but that was done forty years ago, "just before my father died," he said. I got away at last, and walked along sharply; it was a dismal street indeed, and I was glad to return to the bustle and the noise. Would you like to see my purchase?'

      Austin said nothing, but nodded his head slightly; he still looked white and sick. Villiers pulled out a drawer in the bamboo table, and showed Austin a long coil of cord, hard and new; and at one end was a running noose.

      'It is the best hempen cord,' said Villiers, 'just as it used to be made for the old trade, the man told me. Not an inch of jute from end to end.'

      Austin set his teeth hard, and stared at Villiers, growing whiter as he looked.

      'You would not do it,' he murmured at last. 'You would not have blood on your hands. My God!' he exclaimed, with sudden vehemence, 'you cannot mean this, Villiers, that you will make yourself a hangman?'

      'No. I shall offer a choice, and leave Helen Vaughan alone with this cord in a locked room for fifteen minutes. If when we go in it is not done, I shall call the nearest policeman. That is all.'

      'I must go now. I cannot stay here any longer; I cannot bear this. Good-night.'

      'Good-night, Austin.'

      The door shut, but in a moment it was opened again, and Austin stood, white and ghastly, in the entrance.

      'I was forgetting,' he said, 'that I too have something to tell. I have received a letter from Dr. Harding of Buenos Ayres. He says that he attended Meyrick for three weeks before his death.'

      'And does he say what carried him off in the prime of life? It was not fever?'

      'No, it was not fever. According to the doctor, it was an utter collapse of the whole system, probably caused by some severe shock. But he states that the patient would tell him nothing, and that he was consequently at some disadvantage in treating the case.'

      'Is there anything more?'

      'Yes. Dr. Harding ends his letter by saying: "I think this is all the information I can give you about your poor friend. He had not been long in Buenos Ayres, and knew scarcely any one, with the exception of a person who did not bear the best of characters, and has since left—a Mrs. Vaughan."'

      VIII

       The Fragments

       Table of Contents

      [Amongst the papers of the well-known physician, Dr. Robert Matheson, of Ashley Street, Piccadilly, who died suddenly, of apoplectic seizure, at the beginning of 1892, a leaf of manuscript paper was found, covered with pencil jottings. These notes were in Latin, much abbreviated, and had evidently been made in great haste. The MS. was only deciphered with great difficulty, and some words have up to the present time evaded all the efforts of the expert employed. The date, 'XXV Jul. 1888,' is written on the right-hand corner of the MS. The following is a translation of Dr. Matheson's manuscript.]

      'Whether science would benefit by these brief notes if they could be published, I do not know, but rather doubt. But certainly I shall never take the responsibility of publishing or divulging one word of what is here written, not only on account of my oath freely given to those two persons who were present, but also because the details are too abominable. It is probably that, upon mature consideration, and after weighing the good and evil, I shall one day destroy this paper, or at least leave it under seal to my friend D., trusting in his discretion, to use it or to burn it, as he may think fit.

      'As was befitting, I did all that my knowledge suggested to make sure that I was suffering under no delusion. At first astounded, I could hardly think, but in a minute's time I was sure that my pulse was steady and regular, and that I was in my real and true senses. I then fixed my eyes quietly on what was before me.

      'Though horror and revolting nausea rose up within me, and an odour of corruption choked my breath, I remained firm. I was then privileged or accursed, I dare not say which, to see that which was on the bed, lying there black like ink, transformed before my eyes. The skin, and the flesh, and the muscles, and the bones, and the firm structure of the human body that I had thought to be unchangeable, and permanent as adamant, began to melt and dissolve.

      'I knew that the body may be separated into its elements by external agencies, but I should have refused to believe what I saw. For here there was some internal force, of which I knew nothing, that caused dissolution and change.

      'Here too was all the work by which man had been made repeated before my eyes. I saw the form waver from sex to sex, dividing itself from itself, and then again reunited. Then I saw the body descend to the beasts whence it ascended, and that which was on the heights go down to the depths, even to the abyss of all being. The principle of life, which makes organism, always remained, while the outward form changed.

      'The light within the room had turned to blackness, not the darkness of night, in which objects are seen dimly, for I could see clearly and without difficulty. But it was the negation of light; objects were presented to my eyes, if I may say so, without any medium, in such a manner that if there had been a prism in the room I should have seen no colours represented in it.

      'I watched, and at last I saw nothing but a substance as jelly. Then the ladder was ascended again ... [here the MS. is illegible] ... for one instant I saw a Form, shaped in dimness before me, which I will not farther describe. But the symbol of this form may be seen in ancient sculptures, and in paintings which survived beneath the lava, too foul to be spoken of ... as a horrible and unspeakable shape, neither man nor beast, was changed into human form, there came finally death.

      'I who saw all this, not without great horror and loathing of soul, here write my name, declaring all that I have set on this paper to be true.

      'Robert Matheson, Med. Dr.'

      ... Such, Raymond, is the story of what I know and what I have seen. The burden of it was too heavy for me to bear alone, and yet I could tell it to none but you. Villiers, who was with me at the last, knows nothing of that awful secret of the wood, of how what we both saw die, lay upon the smooth, sweet turf amidst the summer flowers, half in sun and half in shadow, and holding the girl Rachel's hand, called and summoned those companions, and shaped in solid form, upon the earth we tread on, the horror which we can but hint at, which we can only name under a figure. I would not tell Villiers of this, nor of that resemblance, which struck me as with a blow upon my heart, when I saw the portrait, which filled the cup of terror at the end. What this can mean I dare not guess. I know that what I saw perish was not Mary, and yet in the last agony Mary's eyes looked into mine. Whether there be any one who can show the last link in this chain of awful mystery, I do not know, but if there be any one who can do this, you, Raymond, are the man. And if you know the secret, it rests with you to tell it or not, as you please.

      I am writing this letter to you immediately on my getting